peter riley andrew crozier (22 résultats)

Soft cover. Etat : Good. 1st edition. Good+. 4to, 64pp (including stapled wrappers). Publisher's announcement for the third issue laid in. This substantial issue includes work by Olson, Duncan (Bertholf C205), Lansing, Kelly, and English poets. Some general reading wear/bumps/spotting and a few doodles to back cover; no interior markings. Not Signed.

Taped & Stapled Wraps. Etat : Near Fine. Kerry Davies (illustrateur). First Edition. 80pp. 200 copies. Light foxing & tiny nick on rear cover; spine tape intact. Book.

Stapled Wrappers. Etat : Very Good. First Edition. 61pp. Covers lightly soiled. Book.

Soft cover. Etat : Fine. No Jacket. 1st Edition. Periodical softcover First Edition pp62. Condition Internally bright, tight and clean. Slight bumping to corners. Light foxing and rubbing to covers. Unmarked. Clean. Stapled.

Soft cover. Etat : Very Good. 1st edition. VG+. 4to, 70pp, printed wrappers. 1 of 350 copies of this combined issue of Collection and Tzarad. Contains great period content, including translations by Ron Padgett and others and original writing by Padgett, Anne Waldman, Tom Raworth, et al. Light toning and soil to covers, no markings. Not Signed.

Soft cover. Etat : Very Good. 1st edition. VG+. 4to, 140pp, printed wrappers. This thick double issue (continuing The Wivenhoe Park Review) includes work by Olson, Raworth, Berrigan (and other New York School writers), and English poets. Unmarked copy, a bit of spine lean and minor wear. Not Signed.

Soft cover. Etat : Fine. 1st edition. Near Fine. Square 8vo, 8 leaves (printed one-side), stapled wrappers. Another interesting issue of this experimental review, includes three poems by Tom Raworth. Nicely preserved copy with some minor outer spots. Not Signed.

Soft cover. Etat : Fine. 1st edition. Near Fine. 8vo, 48pp, stapled wrappers. Nice copy of the final double issue of this scarce English little magazine from 1969, includes Vickers, Prynne, Crozier, et al. Unmarked copy, light wear. Not Signed.

Soft cover. Etat : Very Good. 1st edition. VG. 4to, 84pp, stapled wrappers. Publisher's catalog laid in. This substantial issue includes work by John Wieners and many English poets. Unmarked copy with a bit of general wear. Not Signed.

Card Wraps / Dust Jacket. Etat : Near Fine. Etat de la jaquette : Very Good. First Edition. 188pp. Tiny nick at head of front cover. Dust jacket lightly handled with just a little soiling. Book.

Card Wrappers. Etat : Very Good. First Edition. 142pp. (including printed inside covers). Very light handling wear & foxing to covers. From the library of contributor, Peter Armstrong. Book.

Etat : Very Good. Phil Morsman & Frankie Newell (cover) (illustrateur). First Edition. (32pp.) printed rectos only on 32 sheets. The first issue of six. Short closed tear & small piece missing at head fore corner of front cover which also slightly sunned at the edges. Downing has written "For the attention of Peter Armstrong" on the rear cover which is foxed (mostly at the spine edge). Hole-punched & Tagged A4 Wrappers. Book.

Side-Stapled A4 Wrappers. Etat : Near Fine. Philip Crozier (cover) (illustrateur). First Edition. 40pp. printed rectos on 40 sheets. From contributor, Roy Fisher's library. Minutely handled. Book.

Softcover. Etat : Very Good. Periodical. Quarto. 47pp. Side stapled white illustrated wrappers. Scattered foxing and tanning to the extremities of the covers, very good. Literary anthology edited by English poet Peter Riley and his wife Adrienne out of their flat in Sussex. This issue, limited to 300 copies, includes contributions from Riley, Andrew Crozier, Ebbe Borregaard, Pete Bland, Susan Beckett, John James, Martin Wright, Douglas Oliver, Kate Russ, John Hall, and Fred Buck.

Ten 8.5x11 inch sheets mimeographed both sides, stapled upper-left corner, mild toning to edges. A collection of reviews of books by Jim Carroll, John Wieners, Diane Di Prima, Marcel Duchamp, Robert Kelly, Paul Matthews and more. Eigner reviews Matthews over a page and a half. Excerpts from the books included.

