sabbattini nicola (39 résultats)

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

OKart., OUmschlag, Schuber, LIV+170 Seiten+Inhalt, 19,5 x 27 cm, Schuber angeschmutzt und leicht bestoßen, Buch bis auf Bibl.-Stempel und Widmung unangetastet, insgesamt sehr guter Zustand. Book Language/s: French.

In-4° piccolo, legatura in brossura e sovracoperta editoriale, pp. 189 con illustrazioni intercalate nel testo e :Documenti inediti e disegni a cura di Elena Povoledo, composti da VIII tavole fuori testo. (Ristampa anastatica dell'edizione del 1638). Brunitura alla brossura e alle pagine nella parte alta e piccole sfrangiature al verso della brossura sempre in alto.

Rééd. du facs. de l`éd. Ravenna 1638. LIV, 170 S. : zahlr. Ill., 6 Bl. ; 27 cm. En tres bon etat, propre / Sehr gutes, sauberes Exemplar. Sprache: Französisch Gewicht in Gramm: 1000 Kartoniert, Seiten oben unbeschnitten.

Paperback. Etat : New. Print on Demand. This book provides a practical guide to the elaborate construction of theatrical scenery as well as the design and operation of stage machinery and automata during the Italian Renaissance. The author, a renowned architect from the sixteenth century, brings first-hand archival evidence to bear on a wide-ranging study that focuses on the role of artists and artisans from different disciplines, the details of their collaborations, and the evolving theatrical technologies at the heart of Renaissance spectacle. Surveying the development of stagecraft and machinery from the late Middle Ages through the sixteenth century, the book creates a vivid picture of the ways that theatrical performance affected, and was in turn shaped by, the social, religious, and political contexts of the Italian Renaissance. Ultimately, this book traces the evolution of theatre into the truly modern era, characterised by perspective scenery, moveable scenery, and sophisticated mechanical special effects. It is a unique and in-depth study of the origins of theatre as we know it today. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.

Hard Cover. Etat : Good. No Jacket. First Thus. Ex-library with the usual blemishes.This item is heavy and will attract postal surcharges.Text in Italian & German. B00001860.

Etat : Gut. Nachdruck / Reprint v. 1638. Gr. 8°. 189 S. Orig.pappband, Orig.Umschlag (dieser staubig und angerändert), Buch gut erhalten. Sprache: Italienisch, zahlreiche Illustrationen, Numeriert Nr. 625/1150.

Originalbroschur in Schuber. Etat : Gut. Rééd. du facs. de l'éd. Ravenna 1638. LIV, 170 S. Ein gutes und sauberes Exemplar. Schuber leicht berieben. - Lettre de Louis Jouvet à l'éditeur Découverte de Sabbattini -- Qui était Sabbattini? -- Qu'est-ce que la machinerie? -- L'architecture dtamatique -- Les quatre ordres de la mise en scène -- Signification de Sabbattini -- Sabbattini et le machiniste -- La théorie et la pratique -- En guise de conclusion. Altersfreigabe FSK ab 0 Jahre Sprache: Deutsch Gewicht in Gramm: 550.

Gr-8°, 188 S., Obr., orig. Folienumschlag. Mit Bildtafeln. - BV. Wichtiges Werk zur Bühnentechnik und -Gestaltung im 17. Jahrhundert, neu hg. - Auch als Nachdruck recht selten.

FIRST THUS (Facsimile of 1639 Edition in Italian plus translation into German) 4to. hardback with decorated paper-covered boards with paper title labels to spine and upper board, in plain brown card slipcase. Facsimile of original Italian text 168pp., illustrated with diagrams and decorative initial caps. German translation pages 169 - 291pp. Pages unopened and untrimmed. Ink inscription, dated 1926, to ffep. Light foxing to untrimmed foredge. Slight tanning to spine. Slight fading and light soiling to slipcase. A VERY GOOD COPY in Good+ Slipcase. (Shelf 130) PLEASE NOTE: Heavy Book (1.1 kg+) Postage rates vary according to destination, weight and speed. For an accurate overseas quote PLEASE either call or email us before ordering. [AbeBooks shipping quote is based on items weighing up to 1 kilo only]. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.** Pictures available upon request.** Visit our homepage for our shop opening hours. Over 20,000 books in stock - come and browse. PayPal, credit and most debit cards welcome. Books posted worldwide. For any queries please contact us direct.

