sam lewisohn (45 résultats)

Soft cover. Etat : Acceptable. No Jacket.

Cloth. Etat : Fair, Etat de la jaquette : No Dj. Stated First Edition. 277pp, used book moderate use,Owners name on fep, 132 works of art illustrated and discussed. Size: 8vo - over 7¾" - 9¾" tall.

Soft cover. Etat : Good. 36 page center stapled exhibition catalog of early work of Picasso with b/w illustrations. Exhibit was at Knoedler Galleries in NYC October 15 - November 8, 1947. 36 works shown and described. Light wear to exterior, interior is unmarked, tight and clean.

A Hard Back. Etat : Fair. from general motors research labs. imprint. cover rumpled , minor pulling.

Soft cover. Etat : Very Good. Flat and clean with a tight binding. Some tanning to cover edges. Small erased pencil numbers front endpaper, no other markings.

Softcover. Etat : Good. Ex-library. Ex-library copy with ink stamp on the title page. Disbound, pages loose, no covers. Formerly folded in half vertically. ; Approx. 4 1/4" wide by 6 1/2". "Preprint from proceedings of New York State Conference on Social Work." ; 8 pages.

Paperback. Etat : Good. Etat de la jaquette : No Jacket As Issued. Illustrated with b&w Reproductions (illustrateur). First edition / 1st Printing. First edition / First printing. Good, Slight fading to edges of covers, 1" split at bottom of spine. 20 x 27cm. soft cover. Approx. 45pp. Size: 4to - over 9¾" - 12" tall. Book.

Hardcover. Revised Edition. Hardcover. Full cloth; 8vo.,323pp.,No names or other markings. No D/j, else a Near Fine copy.

hardcover. Etat : Good. Etat de la jaquette : None. Second Edition. The pages are clean and unmarked with the exception of a shadow of an erased name on the front flyleaf along with foxing on the page edges and flyleaves.

Wraps. Etat : Good. Gray printed wraps. 7 pp. A printing of an address given at the Cultural Institute of Bogota, Columbia in 1943, discussing changes in painting from the 19th century to the mid-20th century, citing in brief, the tendencies of the Impressionist and Post-Impressionist movements, as well as Cubism and experiments in collage. This includes mention of important artists such as Cezanne, as well as the principles and concepts behind the various movements. Lewisohn also discusses Surrealism, being somewhat dismissive and derisive in his comments. He cites Edward Hopper, Max Weber, Walt Kuhn as important American artists, as well as the young Stuart Davis, among others. GOOD condition. Minor foxing, staining and soiling to the covers. Light curling and edgwear. Some toning.

Paperback. Etat : Good. 2nd Edition. In very good condition internally, card cover is shelfworn with some surface loss and foxing, small splits to spine extremities.

172 Seiten. Leinen. Einband mit leichten Flecken, sonst gut. Sprache: deutsch. >>>Wichtige Zahlungs- / Versandinformationen:In Abweichung zu den automatisch angezeigten Versandkosten können leider bei einigen Büchern aufgrund des Formats oder Gewichts die angezeigten Versandkosten nicht eingehalten werden, da möglicherweise Paketversand erforderlich ist. Dadurch erhöhen sich die Versandkosten in diesen Fällen auf 6,50 bis 7,50 Euro. /// Aus Sicherheitsgründen,da desöfteren Postsendungen verschwinden bzw. der Verbleib nicht mehr nachverfolgbar ist, werden Sendungen ab einem Warenwert von 25 Euro nur als Einschreibebrief oder Paket verschickt. Die Versandkosten erhöhen sich dadurch auf 6,50 bis 7,00 Euro. /// Die Option Rechnung ist nur für bekannte Kunden möglich. Für alle anderen Besteller ist nur Lieferung nach Vorauszahlung möglich. /// Paypal kann nur bei Zahlungen aus dem Nicht-EU-Ausland ohne Zusatzkosten akzeptiert werden. Bei Paypal-Zahlungen aus Ländern innerhalb der EU wird die PayPal-Gebühr in Rechnung gestellt. Daher bitte nicht ohne vorherige Mitteilung (Vorausrechnung) zahlen. <<<.

