Schif (18 résultats)

Hardcover. Etat : Very good. Hardcover in dust jacket, minor wear, bright pages, a very nice copy.

Illustrated boards. Etat : Near fine. Near fine. First. First printing, near fine, oversized hardcover in like dust jacket with both showing just a hint of wear. 110 pages nicely illustrated mostly in color. Still a pleasing copy of this ".comprehensive collector's guide to all the Remington Beals Revolvers, lavishly illustrated with examples from the world's foremost collection.".…

Hardcover. Etat : New. Etat de la jaquette : New. 1st Edition. 110 pages. Hardcover with a dust jacket. A full-color collector's guide to the Remington Beals revolvers, lavishly illustrated with photos from the world's foremost collection. Finally, a clear accounting of these fascinating little pistols! Large, sharp color photographs showing all of the details of each gun. Language: eng Language: eng Language: eng Language: eng Language: eng.…

Echtfoto. Etat : Gut. Großformatiges Farbfoto ca A4 von Rabea Schif bildseitig mit schwarzem Edding signiert mit eigenhändigem Herz.- Barfuss, sexy, feet, Füsse /// (Mehrere Exemplare vorrätig) /// Autogramm Autograph signiert signed signee /// Rabea Schif (* 16. Juni 1978 in Frankfurt am Main) ist eine deutsche Fernsehmoderatorin. Leben Rabea Schif begann nach ihrem Abitur an der Frankfurt International School ein Studium Art und Design an der London Guildhall University und absolvierte im Anschluss ein Studium zum Bachelor in Design Studies. Daraufhin arbeitete sie von 2001 an in London bei Smile Management in der Modebranche und später beim Exit Magazine und Project Felix in der Funktion als Advertising Director. Daran anschließend arbeitete sie als freischaffende Produzentin, Styling-Assistentin und Designerin. Zwischen 2015 und Oktober 2016 moderierte sie abwechselnd mit Amiaz Habtu Prominent!, ein Boulevardmagazin des Privatsenders VOX.[1] Sie wohnt mit ihrem Mann im Frankfurter Bahnhofsviertel.[2] /// Standort Wimregal Ill-Umschl2026-33ua WITHIN THE EU: shipping only to GERMANY and AUSTRIA due to the new EPR regulations. Sprache: Deutsch Gewicht in Gramm: 10.…

Hardcover. Etat : Fine. Etat de la jaquette : Fine. First printing inscribed by the author. Excellent, unread, like-new condition. Ships in a box packed with care.

Hardcover. Etat : Brand New. 112 pages. 11.00x8.60x0.60 inches. In Stock.

Etat : New.

Hardback. Etat : New. Stephen Hudson is the pen name of Sydney Schiff (1868-1944), an English novelist who received acclaim in the 1920s and 1930s from such writers as Thomas Mann and Somerset Maugham. Since that time, however, literary tastes have changed, and interest in Hudson's work has diminished. That Hudson's novels do not deserve such obscurity is the belief of Theophilus E. M. Boll, who here introduces one of the best of them, Richard, Myrtle and I, to present-day readers. Boll's biographical and critical sections contain, respectively, the first authentic account of Hudson's life, and the first comprehensive study of the development and the meaning of his art as novelist and short-story writer. The two­-part introduction adds a wholly new section to the history of the English novel in the twentieth century and to the history of literary relationships between the Continent and England. In telling the story of a marriage of minds and the literary consequences it produced, Boll places the form and content of Hudson's art against the background of his particular experiences. The novel Richard, Myrtle and I, which forms the second half of this volume, is clearly representative of Stephen Hudson's best work. It is largely autobiographical in its main theme: the evolution of Stephen Hudson as novelist. Newly edited by Violet Schiff, the Myrtle in the story, it is a blend of realism and allegory that tells how a strong creative impulse and encouragement from a sympathetic wife make it possible for a sensitive and perceptive man to become a creative artist. Appraising his own work, Stephen Hudson once remarked, "I have never had any desire to write for the sake of writing and I am devoid of ambition. I have accumulated a quantity of vital experience which remains in a state of flux. Continuously passing in and out of my consciousness it demands to be sorted out and synthesized. When the chaos becomes unbearable I start writing and go on until the congestion is relieved." Referring to this passage, Boll comments, "We ought not to misunderstand that modesty of his. It was based on a pride that aimed at perfection because nothing lower was worth aiming at. After the labor of creating was over, Hudson measured what he had done against what he judged to be supremely great; any lower standard meant a concession his pride would not make." It is in Richard, Myrtle and I that Stephen Hudson came closest, perhaps, to his unattainable goal.…

Etat : New.

Etat : As New. Unread book in perfect condition.

Etat : New.

Etat : New. No detailed description available for Richard, Myrtle, and I .&Uumlber den AutorViolet Schiff was Stephen Hudson s wife until his death in 1944. Theophilus E. M. Boll was Professor of English at the University of Pennsylvania.

Etat : As New. Unread book in perfect condition.