1 vols. 4to. 1 vols. 4to. Decorated boards, paper labels. Spine darkened, joints cracked but holding, internally Fine.

Couverture rigide. Etat : Assez bon. 4to (251 x 186 mm) 12, 168 pp. with some woodcut illustrations. Old vellum, in a modern green cloth clam-shell box. Kat. Berlin, 2786; Cicognara, 780; Riccardi, I, 405; Vagnetti, EIIIb26 ("opera classica di tecnica theatrale"). First collected edition of this extremely rare treatise on theatrical geometry and stage design, the second part of which is in the first edition. Nicola Sabbattini (1548-1632) was an architect and a pupil of the mathematician Guidobaldo del Monte, who taught him the techniques of perspective. He entered the service of Duke Francesco Maria and then of Cardinal Grimaldi. He modified the Teatro del Sol in Pesaro, his birthplace, and equipped it with the stage machinery described in the second part of this book. He is also credited with the construction of the theatre in Modena. Sabbattini's idea was to imagine a theatre in the shape of a lyre ending in a stage where everything is arranged for the triumph of visual illusion. Here he enumerates the simplest and most elaborate means of creating these illusory phenomena necessary for the dramatic art. Sabbattini's treatise also addresses a recent problem posed by the evolution of the theatre: where to place the orchestra in a theatre when it becomes an opera? Until now, the orchestra was located on the stage. It often consisted only of the actors playing an instrument themselves. With the creation of the first operas, mainly those of Monteverdi, the stage could no longer contain entire orchestras at the risk of upsetting the balance between music and acting. Sabbattini came up with an ingenious solution: to place the orchestra under the proscenium, as to obtain perfect acoustics (Book I, chapter 36, Como si debbano accomodare i musici). This new arrangement immediately prevailed. Each of his projects is developed in a long commentary accompanied by an explanatory diagram engraved on wood, with figures representing the scenes and scenery. In addition, the work is decorated with a beautiful series of initials with a floral background. Louis Jouvet wrote in the preface to the French edition published in 1942 that thanks to Sabbattini he had "discovered a treatise on machinery, a psychology of the stagehand (.) a manual for the set designer and the painter (.) a strategy for the show (.) a practical code of illusion". Provenance: Libreria Sarti (stamp, with cancellation) - 19th century Italian note on endpaper - Thomas Vroom (book plate). Some foxing ; endpapers partially renewed.

In-4°, LIV-170p. Edition originale en langue française. Un des 20 exemplaires de tête numérotés sur Japon ancien (exemplaire n° 4, nominatif). Tirage total 1116 exemplaires. Traduction de Maria et Renée Canavaggia et de Louis Jouvet. Introduction de Louis Jouvet. Belle impression à grandes marges avec lettrines gravées. Illustré de nombreux bois gravés dans le texte. Exemplaire à l'état de neuf, non coupé. Broché, couverture illustrée rempliée.

