Paolozzi strozzi (163 résultats)
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hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.
Desiderio Da Settignano: Sculptor of Renaissance Florence
(Artist) Desiderio Da Settignano, Marc Bormand, Beatrice Paolozzi Strozzi, Nicholas Penny
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Oversized Hardcover. Etat : Good. Published to accompany the exhibition installing @National Gallery of Art, Washington, DC. (2007). Desiderio da Settignano (ca. 1429/30-1464), like most sculptors before Michelangelo, was long overlooked by scholars, who focused their attention almost exclusively on Donatello. His impact is clea…r in the numerous replicas of his Virgin and Child reliefs as well as copies of the Bambino in the Basilica of San Lorenzo. His work, showing an early interest in sfumato, may even have influenced the paintings of Leonardo da Vinci. Glossary, Biblliography, Index. Hundreds of color/b&w illustrations. 287p.
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Il metodo e il talento: Igino Benvenuto Supino primo Direttore del Bargello (1896-1906) (Italian Edition)
Balloni, Silvio [Editor]; Strozzi, Beatrice Paolozzi [Editor];
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hardcover. Etat : Very Good. Missing. 2010; Italian text. Illustrated paper covered boards; mild wear to edges and covers; 4to,9 3/4" to 12" tall; CD in pocket on front pastedown; numerous illustrations; Interior is clean and unmarked; 254 pages. Additional shipping charges may need to be requested due to size or weight of book.
Sculpter a La Renaissance : Un Art Pour Émouvoir, Renaissance Sculpture: an Art to Persuade
Bormand, Marc (EDT); Strozzi, Beatrice Paolozzi (EDT); Preti, Monica (EDT)
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PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.
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Paperback. Etat : New. This volume collects the papers presented at the international study conference Sculpting in the Renaissance: an art to (com)move / Sculpter à la Renaissance. Un art pour (é)mouvoir organised by the Musée du Louvre in Paris and the Castello Sforzesco in Milan to accompany the exhibition Le corps et l'âme.…De Donatello à Michel-Ange. Scultures italiennes de la Renaissance (Officina Libraria, 2020), held between 2020 and 2021. With the involvement of some of the most important specialists in Renaissance sculpture, the aim was to investigate the interactions, influences and exchanges between the plastic arts and other Renaissance art forms capable of revealing feelings through expressions of the body, through the works of Agostino di Duccio, Donatello, Michelangelo and other local sculptors. The aim is also to place within their social, devotional and intellectual context the different manifestations of feeling of which sculpture is one of the privileged media. Sacred art themes in particular were addressed, in an attempt to explain their formal evolution in relation to the socio-cultural transformations of the time, but also to local traditions and their dramatisation.Text in English, French and Italian.
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Sculpter a La Renaissance : Un Art Pour Émouvoir, Renaissance Sculpture: an Art to Persuade
Bormand, Marc (EDT); Strozzi, Beatrice Paolozzi (EDT); Preti, Monica (EDT)
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Langue : italien
Edité par S.P.E.S Studio per Edizioni Scelte, Firenze,, 1989
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Vendeur : FIRENZELIBRI SRL, Reggello, FI, ItalieFIRENZELIBRI SRL
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Etat : COME NUOVO. Firenze, S.P.E.S Studio per Edizioni Scelte cm.14x21, pp.46, num.ill.bn.nt. brossura con cop.fig.a col. Collana Itinerari,3. Museo del Bargello.
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Vendeur : Acadia Art & Rare Books. Est. 1931, Toronto, ON, CanadaAcadia Art & Rare Books. Est. 1931
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Hardcover. Etat : Near Fine. 100s of color illustrations. Clean and unmarked in the interior. 4to.
