Philips nelson (5 résultats)

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  • Langue : anglais

    Edité par Reilly and Britton, NY, 1912

    • Couverture rigide
    • Édition originale

    Vendeur : Hellertown Books, Hellertown, PA, Etats-UnisHellertown Books

    Vendeur avec une évaluation de 4 étoiles
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    Etat: Occasion - Satisfaisant

    EUR 9,71

    EUR 7,14 expédition 
    Expédition nationale : Etats-Unis

    Quantité disponible : 1 disponible

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    Hardcover. Etat : Good. No Jacket. First Edition. Emile Nelson, Illus (illustrateur).

  • Etat: Occasion

    EUR 8,29

    EUR 7,99 expédition 
    Expédition nationale : Etats-Unis

    Quantité disponible : 1 disponible

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    Soft cover. Etat : VGF. A VGF pressbook with no cuts or missing pages. 1960' re-release. Scarce. Size: 11" X 14". Book.

  • Langue : anglais

    Edité par CreateSpace Independent Publishing Platform, 2013

    1484037316 / 9781484037317

    • Couverture souple
    • impression à la demande

    Vendeur : Revaluation Books, Exeter, Royaume-UniRevaluation Books

    Vendeur avec une évaluation de 5 étoiles
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    Etat: Neuf

    EUR 25,88

    EUR 14,75 expédition 
    Expédition depuis Royaume-Uni vers Etats-Unis

    Quantité disponible : 1 disponible

    Paperback. Etat : Brand New. 74 pages. 9.00x6.00x0.17 inches. This item is printed on demand.

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    Edité par T. & A. D. Poyser Ltd 1978-91, Staffordshire; London, 1978

    • Couverture rigide
    • Édition originale

    Vendeur : Rooke Books PBFA, Bath, Royaume-UniRooke Books PBFA

    Vendeur avec une évaluation de 5 étoiles
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    Membre d’une association professionnelle : PBFA

    Etat: Occasion - Très bon

    EUR 236,95

    EUR 35,38 expédition 
    Expédition depuis Royaume-Uni vers Etats-Unis

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    Cloth. Etat : Fine. Etat de la jaquette : Near Fine. First edition. Seven beautifully illustrated volumes of ornithological works published by Poyser, all in their original dust wrappers and most being first editions. The first edition to all volumes except 'Flight Identification', which is a third edition second impression, and 'Puffin' which is a first edition, second impression, and Gulls which is a second edition, second impression.A seven volume set.Illustrated with monochrome figures, and five hundred and forty-four monochrome plates to "Gulls", monochrome plates, and four colour plates to "Greenshanks", thirty-eight monochrome photographic vignettes to "Birds and Forestry", twenty-four monochrome plates to "Puffin", a monochrome frontispiece and many monochrome vignettes to "Man and Wildfowl", thirty-two monochrome plates to "Gannet", and monochrome vignettes and ninety-six monochrome plates to "Flight Identification". Collated, complete.In the publisher's original cloth with the original unclipped dust wrapper to all but 'Gannet', 'Greenshanks', and 'Flight identification', which are clipped.This set features seven volumes of ornithological works by a host of specialists in the field, from Poyser's natural history series. The volumes in this set cover a range of bird species such as gulls, greenshanks and puffins.This set includes "Gulls: A Guide to Identification" by P. J. Grant, "Greenshanks" by Desmond and Maimie Nethersole-Thompson, "Birds and Forestry" by Mark Avery and Roderick Leslie; "The Puffin" by M.P. Harris; "Man and Wildfowl" by Janet Kear, "The Gannet" by Bryan Nelson, "Flight Identification of European Raptors" by R. F. Porter and Ian Willis. In the publisher's original cloth with the original unclipped dust wrapper to all but 'Gannet', 'Greenshanks', and 'Flight identification', which are clipped. Externally excellent with only minor bumping to the extremities to 'flight identification'. Bookplates belonging to 'Jonathan Bulmer' to the odd volume. The wraps are excellent with slight marks and slight sunning to 'The Gannet', and minimal creasing to the extremities. Internally firmly bound with clean and generally bright pages with only slight age toning to the odd volume. Fine. Philips Snow; Donald Watson; Keiith Brockie, et al. (illustrateur). book.…

