philippe villiers lisle adam auguste comte (27 résultats)

Etat : Muy bueno. : Sumérgete en el mundo de lo insólito con 'Vox populi y otros cuentos crueles', una colección de relatos del autor francés Auguste Villiers de L'Isle-Adam. Publicado en 1991 por Compañía Europea de Comunicación e Información, este libro ofrece una mirada a lo cruel y lo popular a través de la lente de un autor reconocido por su estilo único y su exploración de lo macabro. Ideal para los amantes de la literatura francesa y los cuentos que desafían las convenciones. EAN: 9788479691301 Tipo: Libros Categoría: Literatura y Ficción Título: Vox populi y otros cuentos crueles Autor: Philippe Villiers de L'Isle-Adam| Auguste Comte de Villiers de L'Isle-Adam Editorial: Compañía Europea de Comunicación e Información Idioma: es-ES Páginas: 93 Formato: tapa blanda.

Rústica. Etat : Normal. 7.5x10.5/64pp/Rústica/.

Rústica con solapas. Etat : Muy bueno. 227 pp/ Clásicos del Bronce, nº 28/ Traducción de Manuel Serrat Crespo/ R29-3/ TC Size: 14.5x22. Libro.

Soft cover. Etat : Very Good. Early limited edition Exemplaire no.°955/ 989, Printed paper wraps with rough cut page edges. Binding tight with edges worn; soiling to the page edges; age toning. Jean-Marie-Mathias-Philippe-Auguste, comte de Villiers de l'Isle-Adam (1838 - 1889) was a French symbolist writer. His family called him Mathias while his friends called him Villiers; he would also use the name Auguste when publishing some of his books. Villiers considered Axël to be his masterpiece, although critics preferred his fiction. He began work on the play around 1869, and had still not completed it when he died. It was first published posthumously in 1890. The work is heavily influenced by the Romantic theatre of Victor Hugo, as well as Goethe's Faust and the music dramas of Richard Wagner.

Broché. Etat : Très bon. 1 volume broché, 278 pages [1]. Jean Marie Mathias Philippe Auguste, comte de Villers de l'Isle-Adam, 1838-1889. Collection ''Littérature et tradition'', 1. Bel exemplaire.

Librairie Moderne. Maison Quantin, Paris, 1888. 1 volume broché, couverture imprimée (légèrement insolée, avec une petite déchirure côté droit), 314 pages. Jean Marie Mathias Philippe Auguste, comte de Villers de l'Isle-Adam, 1838-1889. Edition originale. Bel exemplaire - petit manque en bas et haut du dos. Français.

Broché. Etat : Très bon. 1 volume broché, 280 pages [1]. Mention 2ème édition sur la couverture. Jean Marie Mathias Philippe Auguste, comte de Villers de l'Isle-Adam, 1838-1889. Bel exemplaire.

Broché. Etat : Très bon. 1 volume broché, 375 pages [3]. Jean Marie Mathias Philippe Auguste, comte de Villers de l'Isle-Adam, 1838-1889. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request ).

Couverture rigide. Etat : Très bon. Louis James (illustrateur). Ed. numérotée. 1 volume reliure toilée de l'éditeur, plat supérieur illustré d'une vignette en noir et blanc, rhodoïd, 299 pages [2], avec 28 dessins à la plume de Louis James. Exemplaire numéroté, réservé aux membres du Club. Bel exemplaire.

Broché. Etat : Très bon. Ed. numérotée. 1 volume broché, 288 pages, [3]. Jean Marie Mathias Philippe Auguste, comte de Villers de l'Isle-Adam, 1838-1889. Oeuvres complètes de Villiers de l'Isle-Adam, V: L'amour suprême - Akëdysséryl. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request ).

Broché. Etat : Très bon. Ed. numérotée. 1 volume broché, 315 pages, [2]. Jean Marie Mathias Philippe Auguste, comte de Villers de l'Isle-Adam, 1838-1889. Oeuvres complètes de Villiers de l'Isle-Adam, VI: Histoires insolites. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request ).

Couverture rigide. Etat : Très bon. Ed. limitée. 1 volume reliure plein cuir noir ornée de l'éditeur, dos lisse orné (or titré 22 carats), plats ornés d'un riche décor doré, tête dorée, 389 pages [3], avec des illustrations hors-texte. Illustrations de Félicien Rops; Martin Van Maele; Henri-Louis. Joly; Gaston Latouche. Tirage spécial, exemplaire de tête. Très bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request ).

