nesfield william eden (12 résultats)

Hardback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardback in Dust Wrapper. Etat : Very Good. Etat de la jaquette : Very Good. First edition (first printing). Hardback. Dust wrapper over orange boards with gilt titles to the spine; Measures 10" x 7½" (1.4 kg); pp 288; Includes: Black & white photographs (within the text); Facsimiles; Illustrated lining papers; Frontispiece; 2-column text (in part); Appendices (3); || The book is on the shelf, ready to be appropriately packed, and posted from the pastoral paradise of Peasedown St. John, Bath, by a real bookseller in a real book shop - with my personal guarantee and beady eye on the Consumer Contracts Regulations. REMEMBER! Buying my copy means the book shop Jack Russells get their supper! My Book #195807 ||.

1st edition. Brown cloth boards, white lettering to spine under illustrated dustwrapper. 10ins x 7.75ins, illustrated endpapers, 288pp. There are a number of photographic illustrations within the text as well as reproductions of Nesfield's sketches and plans. Apart from the letters themselves the book contains an essay of the architect Nesfield by Andrew Saint, a history of the Bullock family, an essay on the changing church of the 19th century by Rev Dr Geoffrey Rowell and an appreciation of the church today by Clive Aslet. F / VG.

Hardcover. Etat : As New. Etat de la jaquette : As New. Hbk square small 4to 288pp profusely illustr photos, plans and facsimile documents a most enlightening and entertaining window onto the profound changes in Victorian Church architecture with essays by Clive Aslet and Geoffrey Rowell an excellent clean tight unmarked copy in sleeve-protected dj as new.

First Edition. Good copy, finely bound in full aniline calf over plain cloth. Gilt-blocked title to spine with raised bands; marbled endpapers. Spine bands and panel edges worn as with age (with some loss); minor foxing scattered throughout. Remains quite well-preserved overall. Physical description; [12] pages, 100 leaves of plates (1 color) : illustrations ; 44 cm. Notes; Engraved title page: "chiefly selected from examples of the 12th and 13th centuries in France & Italy". Contents; Folio 89 plates relating to France, 11 plates relating to Italy. Subjects; Architecture, Medieval France. Architecture, Medieval Italy. Architecture, Medieval Europe, Western. Church architecture France. Church architecture Italy. Church architecture Europe, Western. Church decoration and ornament. Architecture Middle Ages. Architecture France History 12th century. Architecture France History 13th century. Architecture Italy History 12th century. Architecture Italy History 13th century. 1 Kg.

First Edition. Good copy, finely bound in full aniline calf over plain cloth. Gilt-blocked title to spine with raised bands; marbled endpapers. Spine bands and panel edges worn as with age (with some loss); minor foxing scattered throughout. Remains quite well-preserved overall. Physical description; [12] pages, 100 leaves of plates (1 color) : illustrations ; 44 cm. Notes; Engraved title page: "chiefly selected from examples of the 12th and 13th centuries in France & Italy". Contents; Folio 89 plates relating to France, 11 plates relating to Italy. Subjects; Architecture, Medieval France. Architecture, Medieval Italy. Architecture, Medieval Europe, Western. Church architecture France. Church architecture Italy. Church architecture Europe, Western. Church decoration and ornament. Architecture Middle Ages. Architecture France History 12th century. Architecture France History 13th century. Architecture Italy History 12th century. Architecture Italy History 13th century. 1 Kg.

1st edition. Good copy in the original title-blocked and gilt-decorated cloth. Boards dust-toned. Spine bands and panel edges slightly bumped and rubbed as with age. Light foxing throughout. Remains quite well-preserved overall. Physical description; [12] pages, 100 leaves of plates (1 color) : illustrations ; 44 cm. Contents; 89 plates relating to France, 11 plates relating to Italy. Subjects; France Architecture. Italy Architecture. Church architecture. Medieval. Decoration and ornament. 1 Kg.

