Richardson robert d (588 résultats)

Hardback. Etat : Good. Writing was the central passion of Emerson's life. While his thoughts on the craft are well developed in ""The Poet"", ""The American Scholar"", ""Nature"", ""Goethe"", and ""Persian Poetry"", less well known are the many pages in his private journals devoted to the relationship between writing and reading. Here, for the first time, is the Concord Sage's energetic, exuberant, and unconventional advice on the idea of writing, focused and distilled by the preeminent Emerson biographer at work today. Emerson advised that 'the way to write is to throw your body at the mark when your arrows are spent'. ""First We Read, Then We Write"" contains numerous such surprises - from 'every word we speak is million-faced' to 'talent alone cannot make a writer' - but it is no mere collection of aphorisms and exhortations. Instead, in Robert Richardson's hands, the biographical and historical context in which Emerson worked becomes clear. Emerson's advice grew from his personal experience; in practically every moment of his adult life he was either preparing to write, trying to write, or writing. Richardson shows us an Emerson who is no granite bust but instead is a fully fleshed, creative person disarmingly willing to confront his own failures. Emerson urges his readers to try anything - strategies, tricks, makeshifts - speaking not only of the nuts and bolts of writing but also of the grain and sinew of his determination. Whether a writer by trade or a novice, every reader will find something to treasure in this volume. Fearlessly wrestling with 'the birthing stage of art', Emerson's counsel on being a reader and writer will be read and reread for years to come.…

Hardback. Etat : Very Good. Writing was the central passion of Emerson's life. While his thoughts on the craft are well developed in ""The Poet"", ""The American Scholar"", ""Nature"", ""Goethe"", and ""Persian Poetry"", less well known are the many pages in his private journals devoted to the relationship between writing and reading. Here, for the first time, is the Concord Sage's energetic, exuberant, and unconventional advice on the idea of writing, focused and distilled by the preeminent Emerson biographer at work today. Emerson advised that 'the way to write is to throw your body at the mark when your arrows are spent'. ""First We Read, Then We Write"" contains numerous such surprises - from 'every word we speak is million-faced' to 'talent alone cannot make a writer' - but it is no mere collection of aphorisms and exhortations. Instead, in Robert Richardson's hands, the biographical and historical context in which Emerson worked becomes clear. Emerson's advice grew from his personal experience; in practically every moment of his adult life he was either preparing to write, trying to write, or writing. Richardson shows us an Emerson who is no granite bust but instead is a fully fleshed, creative person disarmingly willing to confront his own failures. Emerson urges his readers to try anything - strategies, tricks, makeshifts - speaking not only of the nuts and bolts of writing but also of the grain and sinew of his determination. Whether a writer by trade or a novice, every reader will find something to treasure in this volume. Fearlessly wrestling with 'the birthing stage of art', Emerson's counsel on being a reader and writer will be read and reread for years to come.…

Hardback. Etat : Good. This is a study of Ralph Waldo Emerson, one of the most important figures in the history of American thought, religion and literature. The book draws upon a vast amount of material, including correspondence among the Emerson brothers.

Hardback. Etat : Very Good. Writing was the central passion of Emerson's life. While his thoughts on the craft are well developed in ""The Poet"", ""The American Scholar"", ""Nature"", ""Goethe"", and ""Persian Poetry"", less well known are the many pages in his private journals devoted to the relationship between writing and reading. Here, for the first time, is the Concord Sage's energetic, exuberant, and unconventional advice on the idea of writing, focused and distilled by the preeminent Emerson biographer at work today. Emerson advised that 'the way to write is to throw your body at the mark when your arrows are spent'. ""First We Read, Then We Write"" contains numerous such surprises - from 'every word we speak is million-faced' to 'talent alone cannot make a writer' - but it is no mere collection of aphorisms and exhortations. Instead, in Robert Richardson's hands, the biographical and historical context in which Emerson worked becomes clear. Emerson's advice grew from his personal experience; in practically every moment of his adult life he was either preparing to write, trying to write, or writing. Richardson shows us an Emerson who is no granite bust but instead is a fully fleshed, creative person disarmingly willing to confront his own failures. Emerson urges his readers to try anything - strategies, tricks, makeshifts - speaking not only of the nuts and bolts of writing but also of the grain and sinew of his determination. Whether a writer by trade or a novice, every reader will find something to treasure in this volume. Fearlessly wrestling with 'the birthing stage of art', Emerson's counsel on being a reader and writer will be read and reread for years to come.…

