Richards jeffrey (Plus de 1 400 résultats)

Etat : Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Hardback. Etat : Very Good. An exhilarating, brutally candid saga about sexuality and war, tenderness and trauma, young passion and fierce hate, as a teenage boy's unexpected, complicated relationship with a Nazi officer in a WWII death camp is resurrected in 1960s New York City. We Are Only Ghosts depicts queer desire against the horrors of death camps and the psychosis of those who got out alive-haunted forever by those who did not-balancing the violence and hatred of war and its aftermath with many poignant moments of tenderness and joy. For readers of A Little Life by Hanya Yanagihara, The Heart's Invisible Furies by John Boyne, and Young Mungo by Douglas Stuart. "Told from the important and often overlooked perspective of a young gay man imprisoned in the Nazi concentration camps, We Are Only Ghosts evocatively portrays how the things that happen to us, both tragic and beautiful, shape who we are, and how we have the power to choose who we become in spite of our suffering. This gripping testament to the strength of the human spirit will both haunt and inspire you." -Ellen Marie Wiseman, New York Times bestselling author of The Lost Girls of Willowbrook New York City, 1968: The customers at Cafe Marie don't come just for the excellent coffee and pastries. They come for the sophisticated ambiance, and the illusion of being somewhere other than a bustling, exhausting city. Headwaiter Charles Ward helps create that illusion through impeccable service-unobtrusive, nearly invisible, yet always watchful. It's a skill Charles honed as a young Jewish boy in war-torn Europe, when avoiding attention might mean the difference between life and death. But even then, one man saw him all too clearly-a Nazi officer who was both his savior and tormentor. At seventeen, Charles was deported to Auschwitz with his family. There he was singled out by Obersturmf hrer Berthold Werden, who hid him in his home. Their entanglement produced a tortured affection mixed with hatred that flares to life again, decades later, when Berthold walks into Cafe Marie. Drawn back into Berthold's orbit, Charles is forced to revisit the pain and the brief, undeniable pleasures of the life he once knew. And if he acts on his growing hunger for revenge, will he lose his only tether to the past-the only other witness to who he was and everything he endured-or find peace at last? "I was mesmerized by this gorgeously written novel that explores the psychological cost of survival with unflinching honesty and unwavering compassion. A young survivor of the Holocaust who crosses borders, decades, and identities in an attempt to leave behind his horrific past learns he will never be whole again until he finds the courage to confront his ghosts. An astounding story that will linger in my mind and heart for years to come, We Are Only Ghosts will take you on a riveting journey through unimaginable loss and corrupted love toward its ultimate destination of healing and repair." -Kim van Alkemade, New York Times Bestselling Author of Counting Lost Stars "Profound, moving, and absolutely timely, We Are Only Ghosts shows how our identity determines destiny. Charles is gay, Czech, Jewish; as a teenager, he was ghettoized and subjected to the depravity of the Third Reich. In adulthood he discovers the courage to confront the ghosts who return to haunt him, including that of the boy he himself had once been. I'm still pondering the questions posed by this touching novel." -William di Canzio, Author of Alec.…

Etat : Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

hardcover. Etat : Good.

Paperback. Etat : Very Good. 1. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardback. Etat : Good. This book offers a new, full analysis of the Ancient World epic and how this film genre continues to comment on modern-day issues.Few genres have been subject to such critical scorn as the Ancient World epic. Yet they have regularly achieved huge box office success. This book tells the history of the Ancient World epic from the silent screen successes of "Intolerance" and "The King of Kings" through the 'golden age of the epic' in the 1950s (Quo Vadis, Ben-Hur, Spartacus, Cleopatra etc) through to the 1990s revival with "Gladiator", its successors in cinema (Alexander, Troy, 300) and on television (Rome).Geoffrey Richards examines the cultural, social, economical and technological circumstances that dictated the rise and decline of each successive cycle of Ancient World epics, analysing each of the great films and assessing their critical and box office success or failure. He also seeks to tease out the hidden messages concealed in the narrative. For historical films are always as much about the time in which they are made as they are about the time in which they are set. Close examination reveals the recurrent use of the Ancient World to deliver messages to the contemporary audience about the present: messages such as hostility to totalitarian regimes both Fascist and Communist, concern at the decline of Christianity, support for the new state of Israel, celebrations of equality and democracy, and concern about changing gender roles. The whole adds up to a fresh look at a body of films that people think they know, but about which they will learn a good deal more.…

