Satkowski (75 résultats)

Hardcover. Etat : very good. Very Good Copy. Customer Service Guaranteed.

paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Etat : Good. Clothbound ed. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Etat : very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.…

Hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Etat : Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Etat : Fine. Fine Dust Jacket. First Edition. 4to. 234 pages. Issues In The History Of Art. We specialize in fine books in collectible condition. Orders are professionally packaged and shipped promptly.

Hardcover. Etat : As New in Original Wraps. Etat de la jaquette : As New. Brand new larger, square hardback still in its original plastic shrink-wrap. Thus, For Sale- AS NEW. Stored in yet, a second layer of sealed plastic protection and mailed (bubble-wrapped) in a sturdy Jiffy Rigi envelope. We ship daily from Roswell, Ga. Serving satisfied customers since 1999.…

Hardcover. Etat : As New in Original Wraps. Etat de la jaquette : As New. Brand new larger, square hardback still in its original plastic shrink-wrap. Thus, For Sale- AS NEW. Stored in yet, a second layer of sealed plastic protection and mailed (bubble-wrapped) in a sturdy Jiffy Rigi Bag envelope. We ship daily from Roswell, Ga. Serving satisfied customers since 1999. …

Paperback. Etat : Very Good. 1st. 143 pages, colour illustrations; 28 cm. Catalogue of an exhibition held at the Minneapolis Institute of Arts, April 15 to June 25, 2000; and other venues. Firm binding, clean inside copy. Light edgewear to wraps, age toning. Another copy available. *** "Art works from the extensive private collection of the renowned art historian. Over the course of a long and distinguished career as an art historian, Alfred Moir has expanded our knowledge of artists working in the sixteenth, seventeenth, and eighteenth centuries, and his painstaking research has yielded new attributions for a wide range of works. Over the past three decades, he has amassed an impressive private collection of master drawings, primarily old master Italian drawings but including drawings by French, Dutch, Russian, German, Austrian, English, Flemish, and Spanish artists working into the early twentieth century. To celebrate his seventy-sixth birthday, Moir has lent seventy-six drawings from his collection to an exhibition that debuts at the Minneapolis Institute of Arts in the spring of 2000 and will go on to museums in Pennsylvania, California, and Louisiana. Comprised of black and colored chalks, pen and ink drawings, brush and ink work, and watercolors, the drawings reproduced in this catalog of the exhibition capture the breadth of Renaissance drawing and reflect Moir's own interests and passions as an art historian and collector. / Richard J. Campbell is the John E. Andrus II Curator of Prints and Drawings at the Minneapolis Institute of Arts. Jane Immler Satkowski is a research associate at the Minneapolis Institute of Arts." - Publisher. Size: 4to.…

Paperbound. Etat : NEW. First Edition. Demy folio, [27.75cm/11inches], paperbound with pictorial covers, pp. 144. Fully illustrated. Please feel free to inquire as to particulars and/or additional photographs. . The Santa Barbara Indepentdant noted: "Four days before Alfred Moir passed away on November 13, his booming voice could still be heard from afar on the UCSB campus, announcing a buoyant presence which always seemed a bit larger than life and is bound to go on growing posthumously, the way legends do. In his roles as scholar, teacher, administrator, and, last but not least, collector, all of them pursued with sophistication and success, Moir stood in the forefront of Chancellor Cheadle's first serious academic appointmentsthose whose vision and hard work paved the way for UCSB's transformation from a sleepy state college into one of the country's finest research universities." [Feb. 22, 2011].…

Hardcover. Etat : Very Good-. Etat de la jaquette : Very Good-. Foxing on top end of book. Dust jacket is rubbed. ; Photographs. Illustrated by Lieberman, Ralph (illustrateur).

Paperback. Etat : Fine. Etat de la jaquette : Fine. First Edition. First edition, fine condition paperback. Gilt letters on front cover and spine. Decorative endsheets. 212pp., with an index. Profusely illustrated. No writing in book, full refund if not satisfied.

