robert orledge (105 résultats)

Soft cover. Etat : Very Good. No Jacket. BBC 03 8½"x11"; 98 pages; Soft Pictorial Cover; The binding and pages are clean, tight and square. There is no underlining, highlighting or margin notes. A used copy with normal reading wear. Due to USPS regulations, this item may require additional postage. If you order multiple titles, I will combine them in order to reduce postage costs. If you have any questions, contact me before ordering for details. BBC Music Magazine is a British monthly magazine that focuses primarily on classical music. Each edition comes together with an audio CD, often including BBC recordings of full-length works. The first issue appeared in September 1992. The magazine includes regular columns and reviews of new releases as well as several in depth feature articles by noted music writers. Each issue contains a CD featuring complete works by the greatest composers, performed by world-class artists and ensembles. This issue includes the audio CD "Purcell; Dido & Aeneas the Complete Opera" performed by the Taverner Choir & Players, conducted by Andrew Parrott, featuring Emily Van Evera (Dido) and Ben Parry (Aeneas); This issue contains the following articles: "Counterpoint: Company Profile" (Conifer Classics) by Nick Kimberley; "from an ivory tower: Java's music caught in the act by 'a gentleman at Semarang" by John Milsom; "Music in Art" (St. Cecelia with attendant saints by Raphael and St. Cecelia by Domenichino) by Tom Phillips; "A Lasting Inspiration: Jacqueline du Pre" by Piers du Pre, Hilary du Pre, George Pratt and Steven Isserlis; "Composers of the Year": Henry Purcell by Robert King; John Taverner by Henry Chadwick; Gabriel Faure by Robert Orledge; Bela Bartok by Peter Paul Nash, Anton Webern by Eleonore Buning, Jerome Kern by Eric Salzman, Paul Hindemith by Paul Silverthorns, Carl Orff by David Drew; "Today's Composers look to the year ahead" (Luciano Berio, Giya Kancheli, Priti Paintal, Dave Brubeck, Nicolas Maw, Mark-Anthony Turnage); "Kissin's not telling" (profile of pianist Evgeny Kissin) by Jeremy Siepmann; "Building a Library" (Richard Wagner's Die Meistersinger von Nurnberg) by John Warrack; "Brian Kay's Starter Collection" (essential performances from the classical repertoire) by Brian Kay; "Strange bedfellows" (jazz-rock fusion) by Ian Carr; "Quodlibet; Modes of expression" (composers expression marks) Fritz Spiegl; "Music that changed me" (Robert Lloyd, bass) interview by Margaret Rand.

Paperback. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Etat : Very Good. 1. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Soft cover. Etat : Fine (As New). The UK's oldest classical music journal, with 165 years of continuous publication (established in 1844) - this being its 1,908th issue. CONTENTS: (Articles) Whither 'music studies' (Williams); Purcell, the anthem, and the culture of preaching (Plank); Erik Satie's 'Uspud' (Orledge); The narrative of a composer's biography: Szymanowski (Cesetti); 'Miss Bonwick' identified: an 18th-century composer and organist (Cooper); An incident at Severn Stoke, 11 September 1830 (Bruce); Confused identities: the two Master Hummel(l)s (Simlett-Moss); Modern Nigerian Music: the postcolonial experience (Sadoh); The Emperor of Atlantis: the first British production (Graubart); plus book reviews and additional brief articles. 120 pages. CONDITION: a new, uncompromised copy - now in a clear, protective polypropylene bag with backing board.

Hardcover. Etat : Good. Little wear to boards. Content is clean. DJ is faded with small loss to spine.

Paperback. Etat : new. Paperback. (Piano). This new, completely revised and reset centenary edition of Satie s complete piano music in three volumes has returned to Satie's manuscripts and first editions to give pianists completely accurate and reliable texts to play from. As well as presenting every piece for piano solo or piano reduction that Satie published, this edition also includes some previously unknown pieces, like the Petite Sonate that he wrote for Vincent d Indy at the Schola Cantorum, as well as some interesting first versions of well-known pieces, like San Bernardo, a trial version of Espanana (1913) and the markedly different first version of Les Pantins dansent (1914). In addition, there are examples of the different types of exercises that Satie completed at the Schola between 1905 and 1912, some extra trial Enfantines, and some earlier drafts of his famous Sports et divertissements. To help pianists, suggested metronome marks have been added throughout, and there are also some performance suggestions for the Rose+Croix pieces of the 1890s, which otherwise appear to be all quiet and slow. The notation has been made as user-friendly as possible, without detracting from Satie's concerns about the exteriorisation of his musical thought in print. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Etat : New. Revised.

paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Etat : Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Re-bound by library. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,950grams, ISBN:0903873419.

