rosenblum robert stevens maryanne (58 résultats)

Etat : Very Good. Used book that is in excellent condition. May show signs of wear or have minor defects.

Etat : Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Etat : Very Good. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.

Hardcover. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 6.55.

Hardcover. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 6.55.

Etat : Good. Ships from the UK. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Hardcover. Etat : Very Good. Dust Jacket Included. 1st Edition. 1900: Art at the Crossroads by Rosenblum, Stevens and Dumas published by Abrams. Hardcover in dustjacket An exhibition organized by The Royal Academy of Arts, London, and the Solomon R. Guggenheim Museum, New York, 1900: Art at the Crossroads examines the diverse range of artworks produced during this period. While artists such as C?zanne, Degas, Rodin, and Klimt were well known by the turn of the century, lesser-known artists were making art that equally reflected the stylistic and social concerns of this epoch. In his essay, the Guggenheim's Rosenblum explores various related themes that are woven within the paintings and sculpture. These include subjects such as fantasy vs. reality, the representation of women, and the new psychological probity. The Royal Academy's Stevens shows how the Exposition Universelle of 1900 in Paris and the issue of nationalism as well as the genesis of international styles in the art of this period foreshadowed developments and the rest of the 20th century. The catalog portion of this book is illustrated with color plates of all the works in the exhibition and divided by theme, such as the city, landscape, portraits, bathers and nudes, and religion. This handsome volume is recommended for general art collections as well as academic and art libraries. "VERY GOOD CONDITION" HEAVY VOLUME would incur EXTRA SHIPPING CHARGES. BX3-C.

Etat : Good. Good condition. Very Good dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

Soft cover. Etat : Fine. A truly lovely copy in oversize paperback. Near mint condition in French flaps -- crisp, bright, and tight -- with no markings and no defects of any kind. (445 pages.) Suitable condition for presentation as a gift, or for adding to a library collection. Ships from NC. All paper bound copies are sealed in recycled plastic, packaged securely with recycled cardboard backing, and shipped promptly with tracking information. (M-2.).

Etat : Very Good. Used book that is in excellent condition. May show signs of wear or have minor defects.

Hardcover. Etat : Near Fine. No Jacket. 1st Edition. Large quarto in stiff paper covers. Color & B&W illustrations. Condition: volume is slightly curled; inked initials & date on half-title page; else near fine. 445 pages.

Hardcover. Etat : Used - Very Good. Exactly 100 years ago, art was at a crossroads. Painters such as Sargent, Whistler, Homer, and Rouault were widely acclaimed. Cezanne, Degas, Gauguin, Toulouse-Lautrec, Rodin, Munch, Klimt, and other modern masters were in their prime. And the revolutionaries who would go on to change the course of Western art -- Picasso, Matisse, Mondrian, Kandinsky, and Nolde, among others -- were just getting started. This book, the companion volume to a major international exhibition, provides an eye-opening look at what these and other artists were creating in this watershed year. Organized by subject -- from bathers, femmes fatales, and self-portraits to rural scenes, religion, and social comment -- and featuring more than 300 colorplates, the book presents both famous and less well-known works. By including a wide range of paintings and sculptures executed at roughly the same time, Robert Rosenblum and MaryAnne Stevens illuminate the cultural crosscurrents that were reshaping Western art -- including nationalism, psychology, and technology -- and help us see familiar masterworks with a fresh eye. This companion volume to a major international exhibition views with a fresh eye the crossroads of art: works by realists Homer, Whistler, and Sergent; Impressionists Cezanne, Degas, Gauguin, and Rodin; and revolutionaries Picasso, Matisse, and Mondrian. 500 illustrations, 300+ in full color. Open copy. interior pages in good condition.free of any marks.wrapped in complimentary Brodart dust jacket protector.

Wraps. Etat : Very Good. Reprint, 1st Abrams edition. Reprint, 2000. Very Good. 4to., 445 pp., heavily illustrated with full color art reproductions. Bound in publishers heavy, stiff wraps. Binding is slightly cocked, interior clean and unmarked. Published on the occasion of the exhibition '1900: Art at the Crossroads' at The Royal Academy of Arts, London and The Solomon R. Guggenheim Museum, New York.

