rhodes john david (240 résultats)

Etat : Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Etat : Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Etat : good. This is a pre-loved book that shows moderate signs of wear from previous reading. You may notice creases, edge wear, or a cracked spine, but it remains in solid, readable condition.Please note:-May include library or rental stickers, stamps, or markings.-Supplemental materials e.g., CDs, access codes, inserts are not guaranteed.-Box sets may not come with the original outer box. If it does, the box will not be in perfect condition. -Sourced from donation centers; authenticity not verified with publisher. Your satisfaction is our top priority! If you have any questions or concerns about your order, please don't hesitate to reach out. Thank you for shopping with us and supporting small businessâ"happy reading!

Soft cover. Etat : Near Fine. Nick Neocleous (illustrateur). 1st Edition. Wild Cat Books, 2010. Paperback. CONDITION: Near Fine, UNREAD 1st edition. Covers in F/NF condition; light rubbing to surface, curling at corners, artwork bright and glossy. Spine tight and straight, no creasing or end wear. 155 pages bright, clean and unmarked w/sharp corners throughout. Fun, small-press horror.

Paperback. Etat : New. Is there a better way than capitalism?A much-cited recent poll found that more young Americans have a positive view of socialism than of capitalism. There's a sense of newly opened possibilities: Might this be the moment for a mass movement of solidarity to overthrow the tyranny of concentrated power and wealth? But what exactly is this cause? Socialism's champions know how to take effective whacks at capitalism, but diagnosis is not yet the cure.This issue of Plough springs from a conviction that there is a better answer beyond capitalism and socialism, a freely chosen life of sharing and caring that overcomes economic exploitation, a way of life that is both thoroughly practical and independent of the state. This vision is much older than Adam Smith and Karl Marx; it lies at the heart of Jesus' Sermon on the Mount and throughout the New Testament, as well as in the writings of the Old Testament prophets. It is exemplified by the communal life of the first church in Jerusalem, in which "all who believed were together and had all things in common; they would sell their possessions and goods and distribute the proceeds to all, as any had need" (Acts 2:44-45).Also in this issue: poetry by Jane Tyson Clement; reviews of books by Jennifer Berry Hawes, Robert Macfarlane, Emily Bazelon, and John Connell; and art and photography by Wassily Kandinsky, N. C. Wyeth, Deborah Batt, Kari Nielsen, Chris Arnade, William Morris, Hilzías Salazar, Amedeo Modigliani, Benjamin Meader, Bianca Berends, Elise Palmigiani, and Danny Burrows.Plough Quarterly features stories, ideas, and culture for people eager to put their faith into action. Each issue brings you in-depth articles, interviews, poetry, book reviews, and art to help you put Jesus' message into practice and find common cause with others.

paperback. Etat : Fine.

Soft cover. Etat : New. Softcover, 284 pgs. New.

Soft cover. Etat : Very Good. All pages clean, unmarked and undamaged. Exterior covers and spine also spotless but with very light wear to edges. One light scratch on the back cover. Slight splitting at top edge of spine at back cover. Very little wear otherwise. The magazine will be packed with a backing card, bubble-wrapped and shipped in a sturdy, flat box to ensure safe transit. This issue includes: "View"; "Contributors"; "In Detail: Wine"; "Beaton Gold" (An exhibition of Photographs from Cecil Beaton's Studio Archive) by Hugo Vickers; "Museum Quality" (An exhibition of Photographs from Cecil Beaton's Studio Archive) by Mark Haworth-Booth; "Unique Resource" (An exhibition of Photographs from Cecil Beaton's Studio Archive) by Lydia Cresswell-Jones; "Pastoral Retreat" (Sotheby's International Realty) by Julia Lewis; "Southern Splendours" (Sotheby's International Realty) by Andrew Wood; "Sotheby's International Realty Listings"; "Cold Comfort" (Old Master Paintings & Drawings) by George Gordon; "Picture of Contemplation" (Old Master Paintings & Drawings) by Clarissa Post; "Interior World" (Old Master Paintings & Drawings) by George Gordon; "Passion Play" (Old Master Paintings & Drawings) by George Gordon; "Tourist Route" (Old Master Paintings & Drawings) by Clarissa Post; "Old World Splendour" (Old Master Paintings & Drawings) by Christpher Apostle; "An Explorer's Eye" (Old Master Paintings & Drawings) by Cristiana Romalli; "Examples of Excellence" (Old Master Paintings & Drawings) by Gregory Rubinstein; "Forward Progress" (Impressionist & Modern Art) by Melanie Clore and Philip Hook; "Surrealist Art" (Impressionist & Modern Art) by Emmanuel Di-Donna; "Modern Expressions" (Impressionist & Modern Art) by Helena Newman; "Paper Tigers" (Impressionist & Modern Art) by Simon Shaw; "Island Influences" (Impressionist & Modern Art) by Alexander Platon; "The Power and the Passion" (Contemporary Art) by Cheyenne Westphal; "Spiritual Awareness" (Contemporary Art) by Oliver Barker; "Jumping for Joy" (Contemporary Art) by Helen Perkins; "Form and Figuration" (Contemporary Art) by Francis Outred; "Upwardly Mobile" (Contemporary Art) by Oliver Barker; "Hues of Blue" (Contemporary Art) by Helen Perkins; "Creative Energy" (Contemporary Art) by Francis Outred; "Self-referential" (Contemporary Art) by Francis Outred; "All the World's a Stage" (Contemporary Art) by Francis Outred; "Collecting for Charity" (Contemporary Art) by Oliver Barker; "Double Take" (Contemporary Art) by Cheyenne Westphal; "The Queen of the Adriatic" (British Paintings & Watercolours) by Lucy Brittain; "Capturing an Era" (British Paintings & Watercolours) by Angus Haldane; "Forward Thinkers" (Americana) by Leslie Greene Bowman; "Masters of the Craft" (Americana) by Andrew K. Holter; "Striking Beauty" (Americana) by Andrew K. Holter; "Sweet Homecoming" (Americana) by John Ward; "Envisaging America" (Americana) by Paul D'Ambrosio; "By the People, For the People" (Americana) by Nancy Druckman; "Household Treasures" (Americana) by Patrick Bell; "Simply Brilliant" (Jewellery) by Daniela Mascetti; "Season of Style" (Jewellery) by Alexandra Rhodes; "A Study in Sinew" (European Works of Art) by Margaret H. Schwartz; "Untouched by Time" (Books) by David Goldthorpe; "Manhattan Transfer" (Israeli Art & Judaica) by Daria Gluck; "A Marriage of Two Minds" (Israeli Art & Judaica) by Esta Kilstein; "Style and Heritage" (Sotheby's Amsterdam) by Josephine Baas; "Inside Information" (Sotheby's Institute) by Aimee R. Lehrman; plus "Diary"; "News"; "Art Directions"; "Results"; "Jewellery"; "Wine"; "Expert Eye"; "People" and "Living".

