Oriley michael (46 résultats)

paperback. Etat : Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Etat : New.

paperback. Etat : Good. Satisfaction 100% guaranteed.

Etat : Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Etat : Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Etat : Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Etat : Good. Includes dust jacket. DJ shows minor wear, minor underlining.

Cloth. Etat : Very Good. No Dust Jacket. vi + 229 pp. Index, works cited. White cloth covers with red stripe, blue spine. Bit of shelf soil to covers, mostly clean and unmarked, interior has small mark to front end paper, otherwise clean and tight.; 8vo - over 7¾" - 9¾" tall.

Etat : New. Brand New.

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. mylar over dj / ex library / pg edges soil / cover edges shelf worn.

Soft cover. Etat : Fine. Qto., 344 pages, colour illustrated. Looks unused, a Fine copy.

hardcover. Etat : Very Good. May have light to moderate shelf wear and/or a remainder mark. Complete. Clean pages.

Etat : very good. Gently used. May include previous owner's signature or bookplate on the front endpaper, sticker on back and/or remainder mark on text block.

Hardback. Etat : New. Cinema in an Age of Terror looks at how cinematic representations of colonial-era victimization inform our understanding of the contemporary age of terror. By examining works representing colonial history and the dynamics of spectatorship emerging from them, Michael F. O'Riley reveals how the centrality of victimization in certain cinematic representations of colonial history can help us understand how the desire to occupy the victim's position is a dangerous and blinding drive that frequently plays into the vision of terrorism. Films such as The Battle of Algiers, Days of Glory, Caché, and recent works by Maghrebien filmmakers all exemplify, in different ways, how this focus on victimization can become a problematic perspective-one in fact seeking to occupy ideological territory. Their return of colonial history to our contemporary context, although frequently problematic, enables us to see how victimization is very much about territory-cultural, spatial, and ideological-and how resistance to new forms of imperialist warfare and terror today must be located outside these haunting images from colonial history. Although such images of victimization ultimately only return as spectacular acts that draw our attention away from the cyclical contest over territory that they embody, those images nonetheless have the last word. Michael F. O'Riley is an associate professor of French and Italian at Colorado College. He is the author of Francophone Culture and the Postcolonial Fascination with Ethnic Crimes and Colonial Aura and Postcolonial Haunting and Victimization: Assia Djebar's New Novels.…

Hardcover. Etat : Fine. Etat de la jaquette : Fine. 1st. (USA) Presumed 1st edition. No markings, Fine in Fine dust jacket. Boards, 344pp, index, B&W and colour photos and reproductions of artworks. (4.5 JM HOJ 300/5 Size: 4to - over 9¾" - 12".

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. Uncirculated library book. Hardcover WITH dustjacket. Oversized, very heavy book, large quarto, with 344 pages, 245 illustrations, including 110 in full color, 15 maps, 8 time charts. NOTE: Former library book, please expect library markings and indicia. However, if not for the library markings, both book and dustjacket would be in Fine condition. But for library markings, neither book or jacket have any notable flaw. Jacket is still in the library's clear mylar protective sleeve. The book is quite clean and stain-free, square and straight, very firm and tight in its binding, no pages are loose, torn, folded, creased, or missing. The hinges are sound and undamaged, the corners are sharp and unbumped. All pages are clean and stain free, bright and white, and all text is sharp and legible. Aside from library markings, there is no writing, underlining, highlighting, or other such markings anywhere in the book. The dustjacket is clean and stain-free, complete and intact, has no tears, no pieces missing, no edgewear, no creases. Five-star seller, buy with confidence, professional booksellers for 35 years, selling books online since 1995. B45.…

Etat : New.

Etat : New.

Etat : As New. Unread book in perfect condition.

Hardcover. Etat : new. Hardcover. Cinema in an Age of Terror looks at how cinematic representations of colonial-era victimization inform our understanding of the contemporary age of terror. By examining works representing colonial history and the dynamics of spectatorship emerging from them, Michael F. O'Riley reveals how the centrality of victimization in certain cinematic representations of colonial history can help us understand how the desire to occupy the victim's position is a dangerous and blinding drive that frequently plays into the vision of terrorism. Films such as The Battle of Algiers, Days of Glory, Cache, and recent works by Maghrebien filmmakers all exemplify, in different ways, how this focus on victimization can become a problematic perspective-one in fact seeking to occupy ideological territory. Their return of colonial history to our contemporary context, although frequently problematic, enables us to see how victimization is very much about territory-cultural, spatial, and ideological-and how resistance to new forms of imperialist warfare and terror today must be located outside these haunting images from colonial history. Although such images of victimization ultimately only return as spectacular acts that draw our attention away from the cyclical contest over territory that they embody, those images nonetheless have the last word. Michael F. O'Riley is an associate professor of French and Italian at Colorado College. He is the author of Francophone Culture and the Postcolonial Fascination with Ethnic Crimes and Colonial Aura and Postcolonial Haunting and Victimization: Assia Djebar's New Novels. Looks at how cinematic representations of colonial-era victimization inform our understanding of the contemporary age of terror. By examining works representing colonial history and the dynamics of spectatorship emerging from them, Michael F. O'Riley reveals how the centrality of victimization can help us understand how the desire to occupy the victim's position is a dangerous and blinding drive. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Taschenbuch. Etat : Neu. Neuware - A darkness has risen from the depths of the Earth. Grabbing hold of susceptible souls, which is anyone that lacks, or has lost sight of their basic human decency. Turning them into nearly mindless beings that have one objective, the extinction of mankind.

First edition. 8 chapters. Glossary. Biblio. picture credits. index. 344 pages printed on high quality paper. 245 illustrations including 110 in full color. 15 maps. 8 time charts. 4to. 11 1/4" x 8 7/8". Blue boards stamped in white on spine. Ex-library but only two small ink stamps on half-title page to indicate this otherwise clean. Clean spine. Stickers removed. Tightly bound. Hardly any wear. Dust jacket in clear jacket cover. near Fine/ Fine.…

Etat : Very Good.

Hardback. Etat : New. New copy - Usually dispatched within 4 working days.

Etat : New.

Hardcover. Etat : Brand New. 232 pages. 8.75x6.00x0.75 inches. In Stock.

Etat : New. &Uumlber den AutorMichal A O Riley released his debut novel Ablution The Beginning in September 2016. It is the first in a modern apocalyptic series. Michael is a copywriter and freelance article writer. His passion for fictional sto.

cloth, 198 pp, dustwrappers.

Etat : New. In English.

Etat : As New. Unread book in perfect condition.