robert gowing (62 résultats)

paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Etat : Very Good. No Edition Stated. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Etat : New.

Etat : As New. Unread book in perfect condition.

Etat : Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Etat : Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Etat : New.

Paperback. Etat : New.

Paperback. Etat : Very Good. 208 pages, illustrations (chiefly colour); 24 cm. Firm binding, clean inside copy. Light shelfwear to wraps, age toning. Size: 8vo.

Hardcover. Etat : UsedGood. Hardcover; The Phillips Collection in association with the National Gallery of Art; fading and shelf wear to exterior; back board reinforced with tape; boards slightly bowed; ink smudges on a few pages; in good condition with clean text. Dust jacket shows scuffing, light soiling, and edge tears.

Hardcover with dustjacket, 270 pages; very good condition; light rubbing to dj; no internal marks. Foreign shipping may be extra.

Etat : Good. 3rd Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Etat : Very Good. 3rd Edition. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Etat : Fine. Etat de la jaquette : Fine. 1st. (usa) Presued 1st edition. No markings, Fine iN Fine dust jacket. Boards, 270pp, index, clour plates; B&W reproductions. "The pastoral landscape from Giorgione to Matisse. A heavy book, (3.6 JM HOZ 402/b2 Size: 4to - over 9¾" - 12". Exhibition Catalogue.

Etat : New. In.

First Edition. Near fine cloth copy in a near-fine, very slightly edge-nicked and dust-dulled dust-wrapper. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description: 270 pages : illustrations (some color) ; 24 x 31 cm. Subjects: Rembrandt Harmenszoon van Rijn 1606-1669; Watteau, Antoine 1684-1721; Constable, John 1776-1837; Blake, William 1757-1827; Calvert, Edward 1799-1883; Palmer, Samuel 1805-1881; Matisse, Henri 1869-1954; Inness, George 1825-1894; Landscape painting, European ; Catalogs; Landscape painting Exhibitions; Painting, Italian Italy Venice Influence Exhibitions; Painting, Renaissance Italy Venice Influence Exhibitions; Landscape painting; Painting, Italian Influence; Painting, Renaissance Influence. 3 Kg.

Hardcover. Etat : Near Fine. Etat de la jaquette : Near Fine. First Edition. Oblong 4to. 270 pp. Near Fine in Near Fine dust jacket. Green cloth. Subtle shelfwear to boards. Slight shelfwear to jacket and sunning to jacket spine.

Etat : New.

Hardcover. Etat : Fine. Etat de la jaquette : As New. 1st Edition. First edition 1988. Published in conjunction with the exhibition by Clarkson Potter / Phillips Collection. Hardcover in full cloth with DJ. Condition fine, square and clean book, no edgewear, corners not bumped, gift inscription on ffep, no underlinings, no highlights, no bent page corners, block slightly moving, not a reminder. DJ fine, bright, no tears, no chips, very slight shelfwear, price not clipped (45.00). Oblong folio, 270 pages, illustrated throughout. Heavy book will require additional postage for international orders.

Hardcover. Etat : Fine/Fine. 1st. The Phillips Collection in association with the National Gallery of Art.

Etat : As New. Unread book in perfect condition.

First Edition. Near fine cloth copy in a near-fine, very slightly edge-nicked and dust-dulled dust-wrapper. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description: 270 pages : illustrations (some color) ; 24 x 31 cm. Subjects: Rembrandt Harmenszoon van Rijn 1606-1669; Watteau, Antoine 1684-1721; Constable, John 1776-1837; Blake, William 1757-1827; Calvert, Edward 1799-1883; Palmer, Samuel 1805-1881; Matisse, Henri 1869-1954; Inness, George 1825-1894; Landscape painting, European ; Catalogs; Landscape painting Exhibitions; Painting, Italian Italy Venice Influence Exhibitions; Painting, Renaissance Italy Venice Influence Exhibitions; Landscape painting; Painting, Italian Influence; Painting, Renaissance Influence. 1 Kg.

Hardcover. Etat : Very Fine. Etat de la jaquette : Very Fine. 1st Edition. This is a Very Fine and Unread copy of the first edition in a Very Fine dust jacket. NOT a remainder copy. In a mylar jacket cover. The casebound catalogue for the exhibition.

Soft cover. Etat : Fine. No Jacket. 1st Edition. First edition. Oblong softcover. 270 pages. Profusely illustrated. Fine condition. (ART4).

Etat : Very Good. ~ Profusely illustrated in color & b/w ~ This book was produced by The Phillips Collection on the occasion of the exhibition « The Pastoral Landscape: The Legacy of Venice and The Modern Vision » jointly presented in two parts by the National Gallery of Art and The Phillips Collection, Nov 6, 1988 - Jan 22, 1989 ~ Publishers' wrappers ~ 270p ~ 23x30x2cm. ~ A very good copy ~ LANGUAGE: English.

