Ruscha edward dean robert wright (8 résultats)

Hardcover. First Edition. Quarto. Hardcover in thick grey card stock slipcase with silver lettering. Light blue cloth over boards with silver lettering, and no jacket as issued. 526 pp.; richly illustrated. 30cm. This is volume 2 of a four-volume set; in great condition. VG-. Slipcase is lightly toned/scuffed/smudged/edgeworn; Boards have on very light smudge to the front cover; interior is clean and bright; binding is solid. May have previous owners bookplate.…

Hardcover without dustjacket in printed slipcase, 530 pages, very good condition except light spotting to spine and light edgewear to slipcase; no internal marks. Foreign shipping may be extra.

Hard Cover. Etat : Fine. First Edition. This is a fine hardcover copy bound in gray green cloth printed in silver, without dust jacket as issued. Missing slipcase. Completely clean inside and out. This is Volume 2, only of the five volume catalogue raisonne issued by Gagosian Gallery. Stated first edition. Illustrated mostly in color, some black & white. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.…

Hardcover without dustjacket in printed slipcase, 554 pages, as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover without dustjacket in printed slipcase, 530 pages, new condition; still sealed in shrinkwrap; clean and crisp. Foreign shipping may be extra.

Hardcover. Etat : Fine. Etat de la jaquette : No dust jacket as issued. 1st Edition. First edition, first printing. Hardcover. Fine gray cloth-covered boards, with title stamped in silver on cover and spine, no dust jacket as issued; contained in a heavy gray cardboard slipcase with title stamped in silver on both sides. Paintings and text by Edward Ruscha. Essays by Robert Dean, Dave Hickey and Larence Weiner. Edited by Robert Dean, with Erin Wright. Includes comprehensive catalogue entries, chronology, exhibition history and bibliography. Designed by Bruce Mau, Bruce Mau Design, Inc., Toronto, with Breanne Woods, Carolina Söderholm and Judith McKay. 564 pp., including 3 two-page gatefolds, profusely illustrated with four-color plates and additional black-and-white reference illustrations, beautifully printed by Steidl on Scheufelen Job Parilux paper. Book 11-5/8 x 9-5/8 inches; slipcase 12-1/8 x 10 inches. Fine. From the publisher: "This is the third volume in the ongoing series documenting Ruscha's entire corpus of paintings. As in the previous two volumes, each painting is given a double-page spread with exhibition and bibliographic history, and is reproduced in color. The artist's notebook sketches for paintings are reproduced in facsimile. This volume contains 165 paintings and, in addition, includes a major public commission for the Philip Johnson-designed Miami-Dade Public Library, which was a watershed mark for Ruscha. Paintings done immediately prior to this commission can be seen as a summation of the artist's earlier preoccupations and techniques, while those done after the commission show a major shift in Ruscha's direction occasioned by the artist's use of airbrush techniques to produce dark, atmospheric canvases that correspond to film noir and such Los Angeles writers as Raymond Chandler. The book includes an introductory essay by the editor, Robert Dean, and a personal tribute by artist Lawrence Weiner. It contains a chronology to 1987, as well as a comprehensive bibliography and list of exhibitions.".…

Hardcover. Etat : Near Fine. No Dust Jacket. First Edition; First Printing. Near fIne in grey cloth with silver titles, enclosed in a grey heavy card slipcase, as issued. Sealed in the publisher's protective plastic shrinkwrap. (Trace of rubbing to silver titles on spine due to crease in plastic shrink wrap. ) (12" X 9 3/4") (564pp. ) Features 165 paintings. (BC).…

Unbound sheets. Etat : Near Fine. No Dust Jacket. First Edition. UNCORRECTED PROOF. Consists of unbound folded and gathered signatures. One of 3 sets produced prior to publication for purposes of final proofing, sent by the printer to the artist's office. The copies produced were intended solely for the artist, the editor & designer. Contents are very nearly fine, with one postage stamp-size abraided spot on front cover signature. 2 yellow post-its are still in place where last minute corrections were indicated. Third volume in a projected five-volume series. 165 paintings are detailed in color, along with a comprehensive bibliography and list of exhibitions, with chronology to 1987.…