Hardcover. Etat : Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Etat : Acceptable. Rebound by library. Has a small amount of writing/highlighting. Meets the acceptable condition guidelines. Has wear. Five star seller - Buy with confidence!

Hardcover. Etat : Very Good. FIRST THUS. First Thus Edition , First Printing. Published by Harper and Brothers, 1948. Octavo. Hardcover. Book is very good with a pencil quote on the fly and spotting to page ends and first few pages. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.

Etat : New.

hardcover. Etat : Good.

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. REVISED EDITION, CLEAN COPY.

LEWISOHN, Sam A. HUMAN LEADERSHIP IN INDUSTRY: THE CHALLENGE OF TOMORROW. NY: Harper and Brothers, [1945]. 8vo., cloth in dust jacket. First Edition. Signed presentation from Lewisohn on the front endpaper: "To Helen Simpson with warm regards Sam Lewisohn." Also with a typed letter signed from Lewisohn forwarding the book to Simpson. Very Good (paper clip indentation front endpaper); some wear & soil d/j. $25.00.

Softcover. Blue stapled wraps with red lettering. [38] pp. 20 bw plates. Catalogue of an exhibition held October 15 to November 8, 1947. Two-page introduction by Sam A. Lewisohn, catalogue of 36 annotated works, several nice plates. VG- (fading to covers and spine, minimal foxing on title page, clean contents).

gebundene Ausgabe. Etat : Gut. 172 S. ; gr. 8 Das hier angebotene Buch stammt aus einer teilaufgelösten Bibliothek und kann die entsprechenden Kennzeichnungen aufweisen (Rückenschild, Instituts-Stempel.); der Buchzustand ist ansonsten ordentlich und dem Alter entsprechend gut. Sprache: Deutsch Gewicht in Gramm: 460.

Paperback. Etat : Very Good. First Edition. 4to., ill. in b&w, 55 pp. Sound binding, no ownership markings, tanned/creased wraps with small closed tears along edges. ; Well packaged in a box, ships with tracking.