Etat : very_good. Fast & Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

Etat : Very Good. [ No Hassle 30 Day Returns ][ Ships Daily ] [ Underlining/Highlighting: NONE ] [ Writing: NONE ] [ Edition: Second ] Publisher: CFA Institute Research Fouyndation Pub Date: 9/28/2017 Binding: Paperback Pages: 143 Second edition.

Paperback. Etat : Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Etat : good. Fast & Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.

Paperback. Etat : Good. An anthology of eight American plays. Royal Tyler's, The Contrast: William Dunlap's, Andre: James Nelson Barker's, The Indian Princess: William Henry Smith's, The Drunkard: Anna Corra Mowatt's, Fashion: George L. Aitken's, Uncle Tom's Cabin: Dion Boucicault's, The Octoroon. With textual notes. …

Hardback. Etat : Very Good. An exhilarating, brutally candid saga about sexuality and war, tenderness and trauma, young passion and fierce hate, as a teenage boy's unexpected, complicated relationship with a Nazi officer in a WWII death camp is resurrected in 1960s New York City. We Are Only Ghosts depicts queer desire against the horrors of death camps and the psychosis of those who got out alive-haunted forever by those who did not-balancing the violence and hatred of war and its aftermath with many poignant moments of tenderness and joy. For readers of A Little Life by Hanya Yanagihara, The Heart's Invisible Furies by John Boyne, and Young Mungo by Douglas Stuart. "Told from the important and often overlooked perspective of a young gay man imprisoned in the Nazi concentration camps, We Are Only Ghosts evocatively portrays how the things that happen to us, both tragic and beautiful, shape who we are, and how we have the power to choose who we become in spite of our suffering. This gripping testament to the strength of the human spirit will both haunt and inspire you." -Ellen Marie Wiseman, New York Times bestselling author of The Lost Girls of Willowbrook New York City, 1968: The customers at Cafe Marie don't come just for the excellent coffee and pastries. They come for the sophisticated ambiance, and the illusion of being somewhere other than a bustling, exhausting city. Headwaiter Charles Ward helps create that illusion through impeccable service-unobtrusive, nearly invisible, yet always watchful. It's a skill Charles honed as a young Jewish boy in war-torn Europe, when avoiding attention might mean the difference between life and death. But even then, one man saw him all too clearly-a Nazi officer who was both his savior and tormentor. At seventeen, Charles was deported to Auschwitz with his family. There he was singled out by Obersturmf hrer Berthold Werden, who hid him in his home. Their entanglement produced a tortured affection mixed with hatred that flares to life again, decades later, when Berthold walks into Cafe Marie. Drawn back into Berthold's orbit, Charles is forced to revisit the pain and the brief, undeniable pleasures of the life he once knew. And if he acts on his growing hunger for revenge, will he lose his only tether to the past-the only other witness to who he was and everything he endured-or find peace at last? "I was mesmerized by this gorgeously written novel that explores the psychological cost of survival with unflinching honesty and unwavering compassion. A young survivor of the Holocaust who crosses borders, decades, and identities in an attempt to leave behind his horrific past learns he will never be whole again until he finds the courage to confront his ghosts. An astounding story that will linger in my mind and heart for years to come, We Are Only Ghosts will take you on a riveting journey through unimaginable loss and corrupted love toward its ultimate destination of healing and repair." -Kim van Alkemade, New York Times Bestselling Author of Counting Lost Stars "Profound, moving, and absolutely timely, We Are Only Ghosts shows how our identity determines destiny. Charles is gay, Czech, Jewish; as a teenager, he was ghettoized and subjected to the depravity of the Third Reich. In adulthood he discovers the courage to confront the ghosts who return to haunt him, including that of the boy he himself had once been. I'm still pondering the questions posed by this touching novel." -William di Canzio, Author of Alec.…