Soft cover. Etat : Very Good. 1st edition. VG+. 4to, 60pp, stapled wrappers. Rare first issue of this literary magazine from 1968 England, includes The Red Wheelbarrow by Jack Spicer (comprising 9 poems over 5 pages), three poems by Scott Cohen, plus work by a range of experimentalists. Unmarked copy (except for penciled original price to contents page), light sunning and corner bumps. Not Signed.

Soft cover. Etat : Very Good. 1st edition. VG. 4to, 34 leaves (mimeographed one-side), stapled wrappers. Rare Cambridge literary one-shot from 1969 in the grand mimeo tradition. Unmarked copy, a bit of bumping to corners, light staple rust. Not Signed.

Soft cover. Etat : Very Good. 1st edition. VG. Wide 8vo, 64pp, stapled wrappers. Includes two concrete poems by Bob Cobbing, plus work by George Dowden, Charles Plymell, Claude Pelieu, Peter Riley, Clayton Eshleman, et al. Unmarked copy, typical wear/small tears to lap edges of wrappers. Not Signed.

Etat : Very good+. (ed.) Lee Harwood, Collection 4 with Tzarad 3, April 1969. A4 side-stapled mimeo in card wraps. 66pp. Contributors include Peter Riley, Tom Raworth, J.H. Prynne, Ron Padgett, Anne Waldman, Thomas A. Clark, Anselm Hollo, Andrew Crozier, John James, Chris Torrance, Max Jacob and Tristan Tzara. Includes translations of French poetry. Condition: some spotting to covers, internally near fine. Overall: Very good+.

Soft cover. Etat : Very Good. 1st Edition. Single sheet folded once into 4pp., 4to. A poem each, first printed in 'The English Intelligencer' two months previously, published here in an edition of 100 numbered copies for friends, with a cover drawn by Kathleen M. Crozier. Moderately handled and with an old horizontal fold (probably for mailing), but Very Good overall.

Stapled A4 Sheets. Etat : Very Good. First Edition. 8pp. (printed rectos only on 8 sheets). Prynne & Crozier's conflation of anonymous responses from the poets who attended MacSweeney's Sparty Lea poetry festival issued as if part of the English Intelligencer (although separately paginated). From the library of Pete Armstrong who has pencilled in a number of fellow contributors' names. This collage of voices; interwoven extracts from their "Personal" accounts constitutes a fascinating historical record (in the round, so to speak) of what has come to seem an almost mythical British poetry revival happening. As MacSweeney was later to put it: "Two kinds of poets met here, read together, settled somehow to each others' work." Blank rear verso a little toned, foxed & soiled. Folded once. V. scarce. Book.

Etat : Fine. (ed.) Stuart Mills, Poet's Poems, Aggie Weston's Editions, Belper, Derbyshire, 2000-2005. 20 booklets (no number 13 was issued), each 200 x 140mm, printed black and white on cream stock in stapled colour wraps. Co-ordinated by Stuart Mills, designed by Colin Sackett. Each issue featuring poems chosen by: 1. Thomas A Clark; 2. Gael Turnbull; 3. Simon Cutts; 4. Alan Halsey; 5. Edwin Morgan; 6. Roy Fisher; 7. Geraldine Monk; 8. Robert Creeley; 9. Iain Sinclair; 10. Stuart Mills; 11. Peter Riley; 12. Jonathan Williams; 13. (not published); 14. Karen Mac Cormack; 15. Andrew Crozier; 16. Adrian Mitchell; 17. Richard Caddel; 18. Marjorie Welish; 19. Peter Larkin; 20. Charles Tomlinson; 21. Michael Heller. For this series of poetry chapbooks published by Aggie Weston's Editions called Poet's Poems, Mills adapted the concept of Desert Island Discs by inviting renowned poets to contribute 8 poems that would "bring respite" to imagined periods of "solitary confinement". It was, as Mills writes, a "borrowed idea" and "the outcome of a plot germinated during a patch of insomnia". Each issue was given over to a poet, resulting in "An Accumulating Anthology" of uniform stapled booklets with a recognisable colour used for the cover of each issue. Each issue includes a statement from the guest editor on the final page(s), reflecting on the process of selecting the poems. Designed by the innovative artist book designer, Colin Sackett, the series featured a clean modernist aesthetic with flawless typesetting and layout. The poet Stuart Mills was founder of Tarasque Press in the 1960s, and later Aggie Weston's. His close relationships with poets such as Thomas A Clark, Gael Turnbull, Simon Cutts, Ian Hamilton Finlay, Andrew Crozier and Jonathan Williams enabled him to realise this project. Condition: Fine. Extra postage required.