sacha llewellyn (194 résultats)

Paperback. Etat : Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.

Paperback. Etat : Very Good. Karl Hagedorn (1889-1969) This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.

Paperback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Etat : Very Good. WOW - a collaboration between Liss Llewellyn and the Laing Art Gallery - showcases 38 British women artists working on paper between 1905 and 1975, a transformative period for women in the arts. The featured artists approached the medium in various ways, using traditional as well as innovative techniques to transform paper into beautiful and complex works of art. The exhibition celebrates the diversity of these approaches and highlights the ways in which paper provided artists with a rich arena for artistic innovation. Papers adaptability allows for a multitude of techniques. Using paper in its traditional role as a support for drawings and prints, or creating collage and sculpture, the featured artists responded to the mediums inherent qualities - malleable, smooth and sensuous - to test ideas, express feelings or create a finished work. It is often in the more formative moments that the works in this exhibition most resonate; through these studies we bear witness to the seed of an idea in germination, as in Clare Leighton's iconic Southern Harvest, or Evelyn Dunbar's celebrated works for the War Artist's Advisory Committee. Selecting hand-made, mould-made or machine-made papers in various weights, textures and tints - depending on their intentions - artists worked with a variety of media from pencil, ink and pastel, to watercolour, tempera and oil, sometimes incorporating extraneous elements such as gold leaf and metallic forms. Working on monumental sheets, such as Winifred Knights' cartoon for St Martin's Altarpiece or tiny pages such as Edith Granger-Taylor's Small Grey Abstract, womens choices were nevertheless sometimes dictated by circumstance: the propensity of Frances Richards and Tirzah Garwood - by no means isolated cases - to work on paper on a small scale was in part a result of not having access to a studio. From portraits, landscapes, botanical studies and genre scenes, many of the works in WOW highlight the artist's skill and dexterity in drawing on paper, which was at the core of artistic training and practice. Some artists have used the traditional techniques of etching, screen printing and woodblock to create a diverse range of images. Others highlight the ethereal properties of paper through precise cuts, resulting in elaborate collages combining shapes, patterns and designs, or compact and manipulate paper to create inventive and surprising sculptures. Featuring both famous and lesser-known talents, WOW celebrates the many ways in which women artists expressed themselves through works on, and with paper and highlights their unique contribution to the graphic arts in 20th century Britain. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

paperback. Etat : Good. Bumped edges and book is warped Tears to cover No.1 BESTSELLERS - great prices, friendly customer service â" all orders are dispatched next working day.

Paperback. Etat : Used; Very Good. **SHIPPED FROM UK** We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence! Greener Books.

Etat : Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Etat : Good. Ships from the UK. Used book that is in clean, average condition without any missing pages.

Etat : Very Good. Ships from the UK. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.

Paperback. Etat : New. WOW - a collaboration between Liss Llewellyn and the Laing Art Gallery - showcases 38 British women artists working on paper between 1905 and 1975, a transformative period for women in the arts. The featured artists approached the medium in vari­ous ways, using traditional as well as innovative techniques to transform paper into beautiful and complex works of art. The exhibition celebrates the diversity of these approaches and highlights the ways in which paper provided artists with a rich arena for artistic innovation.Paper's adaptability allows for a multitude of techniques. Using paper in its traditional role as a support for drawings and prints, or creating collage and sculpture, the fea­tured artists responded to the medium's inherent qualities - malleable, smooth and sensuous - to test ideas, express feelings or create a finished work. It is often in the more formative moments that the works in this exhibition most resonate; through these studies we bear witness to the seed of an idea in germination, as in Clare Leigh­ton's iconic Southern Harvest, or Evelyn Dunbar's celebrated works for the War Artist's Advisory Committee.Selecting hand-made, mould-made or machine-made papers in various weights, tex­tures and tints - depending on their intentions - artists worked with a variety of media from pencil, ink and pastel, to watercolour, tempera and oil, sometimes incorporating extraneous elements such as gold leaf and metallic forms. Working on monumental sheets, such as Winifred Knights' cartoon for St Martin's Altarpiece or tiny pages such as Edith Granger-Taylor's Small Grey Abstract, women's choices were nevertheless some­times dictated by circumstance: the propensity of Frances Richards and Tirzah Gar­wood - by no means isolated cases - to work on paper on a small scale was in part a result of not having access to a studio.From portraits, landscapes, botanical studies and genre scenes, many of the works in WOW highlight the artist's skill and dexterity in drawing on paper, which was at the core of artistic training and practice. Some artists have used the traditional techniques of etching, screen printing and woodblock to create a diverse range of images. Others highlight the ethereal properties of paper through precise cuts, resulting in elaborate collages combining shapes, patterns and designs, or compact and manipulate paper to create inventive and surprising sculptures. Featuring both famous and lesser-known talents, WOW celebrates the many ways in which women artists expressed themselves through works on, and with paper and highlights their unique contribution to the graphic arts in 20th century Britain.