Paperback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

hardcover. Etat : New.

Etat : As New. Unread book in perfect condition.

Etat : New.

Etat : New.

Paperback. Etat : new. Paperback. Meshes of the Afternoon (1943), filmed by Maya Deren and her then husband Alexader Hammid in their bungalow above Sunset Boulevard for a mere $274.90, is the most important film in the history of American avant-garde cinema. The artistic collaboration between Deren and Hammid finds its distorted reflection in the vision of the film's tormented female protagonist. Its focus - through a series of intricate and interlocking dream sequences - on female experience and the domestic sphere links Meshes to the Hollywood melodramas of the period, while its unsettling atmosphere of dread, death and doubles makes it a counter-cinematic cousin to film noir. The film has influenced not only the subsequent history of experimental film, but also on the work of Hollywood auteurs. It is a touchstone of women's film-making, of modern cinema and of modern art.John David Rhodes traces the film's history back into the lives of Maya Deren and Alexander Hammid, but in particular that of Deren. He reads the film as a culmination of Deren's abiding interest in modernism and her intense engagement in socialist politics. Rhodes argues that while the film remains a powerful point of reference for feminist film-makers and experimentalists, it is also an example of political art in the broadest terms.In his foreword to this new edition, Rhodes reflects upon the film's continuing importance for and influence upon feminist and avant-garde filmmaking. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Etat : New.

Paperback. Etat : New. Meshes of the Afternoon (1943), filmed by Maya Deren and her then husband Alexader Hammid in their bungalow above Sunset Boulevard for a mere $274.90, is the most important film in the history of American avant-garde cinema. The artistic collaboration between Deren and Hammid finds its distorted reflection in the vision of the film's tormented female protagonist. Its focus - through a series of intricate and interlocking dream sequences - on female experience and the domestic sphere links Meshes to the Hollywood melodramas of the period, while its unsettling atmosphere of dread, death and doubles makes it a counter-cinematic cousin to film noir. The film has influenced not only the subsequent history of experimental film, but also on the work of Hollywood auteurs. It is a touchstone of women's film-making, of modern cinema and of modern art.John David Rhodes traces the film's history back into the lives of Maya Deren and Alexander Hammid, but in particular that of Deren. He reads the film as a culmination of Deren's abiding interest in modernism and her intense engagement in socialist politics. Rhodes argues that while the film remains a powerful point of reference for feminist film-makers and experimentalists, it is also an example of political art in the broadest terms.In his foreword to this new edition, Rhodes reflects upon the film's continuing importance for and influence upon feminist and avant-garde filmmaking.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

paperback. Etat : Very Good. Open Books is a nonprofit social venture that provides literacy experiences for thousands of readers each year through inspiring programs and creative capitalization of books.

Paperback. Etat : Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Etat : New.