Hardback. Etat : New. Stephen Hudson is the pen name of Sydney Schiff (1868-1944), an English novelist who received acclaim in the 1920s and 1930s from such writers as Thomas Mann and Somerset Maugham. Since that time, however, literary tastes have changed, and interest in Hudson's work has diminished. That Hudson's novels do not deserve such obscurity is the belief of Theophilus E. M. Boll, who here introduces one of the best of them, Richard, Myrtle and I, to present-day readers. Boll's biographical and critical sections contain, respectively, the first authentic account of Hudson's life, and the first comprehensive study of the development and the meaning of his art as novelist and short-story writer. The two­-part introduction adds a wholly new section to the history of the English novel in the twentieth century and to the history of literary relationships between the Continent and England. In telling the story of a marriage of minds and the literary consequences it produced, Boll places the form and content of Hudson's art against the background of his particular experiences. The novel Richard, Myrtle and I, which forms the second half of this volume, is clearly representative of Stephen Hudson's best work. It is largely autobiographical in its main theme: the evolution of Stephen Hudson as novelist. Newly edited by Violet Schiff, the Myrtle in the story, it is a blend of realism and allegory that tells how a strong creative impulse and encouragement from a sympathetic wife make it possible for a sensitive and perceptive man to become a creative artist. Appraising his own work, Stephen Hudson once remarked, "I have never had any desire to write for the sake of writing and I am devoid of ambition. I have accumulated a quantity of vital experience which remains in a state of flux. Continuously passing in and out of my consciousness it demands to be sorted out and synthesized. When the chaos becomes unbearable I start writing and go on until the congestion is relieved." Referring to this passage, Boll comments, "We ought not to misunderstand that modesty of his. It was based on a pride that aimed at perfection because nothing lower was worth aiming at. After the labor of creating was over, Hudson measured what he had done against what he judged to be supremely great; any lower standard meant a concession his pride would not make." It is in Richard, Myrtle and I that Stephen Hudson came closest, perhaps, to his unattainable goal.…

Hardcover. Etat : Brand New. 144 pages. 8.25x5.50x9.21 inches. In Stock.

Buch. Etat : Neu. Neuware - Stephen Hudson is the pen name of Sydney Schiff (1868-1944), an English novelist who received acclaim in the 1920s and 1930s from such writers as Thomas Mann and Somerset Maugham. Since that time, however, literary tastes have changed, and interest in Hudson's work has diminished. That Hudson's novels do not deserve such obscurity is the belief of Theophilus E. M. Boll, who here introduces one of the best of them, Richard, Myrtle and I, to present-day readers. Boll's biographical and critical sections contain, respectively, the first authentic account of Hudson's life, and the first comprehensive study of the development and the meaning of his art as novelist and short-story writer. The two-part introduction adds a wholly new section to the history of the English novel in the twentieth century and to the history of literary relationships between the Continent and England. In telling the story of a marriage of minds and the literary consequences it produced, Boll places the form and content of Hudson's art against the background of his particular experiences. The novel Richard, Myrtle and I, which forms the second half of this volume, is clearly representative of Stephen Hudson's best work. It is largely autobiographical in its main theme: the evolution of Stephen Hudson as novelist. Newly edited by Violet Schiff, the Myrtle in the story, it is a blend of realism and allegory that tells how a strong creative impulse and encouragement from a sympathetic wife make it possible for a sensitive and perceptive man to become a creative artist. Appraising his own work, Stephen Hudson once remarked, 'I have never had any desire to write for the sake of writing and I am devoid of ambition. I have accumulated a quantity of vital experience which remains in a state of flux. Continuously passing in and out of my consciousness it demands to be sorted out and synthesized. When the chaos becomes unbearable I start writing and go on until the congestion is relieved.' Referring to this passage, Boll comments, 'We ought not to misunderstand that modesty of his. It was based on a pride that aimed at perfection because nothing lower was worth aiming at. After the labor of creating was over, Hudson measured what he had done against what he judged to be supremely great; any lower standard meant a concession his pride would not make.' It is in Richard, Myrtle and I that Stephen Hudson came closest, perhaps, to his unattainable goal.…

Hardcover. Etat : New. Etat de la jaquette : New. One of the most important firearms designs in history is the Remington Beals, but until now, little has been published on these exceptional little pistols that started the Remington revolver dynasty. Charles Schif, the acknowledged worldwide authority on the Remington Beals, presents his long-awaited guide that will answer all the questions collectors have been asking for decades. Hailed by arms expert Herb Glass, Jr., as 'an extremely important project,' this fine, new book was produced with no expense spared and is certainly one of the most attractive gun books ever produced. All Remington collectors will want a copy of this limited edition study while they are still available, professional color photographs by Paul Goodwin. 8 1/2 X 11 inches, hardcover with dust jacket, color photos, 112 pages.…

in 8°; pp. 176 (ill. in bn.); br.; 1^ ed. Disegni del prof. E. Mitri. Raccolta di scherzose poesie friulane create dalla mente di Zaneto, popolarissimo parroco di Percoto, che scrisse anche su "La Vita Cattolica".