Rangan pooja (108 résultats)

Etat : As New. Unread book in perfect condition.

Etat : As New. Unread book in perfect condition.

Etat : Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Etat : Very Good. Pooja Rangan interrogates participatory documentary's humanitarian ethos of giving a voice to the voiceless in documentaries featuring marginalized subjects, showing how it reinforces the films' subjects as the other and reproduces definitions of the human that exclude non-normative modes of thinking, being, and doing.…

Etat : New.

Etat : As New. Unread book in perfect condition.

paperback. Etat : New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : New.

Paperback. Etat : new. Paperback. Documentary films are often celebrated with aural metaphors: they give "voice" to the "voiceless" and ask the public to "listen." But when did listening become synonymous with social justice? How exactly do documentaries train audiences to listen when they ask them to right historic wrongs or hold power to account? The Documentary Audit challenges the association of listening with accountability and charts oppositional modes of listening otherwise. Pooja Rangan develops a framework for understanding how documentary practices have, under the mantle of accountability, provided a moral cover for listening habits that are used to profile, exclude, and incarcerate. From the British Crown's promotional films to Zoom meeting recordings, from disability-informed filmmaking in Japan to forensic efforts to expose anti-Palestinian violence in Hebron, Rangan explores how historical and contemporary practitioners have challenged and refused the lures of normative documentary listening habits in order to listen with an accent, listen in crip time, and listen like an abolitionist. Through an interdisciplinary approach that bridges documentary and sound studies while considering raciolinguistics, disability access, and legal forensics, Rangan demonstrates how the question of listening is central to the study of documentary. Far from being a neutral ethic, The Documentary Audit shows, listening creates the reality it purports to verify-with transformative political possibilities. Pooja Rangan develops a framework for understanding how documentary practices have, under the mantle of accountability, provided a moral cover for listening habits that are used to profile, exclude, and incarcerate. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback or Softback. Etat : New. Immediations: The Humanitarian Impulse in Documentary. Book.

Paperback. Etat : New. Finalist, 2026 ASAP Book Prize, Association for the Study of the Arts of the PresentDocumentary films are often celebrated with aural metaphors: they give "voice" to the "voiceless" and ask the public to "listen." But when did listening become synonymous with social justice? How exactly do documentaries train audiences to listen when they ask them to right historic wrongs or hold power to account?The Documentary Audit challenges the association of listening with accountability and charts oppositional modes of listening otherwise. Pooja Rangan develops a framework for understanding how documentary practices have, under the mantle of accountability, provided a moral cover for listening habits that are used to profile, exclude, and incarcerate.From the British Crown's promotional films to Zoom meeting recordings, from disability-informed filmmaking in Japan to forensic efforts to expose anti-Palestinian violence in Hebron, Rangan explores how historical and contemporary practitioners have challenged and refused the lures of normative documentary listening habits in order to listen with an accent, listen in crip time, and listen like an abolitionist. Through an interdisciplinary approach that bridges documentary and sound studies while considering raciolinguistics, disability access, and legal forensics, Rangan demonstrates how the question of listening is central to the study of documentary. Far from being a neutral ethic, The Documentary Audit shows, listening creates the reality it purports to verify-with transformative political possibilities. …

Paperback. Etat : Very Good. Pooja Rangan interrogates participatory documentary's humanitarian ethos of giving a voice to the voiceless in documentaries featuring marginalized subjects, showing how it reinforces the films' subjects as the other and reproduces definitions of the human that exclude non-normative modes of thinking, being, and doing.…

Etat : new.

Etat : new.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : New.

Paperback. Etat : Good. First Edition. The cover and pages show normal wear. The corners are turned down on some pages.

Paperback or Softback. Etat : New. The Documentary Audit: Listening and the Limits of Accountability. Book.

Etat : New.

Paperback or Softback. Etat : New. Thinking with an Accent: Toward a New Object, Method, and Practice Volume 3. Book.

Etat : New. 2023. Paperback. . . . . .

Etat : New. In English.

Etat : New.

Etat : New. pp. 264.

Etat : New. 2017. Paperback. . . . . .

Paperback. Etat : New. Endangered life is often used to justify humanitarian media intervention, but what if suffering humanity is both the fuel and outcome of such media representations? Pooja Rangan argues that this vicious circle is the result of immediation, a prevailing documentary ethos that seeks to render human suffering urgent and immediate at all costs. Rangan interrogates this ethos in films seeking to "give a voice to the voiceless," an established method of validating the humanity of marginalized subjects, including children, refugees, autistics, and animals. She focuses on multiple examples of documentary subjects being invited to demonstrate their humanity: photography workshops for the children of sex workers in Calcutta; live eyewitness reporting by Hurricane Katrina survivors; attempts to facilitate speech in nonverbal autistics; and painting lessons for elephants. These subjects are obliged to represent themselves using immediations-tropes that reinforce their status as the "other" and reproduce definitions of the human that exclude non-normative modes of thinking, being, and doing. To counter these effects, Rangan calls for an approach to media that aims not to humanize but to realize the full, radical potential of giving the camera to the other.…

Etat : New.

Etat : New. In English.