Soft cover. Etat : Near Fine. There is an uneven band of discoloration on the back cover from exposure to light over time, otherwise the journal is spotless and just-like-new. It will be bubble-wrapped and carefully packed in a sturdy box to ensure safe transit. This issue includes: "Da capo." by The Editor; "Puccini, the Immigrants and the Golden West" by John Paul Russo; "A Long-Ago World of Melancholy Magic" by Walter Ducloux; "A Sense of Awe: The Career of Jon Vickers as Seen in Reviews" by Jeannie Williams; "Vickers Onstage: The Operatic Career of Jon Vickers" by Jeannie Williams; "Natasha Rostova Goes to the Opera" by David Lowe; "Sherlock Holmes Foiled by an Opera Star" by Enid Rhodes Peschel and Richard E. Peschel; "A Tale of Two Countries: The Operas of Mario Castelnuovo-Tedesco; "Quarterly Quiz: Vertical Patterns" by M. Owen Lee plus numerous reviews of books, videos and recordings.

Etat : Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Etat : New. What are film props? What do they do? This book answers these questions by a close attention to those material objects that are used to construct cinematic worlds. The term "prop" is short for property. This truncated term's etymology belies the expansiveness of the concept and indicates the micro and macro scales at which the prop operates. Props are the material-often literal-furniture of cinema's diegetic reality. Props are also narrative agents: think of the animacy of objects in Jean Epstein's account of photogénie, the crystal egg in Risky Business, or the domestic bric-à-brac of Sirk's melodramas. The prop is central to production design and the construction of mise-en-scène. And yet, the prop has rarely-almost never-been taken as an object of analysis and theorization in its own right. This book begins by tracing the prop's curious but unacknowledged role in film theory, before proceeding to a series of theoretical speculations and close readings that bring the prop into focus. Analyses of scenes of "prop mastery" demonstrate the labor that props perform and enable, as well as the interpretive work they make possible. Across a variety of genres, modes, and historical contexts-studio filmmaking, art cinema, adult and avant-garde films-The Prop introduces readers to the notion of "prop value," a quality that puts the prop in proximity to the capitalist commodity, but also provides an ironic distance from the commodity's subjection to exchange value. Gorfinkel and Rhodes argue that the prop is nothing less than a condensation of how labor, subjection, value, and instrumentality underwrite the very conditions of cinema.

Paperback. Etat : New. Is there a better way than capitalism?A much-cited recent poll found that more young Americans have a positive view of socialism than of capitalism. There's a sense of newly opened possibilities: Might this be the moment for a mass movement of solidarity to overthrow the tyranny of concentrated power and wealth? But what exactly is this cause? Socialism's champions know how to take effective whacks at capitalism, but diagnosis is not yet the cure.This issue of Plough springs from a conviction that there is a better answer beyond capitalism and socialism, a freely chosen life of sharing and caring that overcomes economic exploitation, a way of life that is both thoroughly practical and independent of the state. This vision is much older than Adam Smith and Karl Marx; it lies at the heart of Jesus' Sermon on the Mount and throughout the New Testament, as well as in the writings of the Old Testament prophets. It is exemplified by the communal life of the first church in Jerusalem, in which "all who believed were together and had all things in common; they would sell their possessions and goods and distribute the proceeds to all, as any had need" (Acts 2:44-45).Also in this issue: poetry by Jane Tyson Clement; reviews of books by Jennifer Berry Hawes, Robert Macfarlane, Emily Bazelon, and John Connell; and art and photography by Wassily Kandinsky, N. C. Wyeth, Deborah Batt, Kari Nielsen, Chris Arnade, William Morris, Hilzías Salazar, Amedeo Modigliani, Benjamin Meader, Bianca Berends, Elise Palmigiani, and Danny Burrows.Plough Quarterly features stories, ideas, and culture for people eager to put their faith into action. Each issue brings you in-depth articles, interviews, poetry, book reviews, and art to help you put Jesus' message into practice and find common cause with others.

Paperback. Etat : New. Meshes of the Afternoon (1943), filmed by Maya Deren and her then husband Alexader Hammid in their bungalow above Sunset Boulevard for a mere $274.90, is the most important film in the history of American avant-garde cinema. The artistic collaboration between Deren and Hammid finds its distorted reflection in the vision of the film's tormented female protagonist. Its focus - through a series of intricate and interlocking dream sequences - on female experience and the domestic sphere links Meshes to the Hollywood melodramas of the period, while its unsettling atmosphere of dread, death and doubles makes it a counter-cinematic cousin to film noir. The film has influenced not only the subsequent history of experimental film, but also on the work of Hollywood auteurs. It is a touchstone of women's film-making, of modern cinema and of modern art.John David Rhodes traces the film's history back into the lives of Maya Deren and Alexander Hammid, but in particular that of Deren. He reads the film as a culmination of Deren's abiding interest in modernism and her intense engagement in socialist politics. Rhodes argues that while the film remains a powerful point of reference for feminist film-makers and experimentalists, it is also an example of political art in the broadest terms.In his foreword to this new edition, Rhodes reflects upon the film's continuing importance for and influence upon feminist and avant-garde filmmaking.

paperback. Etat : Good. Good. Used with wear and/or markings but is still in solid reading condition. Pasadena's finest new and used bookstore since 1992.

Etat : Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

paperback. Etat : Good. This is a used book in good condition and may show some signs of use or wear . This is a used book in good condition and may show some signs of use or wear .

Paperback. Etat : As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.