scriabin alexander nikolaevich (38 résultats)

Etat : new. Pages: 64 Language: Russian, English. Aleksandr Skrjabin (1871/2-1915 gg.) - russkij kompozitor i pianist. Ego tvorchestvo stoit na granitse XIX i XX vekov ne tolko khronologicheski: zavershaja velikij romanticheskij vek, ono odnovremenno smotrit v buduschee. Skrjabin - osobyj fenomen, zadajuschij istorii muzyki bolshe zagadok, nezheli predlagaet otvetov. Kompozitor sozdal svoju sobstvennuju garmonicheskuju sistemu. Obladaja "tsvetnym slukhom" (razlichnye akkordy i tonalnosti assotsiirovalis u Skrjabina s razlichnymi tsvetami), kompozitor vpervye v istorii muzyki vvel v nekotorye partitury stroku "Luce" - "svet", - sozdav tem samym pervye svetomuzykalnye proizvedenija. Bolee togo, Skrjabin rassmatrival svoe sobstvenno muzykalnoe tvorchestvo ne kak samotsennoe javlenie, no kak sredstvo misterialnogo soedinenija Mirovogo Dukha s Materiej - vo imja sotvorenija novogo mira. Obajanie Skrjabina-pianista otmechali mnogie ego sovremenniki: "On kasalsja klavish slovno potselujami, i ego virtuoznaja pedal obvolakivala eti zvuki slojami kakikh-to strannykh otzvukov, kotorykh nikto posle iz pianistov ne mog vosproizvesti. V silnykh mestakh on byl izumitelno nerven, i eta nervnost dejstvovala kak elektricheskij tok". (L. Sabaneev.) Rannie sochinenija Skrjabina lezhat v rusle romanticheskogo fortepiano: v liricheskikh pesakh zapechatlen krug nastroenij ot mjagkoj mechtatelnosti do strastnoj patetiki. Osobenno zametno vlijanie traditsii Shopena. Kontsert dlja fortepiano s orkestrom fa-diez minor, soch. 20, napisan v 1896-1897 godakh. Kontsert stal pervym zakonchennym i opublikovannym krupnym orkestrovym sochineniem kompozitora. Pervoe ispolnenie kontserta sostojalos v Odesse 11 oktjabrja 1897 goda. Partiju fortepiano ispolnil avtor, dirizhiroval V. I. Safonov. Pervoe izdanie Kontserta bylo predprinjato v 1898 godu M. P. Beljaevym (partitura i perelozhenie dlja dvukh fortepiano). Kontsert ispolnjali mnogie zamechatelnye pianisty: Solomon Katner, Vladimir Ashkenazi, Genrikh i Stanislav Nejgauzy, Dmitrij Bashkirov, Vladimir Krajnev. Rekomenduetsja kontsertirujuschim pianistam, a takzhe pedagogam i studentam muzykalnykh kolledzhej, uchilisch, konservatorij. 9790660009079.

Etat : new. Pages: 68 Language: Russian, English. Contents: A. Titov. Waltz A. Titov. Waltz A. Gurilyov. Sudarynya-polka M. Glinka. Waltz A. Dybyuk. Romance A. Rubinstein. Melody N. Rimsky-Korsakov. Prelude-impromrtu A. Lyadov. Prelude-pastorale A. Glazunov. Miniature A. Arensky. Elegy S. Rachmaninov. Melody N. Sokolov. Prelude-capric A. Skryabin. Mazurka Ye. Alenev. Gavotte S. Barmotin. Lullaby R. Glier. Simple Song A. Spendiarov. Lullaby N. Mether. Evening Song 9790660009161.