Hardback. Etat : Good. Writing was the central passion of Emerson's life. While his thoughts on the craft are well developed in ""The Poet"", ""The American Scholar"", ""Nature"", ""Goethe"", and ""Persian Poetry"", less well known are the many pages in his private journals devoted to the relationship between writing and reading. Here, for the first time, is the Concord Sage's energetic, exuberant, and unconventional advice on the idea of writing, focused and distilled by the preeminent Emerson biographer at work today. Emerson advised that 'the way to write is to throw your body at the mark when your arrows are spent'. ""First We Read, Then We Write"" contains numerous such surprises - from 'every word we speak is million-faced' to 'talent alone cannot make a writer' - but it is no mere collection of aphorisms and exhortations. Instead, in Robert Richardson's hands, the biographical and historical context in which Emerson worked becomes clear. Emerson's advice grew from his personal experience; in practically every moment of his adult life he was either preparing to write, trying to write, or writing. Richardson shows us an Emerson who is no granite bust but instead is a fully fleshed, creative person disarmingly willing to confront his own failures. Emerson urges his readers to try anything - strategies, tricks, makeshifts - speaking not only of the nuts and bolts of writing but also of the grain and sinew of his determination. Whether a writer by trade or a novice, every reader will find something to treasure in this volume. Fearlessly wrestling with 'the birthing stage of art', Emerson's counsel on being a reader and writer will be read and reread for years to come.…

Hardcover. Etat : As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Etat : Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Etat : Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Etat : As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Etat : Very Good. Very Good condition. Very Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Paperback. Etat : Good. Writing was the central passion of Emerson?s life. While his thoughts on the craft are well developed in ?The Poet,? ?The American Scholar,? Nature, ?Goethe,? and ?Persian Poetry,? less well known are the many pages in his private journals devoted to the relationship between writing and reading. Here, for the first time, is the Concord Sage?s energetic, exuberant, and unconventional advice on the idea of writing, focused and distilled by the preeminent Emerson biographer at work today.Emerson advised that ?the way to write is to throw your body at the mark when your arrows are spent.? First We Read, Then We Write contains numerous such surprises?from ?every word we speak is million-faced? to ?talent alone cannot make a writer??but it is no mere collection of aphorisms and exhortations. Instead, in Robert Richardson?s hands, the biographical and historical context in which Emerson worked becomes clear. Emerson?s advice grew from his personal experience; in practically every moment of his adult life he was either preparing to write, trying to write, or writing. Richardson shows us an Emerson who is no granite bust but instead is a fully fleshed, creative person disarmingly willing to confront his own failures. Emerson urges his readers to try anything?strategies, tricks, makeshifts?speaking not only of the nuts and bolts of writing but also of the grain and sinew of his determination. Whether a writer by trade or a novice, every reader will find something to treasure in this volume. Fearlessly wrestling with ?the birthing stage of art,? Emerson?s counsel on being a reader and writer will be read and reread for years to come.…

Etat : Good. [ No Hassle 30 Day Returns ][ Ships Daily ] [ Underlining/Highlighting: NONE ] [ Writing: NONE ] [ Edition: First ] Publisher: University Of Iowa Press Pub Date: 4/1/2015 Binding: paperback Pages: 116 First edition.

Hardback. Etat : Good. From their acclaimed biographer, a final, powerful book about how Emerson, Thoreau, and William James forged resilience from devastating loss, changing the course of American thoughtIn Three Roads Back, Robert Richardson, the author of magisterial biographies of Ralph Waldo Emerson, Henry David Thoreau, and William James, tells the connected stories of how these foundational American writers and thinkers dealt with personal tragedies early in their careers. For Emerson, it was the death of his young wife and, eleven years later, his five-year-old son; for Thoreau, it was the death of his brother; and for James, it was the death of his beloved cousin Minnie Temple. Filled with rich biographical detail and unforgettable passages from the journals and letters of Emerson, Thoreau, and James, these vivid and moving stories of loss and hard-fought resilience show how the writers? responses to these deaths helped spur them on to their greatest work, influencing the birth and course of American literature and philosophy.In reaction to his traumatic loss, Emerson lost his Unitarian faith and found solace in nature. Thoreau, too, leaned on nature and its regenerative power, discovering that ?death is the law of new life,? an insight that would find expression in Walden. And James, following a period of panic and despair, experienced a redemptive conversion and new ideas that would drive his work as a psychologist and philosopher. As Richardson shows, all three emerged from their grief with a new way of seeing, one shaped by a belief in what Emerson called ?the deep remedial force that underlies all facts.?An inspiring book about resilience and the new growth and creativity that can stem from devastating loss, Three Roads Back is also an extraordinary account of the hidden wellsprings of American thought.…

Etat : very_good.

Etat : acceptable. Fairly worn, but readable and intact. If applicable: Dust jacket, disc or access code may not be included.

Paperback. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardback. Etat : Good.

Paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Etat : Very Good.

Paperback. Etat : Fair.

Paperback. Etat : Good.

Hardcover. Etat : Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Etat : Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Etat : Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Etat : Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Etat : Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardback. Etat : Good. This is a study of Ralph Waldo Emerson, one of the most important figures in the history of American thought, religion and literature. The book draws upon a vast amount of material, including correspondence among the Emerson brothers.

Etat : acceptable. Fairly worn, but readable and intact. If applicable: Dust jacket, disc or access code may not be included.