8vo. Mit 8Originallithographien von Stefan Eggeler auf Taf. VII, 120 S., 1 Bl. Gelbe OLwd. m. geprägt. Deckel- u. Rückentitel. Einband fleckig. Fliegendes Vorsatzbl. fehlt. Name auf Titel. Wenige Bl. m. kl. Papierschäden. Rostspuren v. Klammerheftung. gr.

Couverture rigide. Etat : Bon. 1 volume reliure demi basane rouge de l'époque, dos à faux-nerfs dorés, couverture conservée, III et 379 pages. Jean Marie Mathias Philippe Auguste, comte de Villers de l'Isle-Adam, 1838-1889. Bon exemplaire ( Photographies sur demande / We can send pictures of this book on simple request ).

Couverture rigide. Etat : Très bon. Ed. numérotée. 1 volume reliure demi chagrin lie de vin, dos à nerfs soulignés de filets dorés, lettres HS dorées au dos en queue, 352 pages, rousseurs. Jean Marie Mathias Philippe Auguste, comte de Villers de l'Isle-Adam, 1838-1889. Bon exemplaire, bien relié ( Photographies sur demande / We can send pictures of this book on simple request ).

Couverture rigide. Etat : Très bon. Ed. originale. 1 volume reliure demi chagrin lie de vin, dos à nerfs soulignés de filets dorés, lettres HS dorées au dos en queue, 265 pages [2]. Des Presses de Math. Thone, Imprimeur-Editeur, Liége. Jean Marie Mathias Philippe Auguste, comte de Villers de l'Isle-Adam, 1838-1889. Deuxième édition (après celle de 1862 tirée à 200 exemplaires à compte d'auteur). Bel exemplaire, bien relié ( Photographies sur demande / We can send pictures of this book on simple request ).

Broché. Etat : Très bon. Théo van Rysselberghe (illustrateur). 1 volume broché, couverture rempliée, 367 pages et 2 faux-feuillets non chiffrés (achevé d'imprimer à la date du 28 février 1899), avec 40 ornementations de Th. Van Rysselberghe (dans le style Art Nouveau tirées en vert). Edition originale collective posthume. Exemplaire imprimé sur papier vergé (après un tirage à 60 exemplaires numérotés, dont 50 sur Japon Impérial, et 10 sur papier de Hollande Van Gelder). Bon exemplaire ( Photographies sur demande / We can send pictures of this book on simple request ).

Couverture rigide. Etat : Très bon. Jou Louis (illustrateur). Ed. numérotée. 1 volume reliure demi chagrin rouge (XXe), dos à nerfs, couverture rempliée conservée, portrait de l'auteur gravé sur bois par L. Perrichon en frontispice, XVI [2] pages, [2]. Collection '' Le théâtre d'art ''. Louis Jou, 1881-1968, peintre, illustrateur et typographe. Jean Marie Mathias Philippe Auguste, comte de Villers de l'Isle-Adam, 1838-1889. Tirage limité à 1598 exemplaires numérotés, celui-ci un des 1550 exemplaires numérotés sur papier de Rives. Bel exemplaire, bien relié ( Photographies sur demande / We can send pictures of this book on simple request ).

Couverture rigide. Etat : Très bon. Ed. numérotée. 1 volume reliure demi chagrin rouge (XXe), dos à nerfs, couverture conservée, 231 pages. Jean Marie Mathias Philippe Auguste, comte de Villers de l'Isle-Adam, 1838-1889. Première édition en librairie, après un tirage à très petit nombre, à Saint Brieux en 1866, non mis dans le commerce. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request ).

Broché. Etat : Très bon. Ed. numérotée. 1 volume broché, couverture imprimée, faux-titre, titre [2] 280 pages. Jean Marie Mathias Philippe Auguste, comte de Villers de l'Isle-Adam, 1838-1889. Edition en partie originale. Très bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request ).

Couverture rigide. Etat : Très bon. Ed. originale. 1 volume reliure demi chagrin rouge (fin XIXe), dos à nerfs, 300 pages [2], qulelques rousseurs éparses sur les dernières pages. Jean Marie Mathias Philippe Auguste, comte de Villers de l'Isle-Adam, 1838-1889. Edition originale posthume. exemplaire imprimé sur papier d'édition (après 20 exemplaires sur papier de Hollande). Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request ).