Sculpter a La Renaissance : Un Art Pour Émouvoir, Renaissance Sculpture: an Art to Persuade
Bormand, Marc (EDT); Strozzi, Beatrice Paolozzi (EDT); Preti, Monica (EDT)
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Brossura. Etat : new. A cura di Beatrice Paolozzi Strozzi, Marc Bormand, Francesca Tasso e Monica Preti. Testo Italiano, Inglese e Francese. Milano, 2024; br., pp. 224, 85 ill. col., cm 16,5x24. (Saggi in Officina). Nella mostra e nel catalogo "Il Corpo e l'anima" si era cercato di sintetizzare la complessa storia della scultura… in Italia a cavallo del Cinquecento, raccontata attraverso l'alternanza proposta da Aby Warburg tra l'ethos «apollineo» e il pathos «dionisiaco». Le giornate di studio che l'hanno accompagnata, tenutesi a Parigi e a Milano, hanno offerto l'opportunità a numerosi storici dell'arte e studiosi di approfondire alcuni argomenti e hanno dato vita a questo libro. Philippe Toussaint, prendendo spunto dalle interpretazioni warburghiane sull'antica figura del centauro, analizza il rito funebre nel rilievo della tomba di Francesco Sassetti in Santa Trinita a Firenze, evidenziandone il sincretismo tra mondo pagano e cristiano che ha dato origine a una «immortalità scolpita». Ulrich Pfisterer esplora la scultura come veicolo di piacere, sensualità ed emozione negli studioli, i luoghi in cui gli umanisti e i letterati si dedicavano allo studio, mentre Philippe Morel mostra come la figura della menade, in preda all'antica trance dionisiaca, sintetizzi dolore ed erotismo nell'opera di Agostino di Duccio e Bertoldo di Giovanni. Patricia Lee Rubin si concentra sulla scultura come espressione della malinconia associata alla morte a Roma, sia negli Schiavi per la tomba di Giulio II di Michelangelo sia nella tomba Tornabuoni di Andrea del Verrocchio. La rappresentazione del pathos e il tema dell'obbedienza a Dio e dell'atteggiamento nei confronti della morte sono i temi al centro dello studio di Gabriela Mazzon sul sacrificio di Isacco. Ludmila Acone, dal canto suo, mostra la natura virtuosa della danza nell'Italia del Quattrocento, dove l'immaginazione del movimento coreutico permetteva di dar forma a un mondo ideale. Nel suo studio sul teatro sacro nella Firenze del Quattrocento, Paola Ventrone dimostra come le innovazioni spaziali di Brunelleschi abbiano reso possibile una nuova efficacia espressiva del messaggio visivo per gli spettatori/credenti. Infine, Anne Lepoittevin mette in luce i legami tra il teatro sacro e i gruppi scultorei del Sacro Monte di Varallo. Libro.
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Paperback. Etat : new. Paperback. This volume collects the papers presented at the international study conference Sculpting in the Renaissance: an art to (com)move / Sculpter a la Renaissance. Un art pour (e)mouvoir organised by the Musee du Louvre in Paris and the Castello Sforzesco in Milan to accompany the exhibition Le corps… et l'ame. De Donatello a Michel-Ange. Scultures italiennes de la Renaissance (Officina Libraria, 2020), held between 2020 and 2021. With the involvement of some of the most important specialists in Renaissance sculpture, the aim was to investigate the interactions, influences and exchanges between the plastic arts and other Renaissance art forms capable of revealing feelings through expressions of the body, trough the works of Agostino di Duccio, Donatello, Michelangelo and other local sculptors. The aim is also to place within their social, devotional and intellectual context the different manifestations of feeling of which sculpture is one of the privileged media. Sacred art themes in particular were addressed, in an attempt to explain their formal evolution in relation to the socio-cultural transformations of the time, but also to local traditions and their dramatisation. Text in English, French and Italian. AUTHORS: Marc Bormand is the conservator of the Louvre sculpture department, responsible for the Italian sculpture of Moyen Age and the Renaissance. Co-commissaire, among others, of the exhibition Desiderio da Settignano - La decouverte de la grace dans la sculpture de la Renaissance (Paris, Louvre, 2006-2007; Florence, Bargello, 2007; Washington, National Gallery of Art, 2007). In 2013, the exhibition TLa primavera del Rinascimento. La scultura e le arti a Firenze 1400-1460 was organised with Beatrice Paolozzi Strozzi at the Bargello National Museum in Florence and, between 2013 and 2014, at the Louvre in Paris. Beatrice Paolozzi Strozzi descendant of the historical Florentine Strozzi family, was the director of the national museum of Bargello in Florence in 2014. She is an ordinary academic of the art of design. These scientific publications are well-known, both in the domain of the Renaissance and in the art of the 20th century. She currently collaborates with the Louvre Museum. Monica Preti is currently the scientific director of Pistoia Museums. Historian of modern art, she worked on the history of the collection and on the relationship between art and literature in the Renaissance era. Francesca Tasso is currently director of the civic museums of Castello Sforzesco in Milan. She studied in particular Late Gothic and Renaissance art and the formation of the collections of the Milan museums. The most recent publications include: Vetri contemporanei al Castello Sforzesco. La collezione Bellini-Pezzoli (with Claudio Salsi, Marsilio, 2017), Leonardo Da Vinci. La sala delle Asse del Castello Sforzesco (with Michela Palazzo, Silvana, 2017). SELLING POINTS: . Studies accompanying a highly successful exhibition at the Louvre in Paris and the Castello Sforzesco in Milan . Essays by eminent specialists in Renaissance sculpture . An international and interdisciplinary perspective that brings different art forms into dialogue, and new readings of a subject that has been very much in vogue in recent years 85 colour illustrations Collection of historical-critical studies on Italian Renaissance sculpture with attention to its meanings and a re-semantisation of its forms. Text in English, French and Italian. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Etat : New. In English.