Etat : new. Pages: 60 Language: Russian, English. Aleksandr Skrjabin (1871/2-1915) - russkij kompozitor i pianist. Ego tvorchestvo stoit na granitse XIX i XX vekov ne tolko khronologicheski: zavershaja velikij romanticheskij vek, ono odnovremenno smotrit v buduschee. Kompozitor sozdal svoju sobstvennuju garmonicheskuju sistemu. Obladaja "tsvetnym slukhom" (razlichnye akkordy i tonalnosti assotsiirovalis u Skrjabina s razlichnymi tsvetami), on sozdal pervye svetomuzykalnye proizvedenija. Skrjabin rassmatrival svoe sobstvenno muzykalnoe tvorchestvo ne kak samotsennoe javlenie, no kak sredstvo misterialnogo soedinenija Mirovogo Dukha s Materiej - vo imja sotvorenija novogo mira. Obajanie Skrjabina-pianista otmechali mnogie ego sovremenniki: "On kasalsja klavish slovno potselujami, i ego virtuoznaja pedal obvolakivala eti zvuki slojami kakikh-to strannykh otzvukov, kotorykh nikto posle iz pianistov ne mog vosproizvesti. V silnykh mestakh on byl izumitelno nerven, i eta nervnost dejstvovala kak elektricheskij tok" (L. Sabaneev). Rannie sochinenija Skrjabina lezhat v rusle romanticheskogo fortepiano: v liricheskikh pesakh zapechatlen krug nastroenij ot mjagkoj mechtatelnosti do strastnoj patetiki. Osobenno zametno vlijanie traditsii Chopina. Tsikl "Dvenadtsat etjudov", soch. 8, sozdan Skrjabinym v 1894-1895 godakh. Tsikl stal odnim iz klassicheskikh obraztsov etogo zhanra - vsled za etjudami Chopina i Lista. Skrjabin sochetaet v kazhdom iz etjudov opredelennoe pianisticheski-tekhnicheskoe zadanie s glubokim muzykalnym soderzhaniem. Krug obrazov skrjabinskikh etjudov - rodstven krugu obrazov ego zhe preljudij. Poslednij, re-diez minornyj, etjud, imenuemyj inogda "pateticheskim" (po avtorskomu oboznacheniju v nachale - "Patetico"), - odno iz samykh izvestnykh i vdokhnovennykh proizvedenij rannego Skrjabina. Etudey publikujutsja v redaktsii vydajuschegosja pianista, professora (kstati, v junye gody on byl souchenikom Skrjabina v klasse pedagoga N. S. Zvereva) Konstantina Nikolaevicha Igumnova (1873-1948) - i ego uchenika, professora Jakova Isaakovicha Milshtejna (1911-1981). Etudey Skrjabina ispolnjali mnogie zamechatelnye pianisty: Vladimir Gorovits, Vladimir Sofronitskij, Viktor Merzhanov, Jakov Flier, Svjatoslav Rikhter, Lazar Berman, Stanislav Nejgauz, Grigorij Sokolov. Sokhranilas avtorskaja zapis etjuda re-diez minor, No. 12. Izdanie rekomenduetsja kontsertirujuschim pianistam, a takzhe pedagogam i studentam muzykalnykh kolledzhej, uchilisch, konservatorij. 9790660006429.

Etat : new. Pages: 42 Language: Russian, English. Popular miniatures by one of the greatest Russian composers in arrangement for flute and piano by the well-known Russian pianist B. Bekhterev: Poem, Enigma, Desire, Ironies, Etude and other pieces. For students of music colleges and conservatoires, as well as for professional performers. Contents Roete / Roet. Op. 32, No. 1 Enigme / Enigma. Or. 52, No. 2 Deux morceaux / Two Pieces Desir / Desire. Op. 57, No. 1 Caresse dansee / Danced Caress. Op. 57, No. 2 Ironies. Op. 56, No. 2 Etude. Op. 56, No. 4 Deux danses / Two Dances Guirlandes / Garlands. Op. 73, No. 1 Flammes sombres / Sombre Flames. Op. 73, No. 2 9790706392240.