Broché. Etat : Très bon. Ed. originale. 1 volume broché, couverture imprimée (parfaite), 314 pages. Jean Marie Mathias Philippe Auguste, comte de Villers de l'Isle-Adam, 1838-1889. Edition originale. Bel exemplaire exempt de rousseurs ( Photographies sur demande / We can send pictures of this book on simple request ).

pleine reliure grenat in-octavo avec une jaquette en papier gris sur les plats (garnet full binding with a dustjaket in grey paper on the covers), titre frappé or sur le dos (gilt title on the spine), marque-page en tissu (bookmark in tissue), toutes tranches lisses (all smooth edges), pages de garde grenat (garnet endpapers), ex-dono manuscrit (handwritten ex-dono), page de faux-titre (half title page), tirage limité à 9126 exemplaires - 1 des 9000 exemplaires hors commerce numérotés de 1 à 9000 réservés exclusivement aux Membres du Club français du Livre (details/certificate of issue - limited edition - 9126 copies were printed - printed for private distribution), illustrations hors-texte (illustrations full page engraving), XCIX + 1071 pages + 1 page de justificatif du tirage (1 page of details/certificate of issue), 1957 à Paris le Club Français du Livre - 8 rue de la Paix, Collection "Les Portiques" numéro 51- édition établie et présentée par (edition established and presented by) Jacques-Henry Bornecque - bon état (very good condition).

Octavo, pp. [i-vi] vii-xxxiv [1-2] 3-221 [222], original gray cloth, printed paper label affixed to spine panel. First edition in English. One of two short novels forming TRIBULAT BONHOMET (1887). "Sensational romance that veers outrageously from romantic rhapsodies to metaphysical speculation to supernatural horror in a conscious subversion of popular fiction, which it purports to be. Poesque homage in presentation of scientific and occult theories, juxtaposed with grotesque humor; again subverted in the person of the narrator Dr. Bonhomet, an absurd 'mad-scientist' prototype. Fantastic elements include metempsychosis, spectral manifestation and a sort of clairvoyance, imprinted on the retina of the eye at death. An entertaining bizarrerie, deeply ironic, and ambivalent in tone yet consistently brilliant in inspiration." - Robert Knowlton. Bleiler, The Guide to Supernatural Fiction 1634. Bleiler (1978), p. 200. Clute and Grant (eds), The Encyclopedia of Fantasy, p. 985. Reginald 14679. See Versins, Encyclopédie de l'Utopie, des Voyages Extraordinaires, et de la Science Fiction, p. 938. See Oxford Companion to French Literature, pp. 718 and 748. Several small stains (or fox marks) to page edges, else a very copy in very good printed dust jacket with shallow chip from upper spine end, some tanning to spine panel, and clipped price. A nice copy. (#170300).

1. Gr.8°. 4 Bll. (das 1. weiß), 300 S., 2 Bll. Halbleder der Zeit mit Rückentitel. Orig.-Umschlag beigebunden Geringf., die Kanten stärker, berieben. Papierbedingt teils braunfleckig. Édition originale. Caillet 11192: 'Axel, c'est l'homme qui refuse la Lumière, l'Espérance et la Vie .'. Sprache: Französisch.

Octavo, pp. [1-4] 1-352, three quarter crushed red morocco and marbled boards, spine panel lettered and tooled in gold (floral inlays, raised bands), t.e.g., other edges untrimmed, marbled endpapers, front, rear and spine panels of original blue-gray wrappers printed in red and black preserved (binding signed "Stroobants"). First edition, first issue. "Mixed collection including supernatural tales, scientific romances and morbid studies, somewhat after the manner of Poe, but distinctively Villiers throughout. Ironic, layered, densely textured pieces that allude more than they state, standing on the watershed between Poe and the Decadents and modern psychological horror. The calculated intention of these contes cruels is to shock and disturb, in order to subvert the reader's sense of complacency, and safety. This remains a very contemporary agenda, on the whole." - Robert Knowlton. A genuine landmark in the development of psychological horror fiction." - Barron (ed), Horror Literature 2-95. "Villiers de l'Isle-Adam was an aristocrat whose life, rich in pretension, degradation, and tragedy, reads like one of his own contes cruels. He came from an autocratic family and wrote his stories to little acclaim, until they were collected in 1883. Worn by privation, debt, and finally cancer, he died wretchedly, although at the height of his recognition. His stories are elegantly and even superciliously told, as if they were mere anecdotes of the idle and cruelly imaginative aristocrat; however, many of the plot lines and characters are based on incidents from his own life. Irony underscores a number of the tales, sometimes lightly, more often bitterly. Villiers de l'Isle-Adam was father to the Grand Guignol Theatre of Paris." - Sullivan (ed), The Penguin Encyclopedia of Horror and the Supernatural, p. 442. "This master-storyteller combines a high romantic sensibility with a devastating antibourgeois irony. 'Living? Our servants will do it for us.'" - Connolly, The Modern Movement: 100 Key Books from England, France and America 1880-1950, #3. Ashley, Who's Who in Horror and Fantasy Fiction, p. 175. Clute and Grant (eds), The Encyclopedia of Fantasy (1997), p. 985. Clute and Nicholls (eds), The Encyclopedia of Science Fiction (1993), pp. 1282-83. Sullivan (ed), The Penguin Encyclopedia of Horror and the Supernatural, p. 442. Tymn (ed), Horror Literature 3-242. Bleiler (1978), p. 200. Not in Reginald (1978; 1992). A review copy with publisher's stamp on half title page, "Offert par l'Editeur à M." Corner tips rubbed, rubbing along outer joints, still a lovely copy. Enclosed in a custom quarter leather velvet lined clamshell box with rounded spine and leather spine labels. (#168013).