Hardcover. Etat : Good. 2nd Edition. Xix,101 Annotated Plates. Black Cloth Spine, Gilt, Patterned Bluew Boards With White Printed Label . Business Card Of Smith, Secretary American Institute For Persian Art And Archaeology, With Presentation Inscription From Myron Bement Smith; Bookplate Of Sam A. Lewisohn (A Collector Primarily Of Impressionist Art). Classical Archaeologist, Architect, And Art Historian Myron Bement Smith (1897-1970) Had A Life-Long Devotion To West Asia, Accumulating Some 87,000 Items Now In The Smithsonian Archives Documenting Islamic Art And Culture From Spain To India, With An Emphasis On Architecture. Established In 1948 To Further An Appreciation For Persian Art And Culture, Nearly Seventy-Five Percent Of Smith's "Islamic Archives" Consists Of His Own Work; The Remainder Obtained From Other Sources. Smith's Own Negatives, Taken From 1933 To 1947, Accompany Images In A Six-Volume Logbook Portraying Persian Architecture And Monuments, In Particular The Vaulting Of The Masjid-I D'juma At Isfahan, Iran. One Of The Most Significant Portions Of The "Islamic Archives" Is The Photographic Material Of Antoin Sevruguin, A Commercial Photographer In Tehran Active During The 1870S To 1930. His Nearly 800 Photographs Depict The Shahs, Royal Palaces, Military Ceremonies, And Daily Aspects Of Persian Life. Other Materials In The Collection Include Smith's Personal And Professional Papers Including Correspondence, Research Files, Writings, And Documentation Regarding His 1927-1928 Italian And 1933-1937 Iranian Expeditions. In April 1930, Smith Was Appointed Secretary Of The Newly Created American Institute For Persian Art And Archaeology Founded By Arthur Upham Pope And Located In New York City. He Had No Prior Academic Or Work Experience In Islamic Art Or Architecture, And His Job Entailed Designing Publications, Arranging Lectures, Organizing Exhibitions And Fund Raising. That Summer He Arranged An Independent Study Course At Harvard University On Persian Art And Subsequently Studied Persian Language At Columbia University And Attended Graduate Courses At The Institute Of Fine Arts At New York University . His Work And Academic Credentials Enabled Him To Compete Successfully For A Research Fellowship From The American Council Of Learned Societies In 1933 To Study Iranian Islamic Architecture. Smith'S Research In Iran Consisted Of Meticulous Photographic Documentation Of Islamic Monuments And Architectural Sketches And Drawings Of Many Of Them. He Concentrated On The Isfahan Area But Also Documented Monuments Elsewhere In Iran. Smith Outfitted His Station Wagon As A Combination Camper And Research Vehicle In Which He And His Staff Traveled Widely. Smith Published Several Articles About Iran'S Islamic Monuments Based On His Field Research And In 1947 Completed His Phd Thesis For The Johns Hopkins University On The Vault In Persian Architecture. His Professional Career From 1938 Until His Death In 1970 Consisted Of A Series Of Temporary Academic Positions, Contract Work And Government Or Academic Sponsored Lecture Tours And Photographic Exhibits. He Had A Long Lasting Relationship With The Library Of Congress Where He Served As An Honorary Consultant From 1938 To 1940 And Again From 1948 To 1970; From 1943 To 1944 He Was Chief Of The Iranian Section At The Library. Despite His Lack Of Published Material, Smith Was Well-Known Among Academic, Government And Private Citizens Who Worked, Traveled Or Were Otherwise Interested Iran And The Islamic World. Smith Developed An Extensive Network Of Professional And Social Contacts That Dated From His Early Student Days And Increased Markedly During His Time At The Persian Institute And Later In Iran. He Kept In Touch With Them And They Touted Him To Others Who Were Interested In Iran Or Islamic Art And Architecture. This Network Served Him Well In Realizing His Ambition Of Creating A Resource For Scholars That Relied On Photographs To Document Islamic Architecture.

Hardcover. Blue cloth over boards; White titling to spine and front cover; Color illus. dj.; 323 pp.; 142 bw plates. Revised and enlarged edition; Examines the relationship between paintings and the personalities of their artists, looking particularly at contemporary American and Mexican painters, as well as 19th-century French artists such as Kuniyoshi, O'Keefe, Demuth, Eakins, Burchfield, Renoir, Van Gogh, Monet, Matisse, and more. VG (DJ lightly worn at extremities and rubbed; Interior clean and tight).

First Edition. Near fine cloth copy in a good, very slightly edge-nicked and dust-dulled dw, now mylar-sleeved. Remains particularly and surprisingly well-preserved; tight, bright, clean and sharp-cornered. ; 226 pages; A practical, comprehensive account. Subjects: Unemployed - United States. Insurance, Unemployment. 3 Kg.

First Edition. Near fine cloth copy in a good, very slightly edge-nicked and dust-dulled dw, now mylar-sleeved. Remains particularly and surprisingly well-preserved; tight, bright, clean and sharp-cornered. ; 226 pages; A practical, comprehensive account. Subjects: Unemployed - United States. Insurance, Unemployment. 1 Kg.

Couverture rigide. Etat : Très bon. 226 p. Bookplate and seal of the Fraser Institute.

Etat : New. Satisfaction Guaranteed or your money back.

xx + 249pp., br.orig., 19cm., qqs. cachets, bon état, E42136.

Soft Cover. Etat : Fair. Usual ex-library features, some marked through. Occasional marks in the text and small edge tears. Title page is smudged and creased. Interior pages are tight. Bound in a cardboard library binder. Cover is slightly scuffed and edge worn. Cloth covering spine is split at top and bottom. There is an apparent burned hole in the front cover. 94 pages. Ex-Library.