  • Etat: Occasion

    EUR 413,83

    EUR 7,59 expédition 
    Expédition nationale : Etats-Unis

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    3 vol. : [unpaginated] ; [unpaginated] ; [unpaginated]; 3 vol. : 13.5 x 16.9 cm. (each); glue bound; black-and-white; edition size 700; unsigned and unnumbered; offset-printed; Three volume publication documenting the exhibition Sonsbeek ''71 held in and around Park Sonsbeek. Book produced as graduation projects by Paul Bonger and Rick Vermeulen at art school in Rotterdam, now know as Willem de Kooning Academy. Introduction by Bonger and Vermeulen. Artists include Vito Acconci, Bas Jan Ader, Carl Andre, Ben d''Armagnac, Richard Artschwager, Bruce Baillie, Douwe Jan Bakker, Joseph Beuys, Ronald Bladen, Marinus Boezem, Stanley Brouwn, Daniel Buren, Javacheff Christo, Tony Conrad, Hanne Darboven, Walter de Maria, Ad Dekkers, Ger Dekkers, Jan Dibbets, Ger van Elk, Pieter Engels, Groep Enschede, E.R.G., Hans Eykelboom, Barry Flanagan, Fluxus, Hollis Frampton, Ernie Gehr, Dan Graham, Robert Grosvenor, Michael Heizer, Douglas Huebler, Ken Jacobs, joepat, Donald Judd, On Kawara, W (Imi) Knoebel, Hans Koetsier, Axel van der Kraan, Peter Kubelka, George Landow, Standish Dyer Lawder, Sol LeWitt, Richard Long, Mass Moving, Yutaka Matsuzawa, Mario Merz, Jack Moore, Robert Morris, Bruce Nauman, Robert Nelson, Groep Noord-Brabant, Claes Oldenburg, Dennis Oppenheim, Nam June Paik, Panamarenko, Egbert Philips, Emilio Prini, Klaus Rinke, Peter Roehr, Ulrich Rückriem, Edward Ruscha, Fred Sandback, Jean-Michel Sanejouand, Wim T. Schippers, Richard Serra, Paul Sharits, Eric Siegel, Tony Smith, Robert Smithson, Kenneth Snelson, Michael Snow, Koert Stuyf, Ellen Edinoff, Shinkichi Tajiri, Sajiki Tenjo, Yokoyama, Carel Visser, André Volten, Hans de Vries, Lex Wechgelaar, Lawrence Weiner, Joyce Wieland, Annemiek Backer, Marijke Boon, Cor Blok, Pieter Brattinga, K. Schippers, B. van Garrel, Ton Haak, Les Levine, Titia Tybout, Odufré Joes and Wim Crouwel. Texts in English and Dutch. "The tripartite catalogue Sonskeek [sp] ''72 arose from the notes and photos we made of a project that we executed during the period November ''71 - June ''72. What was the starting point of the project? Of all the Sonsbeek exhibitions in ''49- ''52- ''55- ''59 and ''66 one could or one can find back all the sculptures; although not in the original place, in the park, they are to be seen somewhere. Yet the transiency of the projects and objects as exposed during the manifestation ''Sonsbeek buiten de perken'' for us was a reason to trace back what happened to these projects and objects. Doing this we considered ourselves as visitors who came after the closing of the manifestation. We visited the original place of the object/project, made photographs and described it and did so with the present place as well. E.g. from the gigantic wedge by Ronald Bladen at the place in park Sonsbeek hardly anything could be found, except a slight difference in colour of the pavement. The wedge itself we discovered in pieces against the wall of a shed of a firm in Arnhem. Most of the projects and objects we also found back in totally different state: at rubbish dumps, on heaps of scrap- iron, dismantled and packed in boxes, in peoples homes on the cupboard. In some cases nothing was to be found back. We sent a stencil to the 35 filmmakers asking them to send a photo and a description of the present place of their films. Description and photo were their part in our project, the original place always being the place at the lawn where in a tent the films have been shown, during the manifestation. From some filmers we didn?t get an answer within a certain period, then the second card is dropped out. Some artists played a part by the publication they got in one of both Sonsbeek cataloques. When their project had a relation with a location, we visited it and made a photo, if not, we reproduced the concerning pages out of the cataloques. The definite form of the three booklets as they now appear, is the result of collecting and combining the 360 cards on one side a photo, on the other side the description. We thank everyone who helped us to realize this project." -- Paul Bonger and Rick Vermeulen from book''s English introduction. Good. Curl to bottom right quadrant of the three volumes. Rubbing, scratching and light edge wear to covers. Volume 1 has 6.2 cm., 1 cm. and 1 mm. areas of surface tearing to verso. Volume 2 has 10 cm. area of surface tearing to recto. Contents of all volumes are clean and unmarked.…