Etat : new. Pages: 80 Language: Russian, English. V sbornik vkljucheny naibolee izvestnye fortepiannye pesy vydajuschegosja russkogo kompozitora kontsa XIX - nachala XX veka. Pervyj vypusk soderzhit sochinenija raznykh zhanrov nachinaja s or. 2 i zakanchivaja or. 27. Prednaznachaetsja dlja studentov muzykalnykh uchilisch i konservatorij, a takzhe dlja kontsertirujuschikh ispolnitelej. SODERZHANIE CONTENTS Chetyre preljudii. Op. 31 Four Preludes Dve poemy. Op. 32 Two Poems Tri preljudii. op. 35 Three Preludes No. 2. Chetyre preljudii. Op. 37 Four Preludes Vals, Op. 38. Redaktsija V. Sofronitskogo Waltze. Edited by V. Sofronitsky Dve mazurki. Op, 40 Two Mazurkas No. 2. Vosem etjudov. Op. 42. Redaktsija V. Sofronitskogo Eight Etudes. Edited by V, Sofronitsky No. 2-5 Tri pesy. Op. 45 Three Pieces Chetyre preljudii. op. 48 Four Preludes No. 2 Tri pesy. Op. 49 Three Pieces 3. Mechty. Reverie Chetyre pesy. Op. 51 Four Pieces 1. Khrupkost. Fragilite 2. Preljudija. Prelude Tri pesy. Op. 52 Three Pieces 1. Poema. Roeme 2. Zagadka. Enigme 3. Poema tomlenija Roete languide Chetyre pesy. Or. 56 Four Pieces 3. Njuansy Nuances Dve pesy. Or. 57 Two Pieces 1. Zhelanie. Desir Dve pesy. Or. 59 Two Pieces 1. Poema. Roeme Dve poemy. Or. 63 1. Maska. Masque Tri etjuda. Or. 65. Redaktsija V. Sofronitskogo Three Etudes. Edited by V. Sofronitsky No. 2. Dve preljudii. Op. 67 Two Preludes No. 1. 9790660064306.

Etat : new. Pages: 28 Language: Russian, English. The genre of piano sonata is one of the most significant sphere in Alexander Skriabin's (1872-1915) creation. Twenty years lay between his First and Tenth Sonatas. It occured to be the age satiated with impetuous fruitful ideas, leading the composer sometimes to new contrasting spiritual aims. The sonata-symphonic structure attracted Skriabin by its inner diversity and capacity, able to embody discrepant unity. Skriabin was the true composer-pianist. Therefore he interpreted the sonata structure rather random, as if being begotten again and again. Those were his philosophical and symbolic conceptions to have become his guides both in life and art. The last five sonatas (No 6-10) are marked by their evident connection with Skriabin's last completed score of "Prometheus" (1910) so as the unrealized plot of the "Mystery". Here the composer resorts to his own discoveries in the sphere of thematical elaboration and harmony. The Sonata No 7 op. 64 was created together with the Sixth one during the period of 1911-1912. Here the spirit of novelty pierces the "whole composition rather consecutively by their logic", as the contemporaries noticed. The Seventh was firstly performed on February 24, 1912. Skriabin himself played it in Moscow. 9790660006221.

Etat : new. Pages: 48 Language: Russian, English. Contents: Alexander Skriabin. Etude, Nocturno, Mazurka; Sergei Rachmaninov. Vokaliz, Margaritki, Serenada. 9790660065693.

Etat : new. Pages: 44 Language: Russian, English. Dvenadtsat etjudov dlja fortepiano (1894-1895), prinadlezhaschie rannemu periodu tvorchestva Skrjabina, demonstrirujut ego vysokoe kompozitorskoe masterstvo. Izdanie prednaznacheno dlja studentov konservatorij, a takzhe dlja kontsertirujuschikh ispolnitelej. Soderzhanie Tetrad I Book I 1 2 3 4 5 6 Tetrad II Book II 7 8 9 10 11 12 9790660066027.

Etat : new. Pages: 28 Language: Russian, English. The genre of piano sonata is one of the most significant sphere in Alexander Skriabin's (1872-1915) creation. Twenty years lay between his First and Tenth Sonatas. It occured to be the age satiated with impetuous fruitful ideas, leading the composer sometimes to new contrasting spiritual aims. The sonata-symphonic structure attracted Skriabin by its inner diversity and capacity, able to embody discrepant unity. Skriabin was the true composer-pianist. Therefore he interpreted the sonata structure rather random, as if being begotten again and again. Those were his philosophical and symbolic conceptions to have become his guides both in life and art. 9790660006443.