First Edition. Fine cloth copy in a near fine, very slightly edge-nicked and dust-dulled dust wrapper, now mylar-sleeved. Remains particularly and surprisingly well-preserved; tight, bright, clean and sharp-cornered. Physical description; 270 pages : illustrations (some colour) ; 24 x 31 cm. Notes; Exhibition jointly presented by the National Gallery of Art and the Phillips Collection, Nov. 6, 1988-Jan. 22, 1989. Includes bibliographical references (pages 249-257) and index. Contents; Introduction / Robert C. Cafritz -- Giorgione, Venice, and the pastoral vision / David Rosand -- Classical revision of the pastoral landscape / Robert C. Cafritz -- Netherlandish reflections of the Venetian landscape tradition / Robert C. Cafritz -- Reverberations of Venetian graphics in Rembrandt's pastoral landscapes / Robert C. Cafritz -- Rococo restoration of the Venetian landscape and Watteau's creation of the Fête Galante / Robert C. Cafritz -- The modern vision / Lawrence Gowing. Subjects; Landscape painting ; Exhibitions. Painting, Italian Italy Venice Influence ; Exhibitions. Painting, Renaissance Italy Venice Influence ; Exhibitions. Landscape painting, European Catalogs. Painting, Renaissance Italy Venice Influence. Painting, Italian Italy Venice Influence. Painting, Italian Italy Veneto Influence ; Exhibitions. Landscape painting ; Exhibitions. Painting, Italian Italy Venice Influence Exhibitions. Painting, Renaissance Italy Venice Influence Exhibitions. Landscape painting, European. Painting, Italian Influence. Painting, Renaissance Influence. Painting Italy Influence. Painting Italy Venice. Hudson River school of landscape painting ; Exhibitions. Italy Venice. Landscape painting. Painting, Italian-Influence. European landscape paintings Catalogues. Landscape painting Exhibitions U.S.A. Landscape painting Italy 16th century. Pastoral compositions. Landscape Depictions Landscape drawing Exhibitions. Landscape engraving Exhibitions. Landscape painting Exhibitions U.S.A. Landscape painting. Rural life in art. Landscape painting. Classicism. Genres; Bibliography. Catalogs. Catalogue. Exhibition catalogs. Exhibition catalogues. Illustrated. 4 Kg.

Etat : Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

hardcover. Etat : Good.

Original Wraps. Etat : Very Good. Etat de la jaquette : No Jacket, as Issued. Robert Medley, Michael Ayrton, Laurence Gowing et al (illustrateur). First Edition. First impression of the true first edition, published in April 1946. Some contributions were specially written for this issue of Penguin New Writing, and are the first publication in the UK, including William Sansom and Stephen Spender. With colour and photogravure illustrations - Issues 27-30 have colour illustrations including work by Robert Medley, Michael Ayrton, Laurence Gowing in this issue. ***A very good copy in pale-green colour-illustrated thin card covers. The covers are clean, with just light rubbing and creasing commensurate with age and handling - there is a scuff to the front cover where a sticker has been removed, and some light smudges / finger marks on the back cover (please see scans). The top outer corner of the page block has been slightly bumped, with slight creasing to the page corner tips. Bottom edge of spine slightly rubbed and scuffed, and the spine edges have some rubbing and surface loss, but with no loss to the fragile spine covering. Internally also very good with no previous ownership inscriptions and no internal foxing. Inside covers slightly browned. No creases or tears - other than the aforementioned slight creasing to the top corner tips. Paper stock lightly tanned as usual. ***180mm x120mm. 192 pages. ***Contents: William Sansom: How Claeys Died, Edith Sitwell: Casket Letter No. 2, Annabel Farjeon: The Lady in the Stone, Louis MacNiece (sic): Three Poems, Frank Sargeson: When the Wind Blows - I, C. Day Lewis: Two Songs, J. Maclaren-Ross: Second Lieutenant, Stephen Spender: Meeting, Jim Phelan: Life Line, Eric White: Death, Is it You?, W. F. M. Stewart: Nocturne, John Heath-Stubbs: Sestina, Allen Curnow: Landfall in Unknown Seas, Radio Critic: Education on the Air, Osbert Sitwell: Wilfred Owen, John Hampson: Movements in the Underground - I, Stephen Potter: London Theatre: 1918 and 1945, From a Painter's Notebook - IV, A. C. Ritchie: Indefinite Leave, Bernard Evslin: My Right Leg Was Germany, Norman Swallow: All This is Ended. New Writing was a popular literary periodical in book format founded in 1936 by John Lehmann and committed to anti-fascism. During the Second World War, in 1940, with New Writing's future uncertain, John Lehmann wrote New Writing in Europe which was published by Penguin Books, a critical summary of the writers of the 1930s. ***Allen Lane of Penguin Books managed to secure paper for a new series which became Penguin New Writing, a monthly book-magazine, this time produced as a paperback. Penguin New Writing ran to 40 issues in total, surviving until 1950. ***First impression of the true first edition of John Lehmann's Penguin New Writing Issue 27, published in April 1946. A very good copy, albeit with the above-mentioned faults - of interest to collectors of collectable Penguin paperbacks. ***For all our books, postage is charged at cost, allowing for packaging: any shipping rates indicated on ABE are an average only: we will reduce the P & P charge where appropriate - please contact us for postal rates for heavier books and sets etc.