Raphaële garrod (62 résultats)

Hardcover. Etat : Fine. Near Fine. 9.3 X 6.3 X 1.1 inches; Book has no names, pages unmarked, covers excellent. Dust jacket with 3/4 inch closed tear at top of spine, else book and jacket look new.

Hardcover. Etat : Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Standard-sized.

Hardcover. Etat : Fine. A fine copy with previous owner's name on front free endpaper. Pp. xiii, 294. INTERSECTIONS Volume 58.

Etat : New.

Etat : New.

Etat : As New. Unread book in perfect condition.

Hardback. Etat : New. Before Romantic genius, there was ingenuity. Early modern ingenuity defined every person-not just exceptional individuals-as having their own attributes and talents, stemming from an "inborn nature" that included many qualities, not just intelligence. Through ingenuity and its family of related terms, early moderns sought to understand and appreciate differences between peoples, places, and things in an attempt to classify their ingenuities and assign professions that were best suited to one's abilities. Logodaedalus, a prehistory of genius, explores the various ways this language of ingenuity was defined, used, and manipulated between 1470 and 1750. By analyzing printed dictionaries and other lexical works across a range of languages-Latin, Italian, Spanish, French, English, German, and Dutch-the authors reveal the ways in which significant words produced meaning in history and found expression in natural philosophy, medicine, natural history, mathematics, mechanics, poetics, and artistic theory.…

Etat : As New. Hardback book with printed boards. Light shelf wear, pages are clean and unmarked.

Etat : New.

Etat : New.

Etat : New. In English.

Hardcover. Etat : Brand New. 352 pages. 9.25x6.25x1.25 inches. In Stock.

Etat : As New. Unread book in perfect condition.

Etat : New. 1st edition NO-PA16APR2015-KAP.

Gr.-8°. XIII, 294 Pages. Original Hardcover-Volume. Very good Condition with only minimal Signs of Usage at the Cover. No Markings in the Text! No Underlinings! No Owner's Note! (Intersections, Volume 58).

Hardcover. Etat : Brand New. 352 pages. 9.25x6.25x1.25 inches. In Stock.

Etat : New.

Etat : New.

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : new.

Etat : As New. Unread book in perfect condition.

hardcover. Etat : New. 1st.

Etat : New.

Hardcover. Etat : Brand New. 9.50x6.25x1.00 inches. In Stock.

Etat : As New. Unread book in perfect condition.

Hardback. Etat : New. Before Romantic genius, there was ingenuity. Early modern ingenuity defined every person-not just exceptional individuals-as having their own attributes and talents, stemming from an "inborn nature" that included many qualities, not just intelligence. Through ingenuity and its family of related terms, early moderns sought to understand and appreciate differences between peoples, places, and things in an attempt to classify their ingenuities and assign professions that were best suited to one's abilities. Logodaedalus, a prehistory of genius, explores the various ways this language of ingenuity was defined, used, and manipulated between 1470 and 1750. By analyzing printed dictionaries and other lexical works across a range of languages-Latin, Italian, Spanish, French, English, German, and Dutch-the authors reveal the ways in which significant words produced meaning in history and found expression in natural philosophy, medicine, natural history, mathematics, mechanics, poetics, and artistic theory.…

Hardback. Etat : New. Illustrated. Descartes and the 'Ingenium' tracks the significance of embodied thought (ingenium) in the philosophical trajectory of the founding father of dualism. The first part of the book defines the notion of ingenium in relation to core concepts of Descartes's philosophy, such as memory and enumeration. It focuses on Descartes's uses of this notion in methodical thinking, mathematics, and medicine. The studies in the second part place the Cartesian ingenium within preceding scholastic and humanist pedagogical and natural-philosophical traditions, and highlight its hitherto ignored social and political significance for Descartes himself as a member of the Republic of Letters. By embedding Descartes' notion of ingenium in contemporaneous medical, pedagogical, but also social and literary discourses, this volume outlines the fundamentally anthropological and ethical underpinnings of Descartes's revolutionary epistemology.Contributors: Igor Agostini, Roger Ariew, Harold J. Cook, Raphaële Garrod, Denis Kambouchner, Alexander Marr, Richard Oosterhoff, David Rabouin, Dennis L. Sepper, and Theo Verbeek. …

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Etat : new. Hardcover. Francois Rabelais and the Renaissance Physiology of Invention: Ingenious Animation explores the medical poetics of inventive, embodied thinking or ingenuity instantiated in Rabelais' Gargantua and, mostly,in his Quart livre. It unsettles established dichotomies in Rabelaisian scholarship between Rabelais's 'lowly' laughter and his 'high', erudite message and reassesses the Rabelaisian grotesque by highlighting its debts to grotesqueornament, this marginal yet omnipresent Renaissance visual art.Bodily functions are a trademark of Rabelais's poetics. Scholarship has read them as signs of carnivalesque inversion, in line with the Bakhtiniangrotesque, or of satirical degradation: in both instances, the 'lowly' is opposed to the 'high', the belly to the head. Yet for a physician like Rabelais, the 'head' or the brain as the site of cognition is not opposed to what is below it: the chest as the site of breathing, the belly and its nether regions as sites of nutrition and generation. In Renaissance medicine, these are integrated physiological systems whose products fuel each other's operations, including cognition.Read through this lens and alongside his diagnosis of the healthy or diseased culture of his time (rotting scholasticism, the humanist digestion of the classical heritage, or the schismaticconvulsions shaking Christianity) Rabelais's fictions testify to his reflexive investigation into how culture results from physiological processes fuelling the inventive ability of the human animal, made manifest in pedagogical, artistic, mechanical, and spiritual 'inventions'. They display the life (rather than the truth) of culture stemming from human ingenia, that is, wits conditioned by biological natures. While these might be idiosyncratic, their animation is fuelled and shaped bythe food one eats, the air one breathes, the places one inhabits, the company one keeps.In this respect Rabelaisian fiction is grotesque in a period sense. With its emphasis on hybridforms capturing the metamorphic powers of animation, grotesque ornament reflexively commented on the embodied inventive processes underpinning Renaissance mimesis. Rabelais's fictions display a similar logic: they foreground the inventive powers of ingenious animation and articulate reflexive, often ironic alternatives to the humanist views they alter: a thoroughly embodied anthropology, a naturalist genealogy of cultural production and transmission, a phantastical account of artistic inventionas uncanny liveliness. Francois Rabelais and the Renaissance Physiology of Invention: Ingenious Animation explores the medical poetics of inventive, embodied thinking or ingenuity instantiated in Rabelais's Gargantua and, mostly, his Quart livre. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.