Etat : new. Pages: 24 Language: Russian, English. The last five sonatas (No 6-10) are marked by their evident connection with Skriabin's last completed score of "Prometheus" (1910) so as the unrealized plot of the "Mystery". Here the composer resorts to his own discoveries in the sphere of thematic elaboration and harmony. The Sixth Sonata op. 62 was created together with the Seventh one during the period of 1911-1912. It was for the first time, when the contemporaries witnessed that "flabbergasting innovative harmonic fluctuations" to be exhibited in full swing. 9790660006498.

Etat : new. Pages: 20 Language: Russian, English. The genre of piano sonata is one of the most significant sphere in Alexander Skriabin's (1872-1915) creation. Twenty years lay between his First and Tenth Sonatas. It occured to be the age satiated with impetuous fruitful ideas, leading the composer sometimes to new contrasting spiritual aims. The sonata-symphonic structure attracted Skriabin by its inner diversity and capacity, able to embody discrepant unity. Skriabin was the true composer-pianist. Therefore he interpreted the sonata structure rather random, as if being begotten again and again. Those were his philosophical and symbolic conceptions to have become his guides both in life and art. 9790660006450.

Etat : new. Pages: 24 Language: Russian, English. The genre of piano sonata is one of the most significant sphere in Alexander Skriabin's (1872-1915) creation. Twenty years lay between his First and Tenth Sonatas. It occured to be the age satiated with impetuous fruitful ideas, leading the composer sometimes to new contrasting spiritual aims. The sonata-symphonic structure attracted Skriabin by its inner diversity and capacity, able to embody discrepant unity. Skriabin was the true composer-pianist. Therefore he interpreted the sonata structure rather random, as if being begotten again and again. Those were his philosophical and symbolic conceptions to have become his guides both in life and art. The last five sonatas (No 6-10) are marked by their evident connection with Skriabin's last completed score of "Prometheus" (1910) so as the unrealized plot of the "Mystery". Here the composer resorts to his own discoveries in the sphere of thematical elaboration and harmony. The Sonata No 10 op. 70 was created simultaneously with the Eighth and tenth ones in 1912-1913. That period brought ponderable intellectual element into Skriabin's philosophy. However, the Tenth Sonata sheds dazzling light, fascinating and alluring to endless flight saturated with feelings and desires. The Tenth was firstly performed by the author on Desember 12, 1913, in Moscow. 9790660006535.

Etat : new. Pages: 32 Language: Russian, English. The Sonata No 3 op. 23 F Sharp minor dates the period of 1897-1898, having been published by M. P. Belyayev in 1898. Yevgeniy Gunst, Skriabin's friend and researcher described the Third Sonata as the culmination of his creation. There exists the programme to this Sonata, which is sometimes called the author's one. Nowadays it was discovered that this programme belongs to Tatiana Schkoozer, composer's second wife. However, the French text appeared long time after the Sonata's coming into being. The Sonata's premiere took place in Moscow on November 23, 1900. Vsevolod Buyukli performed it for the first time. 9790660006467.

Etat : new. Pages: 32 Language: Russian, English. The genre of piano sonata is one of the most significant sphere in Alexander Skriabin's (1872-1915) creation. Twenty years lay between his First and Tenth Sonatas. It occured to be the age satiated with impetuous fruitful ideas, leading the composer sometimes to new contrasting spiritual aims. The sonata-symphonic structure attracted Skriabin by its inner diversity and capacity, able to embody discrepant unity. Skriabin was the true composer-pianist. Therefore he interpreted the sonata structure rather random, as if being begotten again and again. Those were his philosophical and symbolic conceptions to have become his guides both in life and art. The last five sonatas (No 6-10) are marked by their evident connection with Skriabin's last completed score of "Prometheus" (1910) so as the unrealized plot of the "Mystery". Here the composer resorts to his own discoveries in the sphere of thematical elaboration and harmony. The Sonata No 8 op. 66 was created togetherwith the Ninth and Tenth ones in 1912-1913. That period brought ponderable intellectual influence into Skriabin's thinking, which burst out in tragic element. October 30, 1913, was the day of its premiere, when the author himself performed it in Moscow. 9790660006511.

