Sergio risaliti (512 résultats)

Etat : Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Etat : New. 2010. Bilingual. paperback. . . . . . Books ship from the US and Ireland.

hardcover. Etat : Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Etat : New. 2010. Bilingual. paperback. . . . . .

paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Etat : New. -An informative accompaniment to an exhibition of Giorgio Morandi's work at the Museo Novecento, Florence -Focuses on Giorgio's relationships with some of the greatest contemporaneous art critics This book, like the exhibition it accompanies, takes as a starting point four important paintings in the collection of the Museo Novecento, which belonged to collector Alberto Della Ragione, including a rare watercolour of a female figure that reveals Morandi's extraordinary artistic abilities. It illustrates paintings, drawings, and prints that have been kept in various private collections. Exit Morandi also celebrates Morandi's relationship with art critics such as Roberto Longhi, Carlo Ludovico Ragghianti, Cesare Brandi and Francesco Arcangeli. BEAUTIFUL COPY!!.…

hardcover. Etat : Very Good. Most of our very good books have only minor imperfections such as shelf wear consistent with a new book that's sat on a bookshop shelf for a year or two. Occasionally we may miss other minor imperfections as we have to grade books at speed. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.…

Etat : As New. Unread copy in mint condition.

Etat : As New. Unread copy in mint condition.

Etat : New. Brand New.

Etat : New. Brand New.

Etat : very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

Etat : New. New Copy, shipped within 1 working day from the UK.

Etat : As New. Unread book in perfect condition.

Etat : As New. Unread copy in mint condition.

Etat : As New. Unread copy in mint condition.

Etat : As New. Unread copy in mint condition.

Etat : New. Brand New.

Etat : New. Brand New.

Etat : New. Brand New.

Hardcover. Etat : New. -An informative accompaniment to an exhibition of Giorgio Morandi's work at the Museo Novecento, Florence -Focuses on Giorgio's relationships with some of the greatest contemporaneous art critics This book, like the exhibition it accompanies, takes as a starting point four important paintings in the collection of the Museo Novecento, which belonged to collector Alberto Della Ragione, including a rare watercolour of a female figure that reveals Morandi's extraordinary artistic abilities. It illustrates paintings, drawings, and prints that have been kept in various private collections. Exit Morandi also celebrates Morandi's relationship with art critics such as Roberto Longhi, Carlo Ludovico Ragghianti, Cesare Brandi and Francesco Arcangeli. BEAUTIFUL COPY!!.…

Paperback. Etat : New. This volume is the catalogue of the exhibition Depero. Fantastical Ride, held in the historic rooms of the Museum of Palazzo Medici Riccardi.Curated by Sergio Risaliti with Eva Francioli, the catalogue presents the work of Fortunato Depero, a multifaceted artist who was able to combine the popular element with a fervid figurative imagination. Starting with Neighing at Speed, a typically Futurist painting by Depero, the catalogue focuses on some of the most fascinating themes of Depero's production - from the myth of progress and speed, to the small theatres populated by ultra-modern puppets, to the rich production of tapestries, clothing - narrated through works from private collections and from the MART in Trento and Rovereto. It also includes a number of works that Depero made during a stay in New York in 1930.Text in English and Italian.…

Etat : Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : New.

Hardcover. Etat : new. Hardcover. Challenging the canon of beauty that dominated portraiture until the 19th century, the works of Nathaniel Mary Quinn (Chicago, 1977) follow the path opened by the great artists of the 20th century, including Pablo Picasso and Francis Bacon, freely interpreting the human figure, composition, and balance of forms through a non-academic pictorial languageat times grotesque, almost monstrous, and unsettling.In homage to Split Face, his first solo exhibition in Italy, presented in Florence across the Museo Stefano Bardini and the Museo Novecento, this volume brings together a selection of portraits displayed alongside works by Renaissance and 20th-century masters such as Donatello, Pollaiolo, the Della Robbia family, as well as Virgilio Guidi, Marino Marini, Antonietta Raphael Mafai, and many others.Texts by Sergio Risaliti, Carlo Francini; conversation with Stefania Rispoli In homage to Nathaniel Mary Quinn's first solo exhibition in Italy titled Split Face, this volume brings together a selection of portraits displayed alongside works by Renaissance and 20th-century masters such as Donatello, Pollaiolo, the Della Robbia family, as well as Virgilio Guidi, Marino Marini, Antonietta Raphael Mafai, and many others. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Etat : Very Good. 8843575163 pgs:387. Electa, bright clean copy, Professional bookseller since 1981.

Hardback. Etat : New. Challenging the canon of beauty that dominated portraiture until the 19th century, the works of Nathaniel Mary Quinn (Chicago, 1977) follow the path opened by the great artists of the 20th century, including Pablo Picasso and Francis Bacon, freely interpreting the human figure, composition, and balance of forms through a non-academic pictorial language-at times grotesque, almost monstrous, and unsettling.In homage to Split Face, his first solo exhibition in Italy, presented in Florence across the Museo Stefano Bardini and the Museo Novecento, this volume brings together a selection of portraits displayed alongside works by Renaissance and 20th-century masters such as Donatello, Pollaiolo, the Della Robbia family, as well as Virgilio Guidi, Marino Marini, Antonietta Raphaël Mafai, and many others.Texts by Sergio Risaliti, Carlo Francini; conversation with Stefania Rispoli. …

Etat : NUOVO. Firenze, Polistampa cm.14x19, pp.216, illustrazioni a colori. brossura. Testo Inglese. It's the catalog of the exhibit held in Florence from 3rd December 2021 until 5th June 2022. Conceived as a real 'solo', the exhibition is the first in an Italian museum dedicated to investigating the deep relationships that Leoncillo had with the ancient, archaic and clas-sical, as well as with the great masters of the Renaissance and Baroque, throughout its thirty years of activity (1938-1968).The collaboration with other Florentine museums and institutions is consolidated: one of Leoncillo's most famous works is, in fact, exhibited at the National Archaeological Museum of Florence to underline the continuity of a fruitful dialogue between contempo-rary art and the past, in this case with the artistic expression of the ancient Etruscans, whose creations impressed Leoncillo with their profound understanding of human feelings suspended between love and death, life and afterlife.The exhibited works, about thirty sculptures, panels and papers, highlight the continuity of gaze that runs through the entire work, beyond the more traditional classifications based solely on stylistic criteria: in fact, from the hybrid and monstrous beings of 1939 until the last and celebrated decade in which the experience of matter triumphs, through the neocubist season (1946-1955). A cura di M. Corgnati e E.Mascelloni.…