Paperback. Etat : Near Fine. 1st. 143 pages, colour illustrations; 28 cm. Catalogue of an exhibition held at the Minneapolis Institute of Arts, April 15 to June 25, 2000; and other venues. Near fine. Firm binding, clean inside copy. Age toning. *** "Art works from the extensive private collection of the renowned art historian. Over the course of a long and distinguished career as an art historian, Alfred Moir has expanded our knowledge of artists working in the sixteenth, seventeenth, and eighteenth centuries, and his painstaking research has yielded new attributions for a wide range of works. Over the past three decades, he has amassed an impressive private collection of master drawings, primarily old master Italian drawings but including drawings by French, Dutch, Russian, German, Austrian, English, Flemish, and Spanish artists working into the early twentieth century. To celebrate his seventy-sixth birthday, Moir has lent seventy-six drawings from his collection to an exhibition that debuts at the Minneapolis Institute of Arts in the spring of 2000 and will go on to museums in Pennsylvania, California, and Louisiana. Comprised of black and colored chalks, pen and ink drawings, brush and ink work, and watercolors, the drawings reproduced in this catalog of the exhibition capture the breadth of Renaissance drawing and reflect Moir's own interests and passions as an art historian and collector. / Richard J. Campbell is the John E. Andrus II Curator of Prints and Drawings at the Minneapolis Institute of Arts. Jane Immler Satkowski is a research associate at the Minneapolis Institute of Arts." - Publisher. Size: 4to. Collectible.…

Hardcover. Etat : Fine. Etat de la jaquette : Fine. 1st Edition. 207 pages : illustrations ; 32 cm. A fine copy in a fine dust jacket, now protected in mylar.

Hardcover. Size: 9.25"x12.25", 231pp., 93 illustrations including 55 plates in colour. Minor shelf wear, else very good plus, clean and tight condition / bright dust jacket with a hint of rubbing.

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. Over-sized hardback book (207 pages) beautifully illustrated with over 100 reproductions in color and black and white - decorated endpapers. Dust jacket shows moderate rubbing/scuffing. International shipping will require additional charge. Bookseller since 1995 (LL-Base2-BS-10-top-L) rareviewbooks.…

Etat : As New. Unread book in perfect condition.

Etat : New.

2000 Satkowski, Jane Immler DUCCIO DI BUONINSEGNA; THE DOCUMENTS AND EARLY SOURCES Georgia Museum of Art, c2000 234pp, bibliography 4to As new hardcover in fine d/j.

Hardcover without dustjacket as issued, 208 pages; very good condition, small bump at bottom of spine; no internal marks. Foreign shipping may be extra.

Hardbound. Etat : New. Marbled paper over boards with black cloth spine and gold lettering; color-pictorial dj. 231 pp. over 55 large color plates. Lists works by 42 different artists. Ample annotation of each work is provided. Text is in English. A wonderful book, an essential reference.

Etat : new.

Etat : Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Etat : New. Etat de la jaquette : New. Issues in the History of Art Series; 8 3/4 x 10; 236 pages; Hard cover is NEW. Black with DJ. In publisher's shrinkwrap. "Duccio di Buoninsegna (c. 12551260 c. 13181319) was an Italian painter active in Siena, Tuscany, in the late 13th and early 14th centuries. He was hired throughout his life to complete many important works in government and religious buildings around Italy. Duccio is credited with creating the painting styles of Trecento and the Sienese school, and also contributed significantly to the Sienese Gothic style. Duccio's known works are on wood panel, painted in egg tempera and embellished with gold leaf. Different from his contemporaries and artists before him, Duccio was a master of tempera and managed to conquer the medium with delicacy and precision. There is no clear evidence that Duccio painted frescoes. Duccio's style was similar to Byzantine art in some ways, with its gold backgrounds and familiar. Religious scenes, however it was also different and more experimental". Extra heavy book, 4#.…