Etat : new. Pages: 20 Language: Russian, English. Sonata No 5, op. 53, refers to 1970. Such large-scaled compositions as the Symphony No 3 and the "Ecstasy Poem" lie between them. Signifying the period of searches and strivings in Skriabin's creation of the 1900ies, the Sonata No 5 reveals its congeniality with the "Ecstasy Poem", not to say of the time they both appeared. The common philosophical aesthetic stratum unites them. The Fifth was completed 5 days after the "Ecstasy Poem's" score. The composer indicated it as the earlier opus, than the symphonic poem. 9790660006481.

Etat : new. Pages: 25 Language: Russian, English. The offered collection compiled by the famous Petersburgian musicians S. N. Poddubny and A. V. Ivanov is intended for the middle and senior forms of Children Music Schools, so as for important concerts. The pieces are selected according to their common lyrical dramatic origin, the mood, so much liked by the Russian composers of the 19th-20th centuries. The Petersburgian composer our contemporary Sergei Poddubny may be ranked among this sphere's adherents. The insertion of modern author's music should serve for both educational and just aesthetic purposes. Thus the innovations in cello repertoire get evenly possible for those who broaden the repertoire, striving to embrace the newest trends in music. Contents ? Glinka. Nocturne. "Separatione". Arranged by A. Vlasov K. Davydov. At Dawn A. Skryabin. Romance S. Prokofiev. Dancing Girls With Lilies from the ballet "Romeo and Juliet. " Arranged by A. Vlasov S. Poddubny. Dramatic Intermezzo 9790706406398.

Etat : new. Pages: 48 Language: Russian, English. Desjat mazurok soch. 3, sozdannykh Skrjabinym v 1888-1890 gg., prinadlezhat k luchshim obraztsam dannogo zhanra v otechestvennoj fortepiannoj literature. Izdanie prednaznacheno dlja studentov muzykalnykh uchilisch i konservatorij, a takzhe dlja kontsertirujuschikh pianistov. Publikuetsja po izdaniju: Skrjabin A. Sobranie sochinenij. - T. 7 / Obschaja nauch. red. V.V. Rubtsovoj. - M.: Muzyka; P. Jurgenson, 2011. 9790660101490.

Etat : new. Pages: 36 Language: Russian, English. Tsikl kontsertnykh etjudov, sozdannyj v 1903 godu. Dlja studentov muzykalnykh uchilisch i konservatorij, a takzhe kontsertirujuschikh ispolnitelej. 9790660101674.

Etat : new. Pages: 80 Language: Russian. CONTENTS Three Pieces Op. 2 1. Etude 2. Prelude 3. Impromptu a la mazur Ten Mazurkas. Op. 3 NO. 6, 7 12 Etudes. Op. 8 NO. 2, 5, 11, 12 Prelude el Nocturne pour la main gauche op. 9 1. Prelude pour la main gauche 2. Nocturne pour la main gauche 24 Preludes. Op. 11 NO. 2, 4, 5, 9, 10, 13, 14, 15, 16, 20 Six Preludes. Op. 13 No. 1 Five Preludes. Op. 16 No. 1-4 Seven Preludes. Op. 17 No. 4, 5 9790660064313.

Etat : new. Pages: 52 Language: Russian, English. Commented edition of the well-known piano opus by the great Russian composer and pianist. For students of music colleges and conservatoires, as well as for concert performers. 9790706373218.

