Panpan (122 résultats)

Etat : New.

paperback. Etat : Fine.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : New. In English.

Paperback. Etat : New. Animation Thinks charts a fragmentary history of Chinese animation from the 1920s to the present. Focusing on animation's encounters with other art forms, including photography, painting, calligraphy, and porcelain, Panpan Yang examines contemporary Chinese animation trans-spatially, tracing how the meaning of Chinese animated works subtly shifts when moving between spaces such as the film industry and the contemporary art world. Ultimately, Yang argues that Chinese animation thinks time and space to a degree unimaginable in other media, offering an understanding of space that is neither completely graphic nor entirely photographic and an understanding of time as heterogeneous, disruptive, and surprising.…

Paperback or Softback. Etat : New. Animation Thinks: A Story of Media Entanglements in China. Book.

Etat : new.

Etat : New.

Paperback or Softback. Etat : New. ???. Book.

Etat : New. 2026. paperback. . . . . .

Paperback. Etat : New.

Etat : New.

Etat : New.

Etat : New.

Etat : New. 2026. paperback. . . . . . Books ship from the US and Ireland.

Paperback. Etat : Brand New. 279 pages. 6.00x0.70x9.00 inches. In Stock.

Etat : New.

Taschenbuch. Etat : Neu. Neuware - Animation Thinks charts a fragmentary history of Chinese animation from the 1920s to the present. Focusing on animation's encounters with other art forms, including photography, painting, calligraphy, and porcelain, Panpan Yang examines contemporary Chinese animation trans-spatially, tracing how the meaning of Chinese animated works subtly shifts when moving between spaces such as the film industry and the contemporary art world. Ultimately, Yang argues that Chinese animation thinks time and space to a degree unimaginable in other media, offering an understanding of space that is neither completely graphic nor entirely photographic and an understanding of time as heterogeneous, disruptive, and surprising.…

Etat : NEW.

Paperback. Etat : new. Paperback. Animation Thinks charts a fragmentary history of Chinese animation from the 1920s to the present. Focusing on animation's encounters with other art forms, including photography, painting, calligraphy, and porcelain, Panpan Yang examines contemporary Chinese animation trans-spatially, tracing how the meaning of Chinese animated works subtly shifts when moving between spaces such as the film industry and the contemporary art world. Ultimately, Yang argues that Chinese animation thinks time and space to a degree unimaginable in other media, offering an understanding of space that is neither completely graphic nor entirely photographic and an understanding of time as heterogeneous, disruptive, and surprising. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Etat : New. In English.

Etat : New.

Hardback. Etat : New.

Etat : New.

Paperback. Etat : New. Animation Thinks charts a fragmentary history of Chinese animation from the 1920s to the present. Focusing on animation's encounters with other art forms, including photography, painting, calligraphy, and porcelain, Panpan Yang examines contemporary Chinese animation trans-spatially, tracing how the meaning of Chinese animated works subtly shifts when moving between spaces such as the film industry and the contemporary art world. Ultimately, Yang argues that Chinese animation thinks time and space to a degree unimaginable in other media, offering an understanding of space that is neither completely graphic nor entirely photographic and an understanding of time as heterogeneous, disruptive, and surprising.…

Etat : As New. Unread book in perfect condition.

Paperback. Etat : new. Paperback. Animation Thinks charts a fragmentary history of Chinese animation from the 1920s to the present. Focusing on animation's encounters with other art forms, including photography, painting, calligraphy, and porcelain, Panpan Yang examines contemporary Chinese animation trans-spatially, tracing how the meaning of Chinese animated works subtly shifts when moving between spaces such as the film industry and the contemporary art world. Ultimately, Yang argues that Chinese animation thinks time and space to a degree unimaginable in other media, offering an understanding of space that is neither completely graphic nor entirely photographic and an understanding of time as heterogeneous, disruptive, and surprising. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Etat : New.

Etat : New.

Etat : New.