315 x 233 mm. (12 3/8 x 9 1/8"). 4 p.l., 93 pp., [1] leaf. SPLENDID CRIMSON MOROCCO, ELEGANTLY GILT, BY P. AFFOLTER (stamp-signed and dated 1911 on front doublure), covers with large gilt frame of Indian motifs, raised bands, spine panels similarly tooled in gilt, gilt titling, ROYAL BLUE MOROCCO DOUBLURES, ELABORATELY INLAID with pink, light blue, citron, pale green, gray, and ochre morocco in a design inspired by the book's illustrations, the curling strapwork and floral frame accented with lotus blossoms and stylized elephants, matching blue silk endleaves, marbled flyleaves, all edges gilt. Original paper wrappers bound in on tabs. In the original suede-lined slipcase edged in matching morocco. Title page and dedication with HAND-PAINTED DESIGNS BY THE ILLUSTRATOR, text with elaborate pink frames, with NUMEROUS VIGNETTES IN THE TEXT AND THREE FULL-PAGE PLATES by Georges Rochegrosse, printed in color then EMBELLISHED BY THE ARTIST'S HAND, AND WITH FOUR PROOFS of the opening illustration, one each in yellow, blue, and red, and one printed in all colors, the latter WITH THE ARTIST'S EXTENSIVE PENCILLED NOTES. Front flyleaf with engraved bookplate of G. Sémon. A SPARKLING COPY inside and out. A bibliophile's edition of the highest order, this ultra-deluxe printing of a Symbolist tale boasts the artist's notes on original proofs of an illustration, hand-painted decorations to the title page and in the text, and exuberant embellishments to the chromolithographed illustrations--not to mention a greatly beautiful binding by a highly esteemed craftsman. An impoverished aristocrat, Villiers de l'Isle-Adam (1838-89) pursued a literary career in the bohemian Paris of the mid-19th century, finding a sympathetic cohort among the Symbolist poets, including Mallarmé and Baudelaire. The latter introduced the young count to the writing of Edgar Allan Poe, who became a major source of inspiration. The present tale of a warrior queen of Benares is an example of the "conte cruel" genre that Villiers de l'Isle-Adam developed, horrific and often bloody stories that reflect on ironic twists of fate. Such a twist is at the center of this story, when Queen Akëdysséril confronts the priest she had ordered to induce her rivals for the throne to commit suicide and executes him for the manner in which he achieved this goal. The vivid illustrations that bring this story to life are by one of the most popular Salon painters during the last two decades of the 19th century, Georges Rochegrosse (1858-1939), who was known for his often large-scale canvases and murals, not infrequently containing scenes of violent excess and carnage. "Akëdysséril" gives him ample opportunity to display the latter, and he has added further flames and dripping blood by hand to already dramatic scenes of destruction. Described by Duncan and De Bartha as one of the "most noted binders" in turn-of-the-century Paris, Paul Affolter (d. 1929) opened his workshop in 1880. Flety notes that he began his career producing "fairly routine work" for the bookseller Fontaine, but in 1894 he began to establish himself as a bibliophile's binder, and he became one of the go-to binders for collectors of luxurious Belle Époque productions like this. As was his custom, he incorporated designs from the illustrator's decorations for the covers and doublures here. In addition to its many other attractions, our volume has the distinction of being virtually unchanged from the day it left Affolter's atelier. No. 4 OF FIVE COPIES ON JAPON HAND-DECORATED BY THE ARTIST (from a total edition of 190).