Etat : New.

Paperback or Softback. Etat : New. Satie the Composer. Book.

Soft cover. Etat : As New (Fine). The UK's oldest classical music journal, with 165 years of continuous publication (established in 1844) - this being its 1,908th issue. CONTENTS: (Articles) Whither 'music studies' (Williams); Purcell, the anthem, and the culture of preaching (Plank); Erik Satie's 'Uspud' (Orledge); The narrative of a composer's biography: Szymanowski (Cesetti); 'Miss Bonwick' identified: an 18th-century composer and organist (Cooper); An incident at Severn Stoke, 11 September 1830 (Bruce); Confused identities: the two Master Hummel(l)s (Simlett-Moss); Modern Nigerian Music: the postcolonial experience (Sadoh); The Emperor of Atlantis: the first British production (Graubart); plus book reviews and additional brief articles. 120 pages. CONDITION: a new, uncompromised copy - now in a clear, protective polypropylene bag with backing board.

Paperback. Etat : new. Paperback. (Piano). This new, completely revised and reset centenary edition of Satie s complete piano music in three volumes has returned to Satie's manuscripts and first editions to give pianists completely accurate and reliable texts to play from. As well as presenting every piece for piano solo or piano reduction that Satie published, this edition also includes some previously unknown pieces, like the Petite Sonate that he wrote for Vincent d Indy at the Schola Cantorum, as well as some interesting first versions of well-known pieces, like San Bernardo, a trial version of Espanana (1913) and the markedly different first version of Les Pantins dansent (1914). In addition, there are examples of the different types of exercises that Satie completed at the Schola between 1905 and 1912, some extra trial Enfantines, and some earlier drafts of his famous Sports et divertissements. To help pianists, suggested metronome marks have been added throughout, and there are also some performance suggestions for the Rose+Croix pieces of the 1890s, which otherwise appear to be all quiet and slow. The notation has been made as user-friendly as possible, without detracting from Satie's concerns about the exteriorisation of his musical thought in print. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Etat : As New. Unread book in perfect condition.

Etat : Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,800grams, ISBN:0521228077.

Etat : Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,800grams, ISBN:0521228077.

Etat : Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Etat : New. Illustrated. Erik Satie remains one of the most bizarre figures in music history, yet everything he did has its own curious logic, once it can be perceived. In this important new study Dr Orledge reveals what made Satie 'tick' as a composer, dealing with every aspect of Satie's complex career and relating his achievement to the other arts and to the society in which he lived. Almost every figure in contemporary art was involved with Satie in some way or another, from Matisse and Picasso to Apollinaire, Cocteau and Brancusi. This, however, is no mere life-and-works study but rather an exploration of the technique behind Satie's art, which foreshadowed most of the 'advances' of twentieth-century music from serialism to minimalism, and even muzak. As the book progresses Satie appears as far more than just the composer of the popular Gymnopédies and Parade.

Softcover. Etat : Near Fine. A nice, clean copy. ; B&W Plates; 8.5 X 5.3 X 0.9 inches; 232 pages.

Paperback. Etat : New. Revised.

Paperback. Etat : Brand New. revised edition. 214 pages. 12.00x9.00x0.52 inches. In Stock.

Paperback. Etat : New. Illustrated. Erik Satie remains one of the most bizarre figures in music history, yet everything he did has its own curious logic, once it can be perceived. In this important new study Dr Orledge reveals what made Satie 'tick' as a composer, dealing with every aspect of Satie's complex career and relating his achievement to the other arts and to the society in which he lived. Almost every figure in contemporary art was involved with Satie in some way or another, from Matisse and Picasso to Apollinaire, Cocteau and Brancusi. This, however, is no mere life-and-works study but rather an exploration of the technique behind Satie's art, which foreshadowed most of the 'advances' of twentieth-century music from serialism to minimalism, and even muzak. As the book progresses Satie appears as far more than just the composer of the popular Gymnopédies and Parade.

Paperback. Etat : New. Revised.

Size: 8vo. xvii, 383pp. Publisher's black cloth. Music examples and illustrations.

Soft cover. Etat : Good. An excellent study of Fauré's life and music.

Paperback. Etat : VG. xxxviii, 226 pages : illustrations. Very nice and clean. Text free of highlighting and writing. Tightly bound. Satie, Erik, -- 1866-1925. Satie, Erik, -- 1866-1925 -- Amis et relations. Compositeurs -- France -- Biographies.

Etat : New. 2016. Paperback. . . . . .

Cloth. Etat : Very Good. No Jacket. Label mark to front board, else VG+.

Paperback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.