Sculpter a La Renaissance: Un Art Pour (E)mouvoir; Scolpire nel rinascimento, un'arte per (com)muovere
Bormand, Marc (Editor)/ Strozzi, Beatrice Paolozzi (Editor)/ Preti, Monica (Editor)
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Paperback. Etat : Brand New. 800 pages. 9.50x6.50x9.45 inches. In Stock.
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Hardcover. Etat : Near Fine. Etat de la jaquette : No Dust Jacket As Issued. Edited by Marc Bormand, Beatrice Strozzi, and Nicholas Penny. Washington: National Gallery of Art, (2007). 11.5 x 8.5 in. 287pp, Index, Bibliography, Glossary. Illustrated blue boards, near fine condition (miniscule brief wear to an edge). ISBN 97888743…93657. Catalogue for the first exhibition devoted the work of Desiderio da Settignano, one of the finest sculptors of 15th century Florence. Illustrated in full color and b&w. ; 11.5 x 9.75 inches; 288 pages.
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Hardcover. Etat : As new. Five Coninents, c2007. 287pp., index, color illustrations throughout. 4to. As new unread hardcover.
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paperback. Etat : Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.
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Paperback. Etat : Very Good. First Edition. Giunti Editore [Published Date: 2004]. Paper covers, 31 pp. Prima edizione: aprile 2004 - First edition, April, 2004. Bi-lingual text in Italian, with English translation in parallel column. A photographic essay of the restoration of Il David del Verrocchio (Verrocchio?s David), create…d by Andrea del Verrocchio for the Medici family around 1470. In addition to beautifully detailed photography, contents include historical notes, a note on the many restorations that have been made to the David over the years and a biography of Verrocchio. In very good condition. Slightly oversized (9 x 12?) pictorial paper covers with French flaps. Light bumping to edges of covers and light overall scuffing. Binding tight. Pages clean and unmarked. NOT Ex-Library. NO remainder marks.
Autres imagesLangue : anglais
Edité par 5 Continents/National Gallery of Art, Milano/Washington, 2007
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Hardcover. Pale blue paper illustrated boards with white lettering, 287 pp, profusely illustrated in bw and color. Published to accompany the exhibition organized by Musée du Louvre, Paris, Oct. 27, 2006-Jan. 22, 2007, by the Museo nazionale del Bargello, Florence, Feb. 22, 2007-June 3, 2007, and by the National Gallery of Art,…Washington, July 1, 2007-Oct. 8, 2007. Includes bibliographical references (pages 257-271) and index. VG (top corner of boards bumped).
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Etat : Ottime condizioni. Dettagli LibroSku: PZZLB117784ISBN: 9788809032644Titolo: David Del VerrocchioAutore: Beatrice Paolozzi Strozzi, Maria Grazia VaccariEditore: Giunti EditoreAnno: 2003Pagine: 112Formato: RilegatoIn the spring of 2001, conservation scientists initiated a meticulous study the surface of one of the great tre…asures of Renaissance Florence, Andrea del Verrocchio's David. A year later, they began to clean and restore the 535-year-old sculpture. Using state-of-the-art laser technology to remove the later patinations that made the work dark, they revealed the bronze and gold-leaf statue that Verrocchio created. At the same time, scholars used the occasion to consider the history of the David and discuss its meaning in the art and life of fifteenth-century Florence and after. This book records the project. In the fall of 2003, the restored sculpture traveled to the High Museum of Art in Atlanta and the National Gallery of Art in Washington, D.C.
Edité par Firenze, Mueo naz. Del bargello 1984, 1984
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Ajouter au panierIn-8° pp. 127 con numerose ill. n.t. Bross. edit. illustrata.
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Soft cover. Etat : Very Good. Slight rubbing to edges otherwise in very good condition. Next day dispatch by Royal Mail in sturdy, recyclable packaging. 1000's of satisfied customers! Please contact us with any enquiries.
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Brossura. Etat : new. A cura di Paolozzi Strozzi B. e Pereira M. Firenze, 2025; br., pp. 144, cm 21x15. (I Quaderni della Colombaria. 18). Nato da un ciclo di lezioni dedicato alla memoria della storica Chiara Frugoni, il volume si concentra su figure come la misteriosa Egèria, pellegrina romana autrice di una celebre Peregrinat…io, Rosvita di Gandersheim, considerata la prima poetessa del Medioevo germanico, o Caterina da Siena, santa e riformatrice della Chiesa cristiana. Contributi di Alberto Nocentini, Mauro Ronzani, Michela Pereira, Carla Del Zotto, Michele Feo, Isabella Gagliardi, Diana Toccafondi. Libro.