Hardcover. Etat : As New. Etat de la jaquette : Near Fine. 1st Edition. Harry N. Abrams, Inc., Publishers, New York, 2000. Hardcover. Condition:AS NEW. Dust Jacket Condition: Near Fine. 1st. 445 pp., illus. (some col.); 32 cm. Published on the occasion of the exhibition at the Royal Academy of Arts, London, and the Solomon R. Guggenheim Museum, NY. BRAND NEW. A fine copy. OVERSIZE! No priority/international, except by special arrangement. An intriguing selection of Western art from c. 1900, organized thematically. Richly illustrated with colour plates. "Exactly 100 years ago, art was at a crossroads. Painters such as Sargent, Whistler, Homer, and Rouault were widely acclaimed. Cézanne, Degas, Gauguin, Toulouse-Lautrec, Rodin, Munch, Klimt, and other modern masters were in their prime. And the revolutionaries who would go on to change the course of Western art - Picasso, Matisse, Mondrian, Kandinsky, and Nolde, among others - were just getting started. This book, the companion volume to a major international exhibition, provides an eye-opening look at what these and other artists were creating in this watershed year. Organized by subject - from bathers, femmes fatales, and self-portraits to rural scenes, religion, and social comment - and featuring more than 300 colorplates, the book presents both famous and less well-known works. By including a wide range of paintings and sculptures executed at roughly the same time, Robert Rosenblum and MaryAnne Stevens illuminate the cultural crosscurrents that were reshaping Western art - including nationalism, psychology, and technology - and help us see familiar masterworks with a fresh eye. / ROBERT ROSENBLUM is professor of fine arts at New York University, a curator at the Solomon R. Guggenheim Museum in New York City, and a contributing editor at ArtForum. His 14 previous books include such classics as Abrams' Cubism and 20th-Century Art and, with H. W. Janson, 19th-Century Art." - Publisher. Size: 4to - over 9¾" - 12" tall. Exhibition Catalogue.

Hardcover. Etat : Near Fine. Etat de la jaquette : Near Fine. Slight edgewear only. A tight solid sound beautiful copy. ; Folio, black cloth, DJ, 445pp. , list of works, select bibliography. Index. Profusely illustrated throughout with more than 500 illustrations, including more than 300 in full color.

Hardcover. Etat : Very Good+. Etat de la jaquette : Very Good+. Text clean and tight; NOTE: additional postage may be necessary for international shipping; 8vo 8" - 9" tall; 445 pages.

Hardcover. Etat : Fine. Etat de la jaquette : Fine. 1st Edition. Fine copy in hardcover with fine jacket.

Hard Cover. First Edition, First printing. FINE IN FINE DUST JACKET. BOOKPLATE.

Trade Paperback. Etat : Like New. First Edition. First Edition, First Printing. Published by Guggenheim Museum, 2000. Folio. Pictorial wraps with flaps. Book is like new; clean with no writing or names. Sharp corners, binding tight and pages crisp. Light spine lean. 445 pages. ISBN: 089207230x. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton, New York. We Buy Books! Individual titles, libraries, collections. Message us if you have books to sell!

Hardcover with dustjacket, 446 pages, as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Soft cover. Etat : Very Good. Oversized soft cover book (445 pages) with numerous color and b/w photographs/reproductions. Covers show light rubbing/scuffing. INTERNATIONAL SHIPPING WILL REQUIRE ADDITIONAL CHARGE. Bookseller since 1995 (LL-Base2-D-2-TS-R) rareviewbooks.

A very broad (and well done) cross-section of art in the very late 1890s and early 1900s; 445 pages, illustrated. A clean fine paperback exhibition catalog in decorative wrappers (soft cover book). Oversize.

Hardcover. Etat : Near Fine. Etat de la jaquette : Near Fine. First Edition; First Printing. An exhibition organized by The Royal Academy of Arts, London, and the Solomon R. Guggenheim Museum, New York, 1900: Art at the Crossroads examines the diverse range of artworks produced during this period. ; 445 pages.