Hardback. Etat : Good. An exhilarating, brutally candid saga about sexuality and war, tenderness and trauma, young passion and fierce hate, as a teenage boy's unexpected, complicated relationship with a Nazi officer in a WWII death camp is resurrected in 1960s New York City. We Are Only Ghosts depicts queer desire against the horrors of death camps and the psychosis of those who got out alive-haunted forever by those who did not-balancing the violence and hatred of war and its aftermath with many poignant moments of tenderness and joy. For readers of A Little Life by Hanya Yanagihara, The Heart's Invisible Furies by John Boyne, and Young Mungo by Douglas Stuart. "Told from the important and often overlooked perspective of a young gay man imprisoned in the Nazi concentration camps, We Are Only Ghosts evocatively portrays how the things that happen to us, both tragic and beautiful, shape who we are, and how we have the power to choose who we become in spite of our suffering. This gripping testament to the strength of the human spirit will both haunt and inspire you." -Ellen Marie Wiseman, New York Times bestselling author of The Lost Girls of Willowbrook New York City, 1968: The customers at Cafe Marie don't come just for the excellent coffee and pastries. They come for the sophisticated ambiance, and the illusion of being somewhere other than a bustling, exhausting city. Headwaiter Charles Ward helps create that illusion through impeccable service-unobtrusive, nearly invisible, yet always watchful. It's a skill Charles honed as a young Jewish boy in war-torn Europe, when avoiding attention might mean the difference between life and death. But even then, one man saw him all too clearly-a Nazi officer who was both his savior and tormentor. At seventeen, Charles was deported to Auschwitz with his family. There he was singled out by Obersturmf hrer Berthold Werden, who hid him in his home. Their entanglement produced a tortured affection mixed with hatred that flares to life again, decades later, when Berthold walks into Cafe Marie. Drawn back into Berthold's orbit, Charles is forced to revisit the pain and the brief, undeniable pleasures of the life he once knew. And if he acts on his growing hunger for revenge, will he lose his only tether to the past-the only other witness to who he was and everything he endured-or find peace at last? "I was mesmerized by this gorgeously written novel that explores the psychological cost of survival with unflinching honesty and unwavering compassion. A young survivor of the Holocaust who crosses borders, decades, and identities in an attempt to leave behind his horrific past learns he will never be whole again until he finds the courage to confront his ghosts. An astounding story that will linger in my mind and heart for years to come, We Are Only Ghosts will take you on a riveting journey through unimaginable loss and corrupted love toward its ultimate destination of healing and repair." -Kim van Alkemade, New York Times Bestselling Author of Counting Lost Stars "Profound, moving, and absolutely timely, We Are Only Ghosts shows how our identity determines destiny. Charles is gay, Czech, Jewish; as a teenager, he was ghettoized and subjected to the depravity of the Third Reich. In adulthood he discovers the courage to confront the ghosts who return to haunt him, including that of the boy he himself had once been. I'm still pondering the questions posed by this touching novel." -William di Canzio, Author of Alec.…

Hardcover. Etat : Very Good. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

paperback. Etat : Acceptable. This is a former library/ rental copy with stickers, inserts, and markings.

Paperback. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Etat : Fair. First Edition. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Etat : Very Good. drama Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. …

Etat : Good. drama Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Etat : Good. drama Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Etat : good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Paperback. Etat : Fair. No Jacket. Former library book; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Etat : Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Etat : Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Etat : Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.