Rare first edition, in the original Italian, of the first book devoted exclusively to stage design, stage architecture, machinery and special effects on stage. It is written in the form of directions to the architect who must transform a hall of state into a theatre. The author takes the reader backstage and reveals the secrets of the elaborate effects so often found in Renaissance theatre. He deals with the general problems of theatre construction, audience arrangement, scene construction and lighting. It is our main source of information on the scenic practice in the Italian Renaissance theatre and helped to spread that practice throughout Europe. From 1610 Sabbattini (1574-1654) had worked in Pesaro as chief architect and engineer in service of Francesco Maria Della Rovere (1549-1631), last Duke of Urbino. With early owners' inscriptions on title-page. With unobtrusive marginal restorations in the first and last leaves, including the blank lower half of the final leaf, and some faint stains, but otherwise in good condition. Spine of wrapper restored. Rare first edition of an essential source for any study of Renaissance theatre.l Berlin Kat. 2785; ICCU (5 copies); Percy Muir, Talks on book collecting, 1952, p. 96; Quagliarini, Costruzioni in legno nei teatri, 2008, pp. 100-101. Decorated paper wrappers (ca. 1700?), printed from woodblocks in red and green paste (scattered flowers with a background of dots), sewn on 3 cords. With the woodcut coat of arms of the dedicatee Cardinal Grimaldi on the title-page and 49 woodcut diagrams and illustrations of decors and stage settings in the text, many illustrating the use of perspective to give an illusion of three dimensions and some showing mechanical systems, such as screens raised and lowered with pulleys. Pages: [4], 89, [2] pp.

paperback. Etat : Near Fine. sewn PAPERBACK with stiff cardboard illustrated cover, near fine, glassine jacket is torn and chipped around edges. previous owner's name in ink on front endpaper and his blindstamp on title page. Nr. 904 of 1150. SABBATTINI, NICOLA. Pratica di fabricar scene e machine ne' teatri, di Nicolo' Sabbatini, con aggiunti documenti inediti e disegni originali a cura di Elena Povoledo. Roma: Carlo Bestetti, 1955, 189pp., . Collezione del Centro di ricerche teatrali. 1. - Reprint of the Ravenna, 1638 edition. TEXT IN ITALIAN. 24.20.

LeatherBound. Etat : New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1700 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set and contains approximately 18 pages. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: Italian.

Réimprimé augmenté du Livre second. Traduction de Melles Maria et Renée Canavaggia et M. Louis Jouvet. Introduction de Louis Juvet. LV/171 S. mit zahlr. Abb., sowie 5 S. Table des matières u. Drucknachweis, Ides et Calendes, Neuchâtel 1942, 4°, Orig.Französische Broschur, minime Gebr.Spuren, unaufgeschnitten, erste französische Ausgabe --- Presseexemplar, nebst der Buchhandelsausgabe (1060 Ex.) und weiteren 56 Ex. (nicht im Handel). Wohlerhaltenes Ex. dieses schönen, erstmals 1638 in Ravenna erschienenen Werks >> Versand ab Deutschland möglich << 800 Gramm.

Mit zahlr. Abb. im Text. LIV, (2), 170, (6) SS. Kl.-4to. Orig.-HPgt. mit Rückenschild. Reprint Neuchâtel, Ides et Calendes, 1942. Eines von 1000 num. Ex. auf Vélin chamois. Mit einer Einleitung von Louis Jouvet. Übersetzung Maria und Renée Canavaggia und Louis Jouvet. Innendeckel mit Kleberest eines Exlibris. Minimal gebräuntes, gutes Exemplar.

4°. [2] Bl., 291, (1) S. mit einigen Abb. im Text. OHprgt. mit goldgepr. Rückentitel. (Veröffentlichung der Gesellschaft der Bibliophilen, Band 38). Schöne Neuausgabe der wichtigen Abhandlung zur Theatergeschichte des Barock. - Sehr gutes Exemplar der schönen Halbpergamentausgabe. Sprache: deutsch.

LeatherBound. Etat : New. LeatherBound edition. Condition: New. Reprinted from 1638 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 190 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 190 Volume c.2 Sabbattini, Nicola, approximately 1575-1654.

LeatherBound. Etat : New. LeatherBound edition. Condition: New. Reprinted from 1638 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 243 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 243.

LeatherBound. Etat : New. LeatherBound edition. Condition: New. Reprinted from 1638 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 190 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 190 Language: Italian.

Leather Bound. Etat : New. Language: German. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1926. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - German, Pages: - 316, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 316.

Leather Bound. Etat : New. Language: German. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1926. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - German, Pages: - 320, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 320.