Original Decorated Wrappers. Etat : Very Good+. Etat de la jaquette : No Dust Jacket. Over 500 Color & B/w Illustrations (illustrateur). With colour plates. Light bumping to spine corners. Slight wear to spine, covers and corners. ; "1900: Art at the Crossroads" was a groundbreaking exhibition held at the Royal Academy of Arts, designed to encapsulate the diverse and dynamic art world as it stood at the dawn of the 20th century. This ambitious exhibition sought to explore the various artistic movements and styles that coexisted at this pivotal moment in history, showcasing works that ranged from the traditional to the avant-garde. One of the exhibition's most compelling aspects was its ability to illustrate the tension and dialogue between different artistic schools and philosophies. The show included works by artists who were at the forefront of the modernist movement, such as Pablo Picasso and Gustav Klimt, alongside those by artists adhering to more traditional styles, highlighting the rich tapestry of creativity and innovation that characterized the era. The curatorial approach of "1900: Art at the Crossroads" was particularly noteworthy. The exhibition was carefully curated to avoid a linear narrative, instead presenting the artworks in a manner that encouraged visitors to make their own connections and observations about the evolution of art at the turn of the century. This approach not only made the exhibition intellectually stimulating but also allowed for a more personal and immersive experience for the audience. The breadth of artworks on display was another highlight, featuring not only paintings but also sculptures, decorative arts, and architectural designs. This multidisciplinary selection emphasized the exhibition's theme of cross-pollination and convergence among different art forms and movements. It provided a holistic view of the artistic landscape of 1900, showcasing the interconnectedness of creativity across various disciplines. The exhibition also succeeded in drawing attention to lesser-known artists and movements, giving them the recognition they deserve alongside more established names. This inclusivity enriched the narrative of the exhibition, offering a more comprehensive and nuanced understanding of the period's artistic diversity. Critically, "1900: Art at the Crossroads" was acclaimed for its scholarly rigor and its appeal to both academic audiences and the general public. The accompanying catalogue served as an invaluable resource, containing essays and analyses that deepened the understanding of the themes and artworks presented. In summary, "1900: Art at the Crossroads" was an exemplary exhibition that captured the complexity and vibrancy of the art world at a moment of significant change. It not only showcased the artistic achievements of the era but also stimulated reflection on the nature of artistic innovation and the perennial dialogue between tradition and modernity. Through its inclusive and thoughtful presentation, the exhibition offered a profound insight into the crossroads at which art found itself at the dawn of the 20th century, making it a milestone in the history of art exhibitions. ; Quarto; 448 pages First Paperback Edition; First Impression.

Hardcover. Etat : Used; Very Good. ***Simply Brit*** Welcome to our online used book store, where affordability meets great quality. Dive into a world of captivating reads without breaking the bank. We take pride in offering a wide selection of used books, from classics to hidden gems, ensuring there is something for every literary palate. All orders are shipped within 24 hours and our lightning fast-delivery within 48 hours coupled with our prompt customer service ensures a smooth journey from ordering to delivery. Discover the joy of reading with us, your trusted source for affordable books that do not compromise on quality.

Folded Card. Etat : Fine. 1st. A fine copy of this 445 page book with over 500 illustrations - more than 300 in full colour. No inscriptions, and binding and contents clean and tight. Please note that this book is very heavy, and the postage will be greater than the quoted ABEBook rate.

Hardcover. Etat : Fine Copy. Fine hardcover copy with dustjacket, more than 500 illustrations including more than 300 plates in full color.

Over 500 Color & B/w Illustrations (illustrateur). First edition, first printing. Large format paperback exhibition catalogue. Near fine with reading creases to the spine.

Hardcover. Etat : Fine. Etat de la jaquette : Fine. 1st edition. ~Dustwrapper unfaded and unclipped. Many colour and black / white illustrations. No ownership marks. ~Robust packaging. Overseas tracking available on request. Size: 445pp. 25 x 31cm. With dustwrapper.

Soft cover. Etat : Fine. Over 500 Color & B/w Illustrations (illustrateur). Published for the exhibition '1900: Art at the Crossroads' at the Royal Academy of Arts, London, 16 Jan.-3 Apr. 2000 and at the Solomon R. Guggenheim Museum, New York, 18 May-13 Sept. 2000. 305 x 240 mm. 445 pp., some 500 illustraions, 300 in colour. [ISBN: 978-0900946820] Softbound. A fine bright copy.