Etat : new. Pages: 16 Language: Russian, English. The genre of piano sonata is one of the most significant sphere in Alexander Skriabin's (1872-1915) creation. Twenty years lay between his First and Tenth Sonatas. It occured to be the age satiated with impetuous fruitful ideas, leading the composer sometimes to new contrasting spiritual aims. The sonata-symphonic structure attracted Skriabin by its inner diversity and capacity, able to embody discrepant unity. Skriabin was the true composer-pianist. Therefore he interpreted the sonata structure rather random, as if being begotten again and again. Those were his philosophical and symbolic conceptions to have become his guides both in life and art. The last five sonatas (No 6-10) are marked by their evident connection with Skriabin's last completed score of "Prometheus" (1910) so as the unrealized plot of the "Mystery". Here the composer resorts to his own discoveries in the sphere of thematical elaboration and harmony. Sonata No 9 op. 68 was created simultaneously with the Eight and Tenth ones during the period of 1912-1913. That period brought ponderable intellectual element into Skriabin's philosophy, which burst out in tragical effusions. This tendency was revealed especially in the Ninth Sonata. The author himself called one of its episodes "the theme of ambuscading death", i. e. the second motive of the principle theme. The Ninth Sonata was firstly performed by yhe authir on February 12, 1915, in Moscow. 9790660006528.

Etat : new. Pages: 68 Language: Russian. Odno iz samykh poetichnykh i chasto ispolnjaemykh sochinenij velikogo russkogo kompozitora. Izdanie adresovano kontsertirujuschim pianistam, a takzhe studentam muzuchilisch i konservatorij. 9785714008924.

Etat : new. Pages: 80 Language: Russian, English. The piano heritage of Alexander Nicolaevich Scriabin (1872-1915) consists of more than 200 works. For him as a pianist, this sphere became not only a natural continuation of his performing activities, but also a kind of creative laboratory, a lyrical diary. The opuses presented in this collection relate to different stages of the composer's career, demonstrating his evolution from the romantic tradition to the search for new means of expression. The edition is addressed to senior pupils of children's music schools, students of music colleges and conservatories, performing pianists, lovers of piano music. 9785507531660.

Etat : new. Pages: 218 Language: Russian, English. Nastojaschee izdanie "Predvaritelnogo dejstva" A. Skrjabina v obrabotke S. Protopopova javljaetsja pervoj publikatsiej etogo sochinenija. Ono rasschitano na ispolnitelej, muzykovedov i kompozitorov, interesujuschikhsja muzykalnym naslediem Skrjabina i izuchajuschikh ego muzyku, a takzhe na vozmozhnosti kontsertnogo ispolnenija ili zhe izuchenija etogo redkogo i nezaurjadnogo muzykalnogo proizvedenija. 9790352211834.

Etat : new. Pages: 720 Language: Russian. Nastojaschee sobranie pisem A.N.Skrjabina predstavljaet soboj perepechatku izdanija, vyshedshego v 1965 godu i davno stavshego bibliograficheskoj redkostju. Epistoljarnoe nasledie Skrjabina - neotsenimyj istochnik svedenij, neobkhodimykh dlja izuchenija lichnosti, zhizni i tvorchestva velikogo russkogo kompozitora i v to zhe vremja tsennejshij dokument kulturnoj zhizni Rossii rubezha XIX-XX vekov. Dlja muzykantov-professionalov, studentov i pedagogov muzykalnykh uchebnykh zavedenij, shirokogo kruga ljubitelej muzyki. 9785714013935.

Etat : new. Pages: 268 Language: Russian, English. Tvorchestvo velikogo russkogo kompozitora A.N.Skrjabina - odno iz naibolee znachimykh javlenij mirovogo muzykalnogo iskusstva kontsa XIX - nachalo XX vekov. V tom 10 vpervye publikuemogo Sobranija sochinenij kompozitora vkljucheny ego fortepiannye sonaty, postojanno nakhodjaschiesja v repertuare kontsertirujuschikh solistov i studentov. 9790706392905.