Etat : Very Good. Ships from the UK. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.

Paperback / softback. Etat : New. New copy - Usually dispatched within 3 working days. 195.

Paperback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Etat : New. WOW - a collaboration between Liss Llewellyn and the Laing Art Gallery - showcases 38 British women artists working on paper between 1905 and 1975, a transformative period for women in the arts. The featured artists approached the medium in vari­ous ways, using traditional as well as innovative techniques to transform paper into beautiful and complex works of art. The exhibition celebrates the diversity of these approaches and highlights the ways in which paper provided artists with a rich arena for artistic innovation.Paper's adaptability allows for a multitude of techniques. Using paper in its traditional role as a support for drawings and prints, or creating collage and sculpture, the fea­tured artists responded to the medium's inherent qualities - malleable, smooth and sensuous - to test ideas, express feelings or create a finished work. It is often in the more formative moments that the works in this exhibition most resonate; through these studies we bear witness to the seed of an idea in germination, as in Clare Leigh­ton's iconic Southern Harvest, or Evelyn Dunbar's celebrated works for the War Artist's Advisory Committee.Selecting hand-made, mould-made or machine-made papers in various weights, tex­tures and tints - depending on their intentions - artists worked with a variety of media from pencil, ink and pastel, to watercolour, tempera and oil, sometimes incorporating extraneous elements such as gold leaf and metallic forms. Working on monumental sheets, such as Winifred Knights' cartoon for St Martin's Altarpiece or tiny pages such as Edith Granger-Taylor's Small Grey Abstract, women's choices were nevertheless some­times dictated by circumstance: the propensity of Frances Richards and Tirzah Gar­wood - by no means isolated cases - to work on paper on a small scale was in part a result of not having access to a studio.From portraits, landscapes, botanical studies and genre scenes, many of the works in WOW highlight the artist's skill and dexterity in drawing on paper, which was at the core of artistic training and practice. Some artists have used the traditional techniques of etching, screen printing and woodblock to create a diverse range of images. Others highlight the ethereal properties of paper through precise cuts, resulting in elaborate collages combining shapes, patterns and designs, or compact and manipulate paper to create inventive and surprising sculptures. Featuring both famous and lesser-known talents, WOW celebrates the many ways in which women artists expressed themselves through works on, and with paper and highlights their unique contribution to the graphic arts in 20th century Britain.

Etat : New. In.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : Used - Very Good. VG paperback. A bright, tidy copy. Burgh House 30 March - 18 September 2022.

Etat : Fine. New/unused. Light scratches to cover & scuffs to edges. Content as new.

Etat : Very Good. Used book that is in excellent condition. May show signs of wear or have minor defects.

Stiff Card Paperback. Etat : New. Etat de la jaquette : No. First. 110pp colour illustrations, and b&w archive photograpjhs. Published to accompany a Pallant House exhbiition.

Stiff Card Paperback. Etat : New. Etat de la jaquette : No. First. 110pp colour illustrations, and b&w archive photograpjhs. Published to accompany a Pallant House exhbiition.

Soft cover. Etat : As New. 1st Edition. In excellent condition. Liss price list of works and pictorial bookmark inserted.

Paperback. Etat : Good. Very good condition paperback with minimal wear. Contents are clean and bright throughout with no markings.

Etat : New.

Etat : New. In.

Paperback. Etat : Very Good. 0956713904. Liss Llewellyn Fine Art 2010, bright clean copy, no markings, with pricelist, Professional booksellers since 1981.

Paperback. Etat : Very Good. Full colour paperback in very good condition. This catalogue was published on the occasion of the exhibition 'Charles Cundall: A Working Method' at Young Gallery, Salisbury from 12 March - 21 April 2016, and Sotheran's from 28 April - 7 May 2016. Light shelf wear only to the covers. Binding is sound, pages are clear and colours vivid. LW. Used.

Soft cover. Etat : As New. No Jacket. Liss Art Gallery catalogue. The works in this catalogue are from the admirer of Brangwyn's work lain hidden for over 50 years.

Paperback. Etat : Brand New. 96 pages. 8.98x6.50x0.35 inches. In Stock.

Paperback. Etat : Very Good. First Edition. Exhibition catalogue, 144 pages, illustrated, chronology.