Folio (31 cm x 43 cm). 14 pages Index to the plates and 100 full page plates / Fantastic Illustrations. Original Hardcover with rich gilt ornament to front board. Spine missing. Very few pages cleanly detached. Complete and rare publication. This the copy from the library of Dublin Architect and Engineer Charles Geoghegan, with his name on the titlepage. William Eden Nesfield (2 April 1835 25 March 1888) was an English architect. Like his some-time partner, Richard Norman Shaw, he designed several houses in Britain in the revived 'Old English' and 'Queen Anne' styles during the 1860s and 1870s. He was also a designer and painter. William Eden Nesfield was born in Bath on 2 April 1835, the eldest son of the landscape architect and painter William Andrews Nesfield. He was educated at Eton College. In 1850 he was articled to the architect William Burn, but after two years he moved to the practice of his uncle by marriage, Anthony Salvin. He studied architectural drawing under James Kellaway Colling. He travelled widely in the 1850s, and published his drawings in Specimens of Mediaeval Architecture (1862), which was dedicated to William Craven, 2nd Earl of Craven. Around 1860 he started his own architectural practice; but he soon linked up with his friend Richard Norman Shaw, with whom he was in a formal partnership between 1866 and 1869, though they kept their jobs separate. Nesfield and Shaw contributed greatly to the new styles of domestic architecture in Britain, which began in the 1860s and flourished in the 1870s, notably the Old English and Queen Anne styles. Many of Nesfield's clients were rich friends of his father's, and his designs tended to be more extravagant and ornamental than Shaw's. Notable examples were additions to Combe Abbey, Warwickshire (1862-5, mostly demolished); Cloverley Hall, Shropshire (18668, demolished); Kinmel Hall, Flintshire (18714) and Bodrhyddan (18724). He also designed many small lodges and cottages, most famously a lodge in Regent's Park (demolished), and another at Kew Gardens (18667), both in London. He also designed the Victoria Gate (1868), one of the main entrances into the Gardens, along with nearby Cumberland Gate. At Loughton, Nesfield designed (1877) the church of St Nicholas, and was then commissioned (1878) to rebuild the Hall, both for the Maitland family. In Montgomeryshire, Nesfield largely rebuilt St Beuno's Church, Bettws Cedewain and redesigned Maesmawr Hall in 1876. Nesfield gave up architectural practice around the time his father died in 1881, and retired to Brighton, where he died in 1888 at the age of 53. He is usually considered one of the most original of the Victorian domestic architects. He was not interested in publicity but preferred to pursue his career privately and enjoy himself with his bohemian friends, many of them artists. (Wikipedia) Sprache: english.

1st edition. Good copy in the original title-blocked and gilt-decorated cloth. Boards dust-toned. Spine bands and panel edges slightly bumped and rubbed as with age. Light foxing throughout. Remains quite well-preserved overall. Physical description; [12] pages, 100 leaves of plates (1 color) : illustrations ; 44 cm. Contents; 89 plates relating to France, 11 plates relating to Italy. Subjects; France Architecture. Italy Architecture. Church architecture. Medieval. Decoration and ornament. 1 Kg.

Hardcover. Etat : Good. 1st Edition. Specimens Of Mediaeval Architecture Chiefly Selected from Examples of the 12th and 13th Centuries In France & Italy. And Drawn by William Eden Nesfield, Architect. London: Published by Day & Son, January 1862. First Edition. The Figures Drawn by Albert Moore. 100 plates (COMPLETE), 14 p Index. Contemporary cloth binding measures 17 x 12\u0094, folio. In good condition. Contemporary cloth boards normally scuffed at edges and corners; head and tail of spine rubbed. Ownership bookplate on front paste-down: \"Maurice Robert des Marais\". Normal toning and age-staining in margins through text-block. Binder's ticket on bottom edge of rear paste-down: \"Wert Bookbinding Middletown, PA.\" Binding tight and intact. Please see photos and ask questions, if any, before purchasing. William Eden Nesfield (1835 \u0096 1888) was an English architect. Like his some-time partner, Richard Norman Shaw, he designed several houses in Britain in the revived 'Old English' and 'Queen Anne' styles during the 1860s and 1870s. He was also a designer and painter. In 1850 he was articled to the architect William Burn, but after two years he moved to the practice of his uncle by marriage, Anthony Salvin. He studied architectural drawing under James Kellaway Colling. He travelled widely in the 1850s, and published his drawings in Specimens of Mediaeval Architecture (1862), which was dedicated to William Craven, 2nd Earl of Craven. First Edition. Complete Plates. RAREA1862BDLD - 11\/22 FORN-SHELF-0694-BB-2507-HKREV1172.

LeatherBound. Etat : New. LeatherBound edition. Condition: New. Reprinted from 1862 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 219 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 219.

Leather Bound. Etat : New. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1862. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Vol: - , Pages: - 219, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 219.