Etat : new. Pages: 432 Language: Russian. Publikuemaja sokhranivshajasja na segodnjashnij den perepiska velikogo russkogo kompozitora A.N. Skrjabina s V.I. Skrjabinoj i T.F. Shljotser- Skrjabinoj osveschaet sobytija epokhi, vossozdajot mnogie stranitsy tvorcheskoj biografii avtora "Poemy ekstaza", raskryvaet slozhnye perepetii ego sudby. Vse pisma tekstologicheski vyvereny i dajutsja v ikh podlinnom vide, bez kupjur. Izdanie adresovano issledovateljam, zanimajuschimsja izucheniem tvorcheskoj biografii kompozitora, voprosov khudozhestvennoj zhizni kontsa XIX - nachala XX veka, a takzhe shirokomu krugu chitatelej, interesujuschikhsja istoriej otechestvennoj kultury. V izdatelstve "Muzyka" vyshlo unikalnoe izdanie, osnovannoe na podlinnykh materialakh i dokumentakh: "DOSLOVNO. Perepiska A.N. Skrjabina s V.I. Skrjabinoj i T.F. Shljotser-Skrjabinoj". Soderzhanie knigi sostavljaet perepiska kompozitora s pervoj i vtoroj suprugami: Veroj Ivanovnoj Skrjabinoj i Tatjanoj Fjodorovnoj Shljotser-Skrjabinoj. V knige prorisovyvaetsja slozhnyj zhiznennyj treugolnik, perepiska uchastnikov kotorogo chitaetsja kak zakhvatyvajuschij roman. Pisma predelno iskrenni, privodjatsja bez kakikh-libo kupjur, - doslovno, - chto pozvoljaet chitatelju ne tolko poznakomitsja s soderzhaniem ikh tekstov, no i pochuvstvovat kontekst, vysvechivajuschij slozhnye dushevnye dvizhenija geroev. Pomimo etogo, chitateli uznajut dostovernye svedenija o muzykalnom byte epokhi, o kruge muzykalnykh znakomstv i tvorcheskogo obschenija Aleksandra Nikolaevicha - N.A. Rimskij-Korsakov, M.P. Beljaev, A.K. Ljadov, A.K. Glazunov, V.I. Safonov, S.A. Kusevitskij, K.D. Balmont i mnogie drugie. I samoe glavnoe - derzkie tvorcheskie innovatsii velikogo russkogo kompozitora, avtora "Poemy ekstaza", zamyshljavshego grandioznoe muzykalno-sinteticheskoe Dejstvo, moguschee preobrazovat chelovechestvo, izlagajutsja v knige "ot pervogo litsa". Kak ni paradoksalno, no za bolee chem stoletnij period, proshedshij so dnja smerti Skrjabina, eta perepiska tak i ne byla izdana polnostju. V 1965 g. A.V. Kashperov vypustil trud "Skrjabin. Pisma". Odnako v njom prakticheski ne otrazheny pisma k samomu Skrjabinu, a pisma samogo kompozitora privedeny s otdelnymi kupjurami. V 2003 g. kniga byla pereizdana, izdanie stalo khrestomatijnym, no v njom net mnogikh stranits epistoljarnogo nasledija, za ego predely vyneseny neologizmy ili tak nazyvaemyj "semejnyj jazyk" kompozitora - slova, ponjatnye suprugam, peredajuschie njuansy ikh lichnogo obschenija. V 2006 g. pod redaktsiej T.V. Rybakovoj vyshla kniga "Poema vdokhnovennoj strasti" - pervaja publikatsija perepiski Skrjabina so vtoroj suprugoj, odnako v nej tozhe prisutstvujut kupjury. V 2018 godu pri podderzhke granta RGNF/RFFI Memorialnym muzeem A.N. Skrjabina bylo opublikovano pervoe izdanie knigi "Doslovno", vkljuchajuschej polnye teksty pisem kompozitora k V.I. Skrjabinoj i T.F. Shljotser-Skrjabinoj i ikh otvetnye poslanija. Tirazh razoshjolsja za god, a sama kniga poluchila mnozhestvo polozhitelnykh otzyvov ot uchjonykh-skrjabinistov. V jubilejnyj god izdatelstvo "Muzyka" sovmestno s Memorialnym muzeem A.N. Skrjabina reshili vypustit vtoroe, dopolnennoe izdanie perepiski, kotoroe budet interesno ne tolko issledovateljam, no samomu shirokomu krugu chitatelej. Pisma okhvatyvajut khronologicheskij period v 18 let (1897-1915 gg.), v nikh predstajot zhivoj i neposredstvennyj oblik muzykanta, kotoryj dolgie gody ostavalsja skrytym dlja bolshinstva poklonnikov ego tvorchestva. Korrespondentsija raskryvaet literaturnyj talant Skrjabina, umenie pisat v raznykh stiljakh, vladenie raznymi literaturno-khudozhestvennymi formami. Izdanie donosit avtorskuju rechevuju intonatsiju, stilistiku rechi kontsa XIX - nachala XX veka. Stroki pisem vossozdajut mnogie stranitsy tvorcheskoj biografii avtora, sobytija epokhi, obschenie s izvestnymi ljudmi, slozhnye peripetii ego sudby. V kommentarijakh ko mnogim pismam obemnogo (432 s.) izdanija mozhno vstretit slova "publikuetsja vpervye". Vse pisma tekstologicheski vyvereny i dajutsja v ikh podlinnom vide, bez kupjur, privodjatsja v khronologicheskom porjadke s dopolnitelnymi kommentarijami v kontse dokumenta. Rech ot pervogo litsa jarko ocherchivaet raznye kharaktery adresatov - Very Ivanovny i Tatjany Fjodorovny i pozvoljaet chitatelju sostavit sobstvennoe predstavlenie o psikhologicheskikh tonkostjakh ikh vzaimootnoshenij s kompozitorom. "Doslovno" - eto vozmozhnost po-novomu vzgljanut na zhiznennyj i tvorcheskij put khudozhnika skvoz prizmu podlinnykh dokumentov, otkryt skvozjaschie za strokami neizvestnye ranee svojstva ego bogatoj i slozhnoj natury i popytatsja priblizitsja k ponimaniju lichnosti odnoj iz samykh zagadochnykh figur rubezha XIX-XX vekov. Soderzhanie: A.I. Lazarev. Vmesto predislovija V.V. Popkov, O.A. Dubrovina. K izdaniju "Perepiski A.N. Skrjabina s V.I. Skrjabinoj i T.F. Shljotser-Skrjabinoj" Pisma S.A. Makarova. O pismakh A.N. Skrjabina Imennoj ukazatel 9785714014345.

