Odonnell red (13 résultats)

Hardcover. Etat : Fine. No Jacket. First Edition First Printing. shelf 383, inscribed by author Red O'Donnell to previous owner, no marks, no underlining, not ex library, not price clipped, not a remainder, not a book club copy. Signed by Author(s).

Hardcover. Etat : Good. No Jacket. Top O' The Mornin', O'Donnell, Red, Nashville Tennessean, Nashville, Tennessee, 1947, 71p, hc no dj, boards bumped/scuffed/sunned, clean text, solid binding, mottling, SIGNED/INSCRIBED BY AUTHOR---4.00.

Hardcover. Etat : Good. Good hardcover, inscribed and signed by the author on the front pastedown. Wear to spine ends and corner tips. Book cover is very faded and pages have damp rippling, all due to bad storage. Very readable copy. ; 4to 11" - 13" tall; 71 pages; Signed by Author.

48 pp.; 29.6 x 21 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held April/May 1988. Artists include John Alexander, Lorenzo Bonechi, Peter Booth, Steven Campbell, Sandro Chia, Giuseppe Gallo, Jim Gingerich, Judy Glantzman, Red Grooms, Jin Sub Han, Hans D'Hollosy, Peter Howson, Maria De La Paz Jaramillo, Earl Linderman, Jorg Madlener, Wade Miller, Hugh O'Donnell, Mimmo Paladino, Jim Peters, Miguel Rasero, Huck Snyder,Many Volz, Adrian Wiszniewski, and Joan Worth. Contents include Collector's Commentary by Susan Kasen and Robert D. Summer, a text by Donald Kuspit, and artists' biographies. Cover features image by Jim Gingerich, "Honey There Is More," 1986. Very Good. Light rubbing of covers. Contents clean and unmarked. Includes folded photocopy of "Instant collection, timeless appeal," a review of the exhibition by Steven Litt published by The News and Observer, Raleigh, NC, April 17, 1988.…

Hardcover. Etat : Very Good+. No Jacket. First Edition. Hardcover, edition not stated (presumed first), small scuff to mid-spine, light toning to pages, otherwise a Near Fine copy without dustjacket.

Hardcover. Etat : Very Good+. No Dust Jacket. 1st Edition, Stated; First Printing. Dark blue patterned cloth with gilt titles and image of Atlins. Very light general wear; close to near fine. ; B&W Photographs; Oblong 16mo 6" - 7" tall; 46 pages; Biography of Atkins with many photographs. This may have been done as part of some sort of publicity campaign.…

Hardcover. Etat : Very good. No jacket. Some shelfwear.

Hard bound, stated first edition in blue cloth with gilt titles and design. Illustrated throughout, Pp46 + another 10 unnumbered pages. Tight and unmarked - a very good or better copy. 250 grams. We welcome all reasonable offers on our books and also offer local curbside pick-up. All books in stock and available for immediate shipment from Winnipeg, Manitoba.…

Athens Music Ceompany, Nashville 1967. 1st edition. Oblong 8vo. Illustrated in blue/w. Orig. blue boards with gilded lettering. Cover showing light signs of usage, with light bumps to the corners and with to the spine and a strip to the front and back along the spine. Else in near fine- condition.

Hardcover. Etat : Very Good. First Edition. Minor thumbing, else tight and clean. Signed by Atkins on title page. Illus. Signed By Author.

Hardcover. Etat : Very Good. First Edition. Inscribed by Chet Atkins opposite of title page. Inscribed By Subject.

Hardcover. Etat : Very Good+. No Dust Jacket. First Edition; First Printing. 9.25 x 6.25; 46 pages; Signed by Author.

First Edition. pp. [8], (54). Original blue cloth, no dust jacket as issued. Spine lettered in gold. Title and portrait of Atkins blocked in gold on front cover. Signed by Chet Atkins' in black ink on title page. Some loosening to the spine but the contents are fine. Illustrated on every page with photographs from Atkins' life. Fine/very good Atkins revolutionised and popularised country music, creating what became known as the Nashville sound. He played on hundreds of hit songs, including those of Elvis Presley and the Everly Brothers. His own albums sold more than 75 million copies. When asked how he felt about being a globally celebrated guitarist, he deftly replied: "it beats working". Atkins' signature is uncommon.…