Etat : new. Pages: 224 Language: Russian, English. Symphony No. 2 In C Minor, Op. 29 / edited by Vladimir Samarin The 'Collected Works' by Alexander Nikolayevich Scriabin is a scholarly, practice- oriented edition of the great Russian composer's oeuvre. Its purpose is to present critically verified texts of Scriabin's works on the basis of comprehensive study of extant materials, including sketches and first drafts, editions that appeared during the composer's lifetime, recordings of his performances on mechanical piano. Important information on the origins of each work and on the process of composition can be elicited from the composer's literary writings and extant correspondence, as well as from the memoirs of his contemporaries. The critical examination of the texts takes into account also the editions prepared and published after the composer's death by specialists who had studied his legacy. The present edition, apart from musical texts, provides comprehensive information on the history of works' creation, publication and performance, as well as textual comments. The edition is intended for Scriabin scholars and for performers of his music. CONTENTS Preface Symphony No. 2 in S Minor. Op. 29 1. Andante 2. Allegro 3. Andante 4. Tempestoso 5. Maestoso Comments 9790706392318.

Etat : new. Pages: 252 Language: Russian, English. The 'Collected Works' by Alexander Nikolayevich Scriabin is a scholarly, practice- oriented edition of the great Russian composer's oeuvre. Its purpose is to present critically verified texts of Scriabin's works on the basis of comprehensive study of extant materials, including sketches and first drafts, editions that appeared during the composer's lifetime, recordings of his performances on mechanical piano. Important information on the origins of each work and on the process of composition can be elicited from the composer's literary writings and extant correspondence, as well as from the memoirs of his contemporaries. The critical examination of the texts takes into account also the editions prepared and published after the composer's death by specialists who had studied his legacy. The present edition, apart from musical texts, provides comprehensive information on the history of works' creation, publication and performance, as well as textual comments. The edition is intended for Scriabin scholars and for performers of his music. 9790706392455.

Etat : new. Pages: 108 Language: Russian, English. 9790660062067.