Sieber rubin (32 résultats)

paperback. Etat : Good.

Soft cover. Etat : Good. 1st Edition, Limited Edition. A highly detailed catalog for an exhibition of African art that is referred to as the Paul Tischman Collection. The catalog was first published in 1968 in Los Angeles. Besides Los Angeles, the exhibit also was shown in Missouri, Texas, Virginia, Iowa and Georgia. The cover of this softcover has a few nicks and bruises after about 55 years. "Doxsee" is printed neatly on the front free endpaper, but I didn't notice any other notes or notations. …

270 pages with 169 black & white plates. Light edgewear otherwise a clean, unmarked, complete very good trade paperack in decorative wrappers (soft cover book).

Soft cover. Etat : Near Fine. First Edition. This edition "circulated" by the International Exhibitions Foundation, 1970-71. 150 + 39 pp., 169 + 43 catalogued works, many illus. in color, b&w plates. Light wear to corners. Square, uncreased binding. Almost as issued. Size: 4to - over 9¾" - 12" tall. Book. …

Soft cover. Etat : Very Good. 1968. Africa, art. The Los Angeles County Museum of Art. Very good paperback 150p.small triangle/corner missing fron upper right hand corner of front page 10/23.

Etat : Good. Good condition. (art, africa, sculpture) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Thin 4to decorative wraps, softcover; 150 pages; black & white illustrations; a fine, clean, tight, unmarked copy.

Soft Cover. Etat : Near Fine. The book is in excellent condition, extremely light corner wear. Clean and unmarked.

1968. Africa, art. The Los Angeles County Museum of Art. Very good paperback with minor wear at tail pf spine, minor corner handling. 150p.

Softcover, 150 pages; very good condition; light rubbing to covers; 1-inch crease to lower right corner of cover; no internal marks. 8 page addendum laid in. Foreign shipping may be extra.

Trade Paperback. Etat : Very Good. A clean, unmarked book with a tight binding. Catalogue of an exhibition held at the Los Angeles County Museum of Art, October 16, 1968 to January 5, 1969. 7 1/4"w x 12"h. 152 pages. Mostly black and white photos with a few color. Keywords: Africa African, Exhibition Catalog, Los Angeles County, Museum of Art, Western Sudan, Guinea Coast, Equatorial Forest, Southern Savannah, Masks, Style, Sub-Sahara Culture. …

Paperback. Etat : Fair. Later Edition. ISBN Trade Paperback. Reading copy only, with very heavy underlining and margin notes in red throughout text, no apparent markings to photo reproductions of artwork. Tight sound copy with minor rubs and creases to edges and corners of covers, some browning and dustsoiling to edges of interior pages. No statement of later printing on copyright page.…

First Tall 4to, stiff wrappers. 150 pp, 99 illustrations (9 in color), bibliography. Published in an edition of 27,000 copies. Exhibition Oct. 16, 1968 - Jan. 5, 1969. Very good except for bumps to the corner tips.

Paperback. Etat : Near Fine. 1st. 150 pages, illustrations (some colour); 31 cm. Catalogue of an exhibition held at the Los Angeles County Museum of Art, October 16, 1968 to January 5, 1969. Firm binding, clean inside copy. Light shelfwear to wraps, age toning. Size: 4to. Collectible.

Soft cover. Etat : Very Good. Los Angeles County Museum of Art, 1969. Softcover, 150 pp. Exhibition catalog. Illustrated in black & white, plus 9 color plates including the frontispiece photo. Very good condition with edge wear, slight curling of corners of a few early pages, a small skinned spot at head of rear panel.…

Paperback. Etat : Very Good. Reprint. Crisp, clean copy.; 150 pages.

Paperback. Etat : Very Good. Very good paperback. 1971.

Etat : Good. Good condition. Slightly dampstained. Stamped on front endpage. (african art, anthropology, sculptures).

Soft cover. Etat : Very Good. 1st Edition. [152]pp paperback, well illustrated in colour and mostly bw, describing 169 items, with loosely inserted ''Addendum to Catalog'' 8pp illustrating 5 other major works which were newly acquired relating to the exhibition October 16 - January 5, 1969.

Softcover. Etat : Very Good+. First Edition. Illustrated perfect binding softcover, clean and sharp, mild shelf wear to edges. First edition. Book is firm in binding, crisp, clean interior, b&w and color full page photo illustrations. African sculpture from different regions and cultures; companion book to an exhibition shown at LACMA 1968. Free of any markings, not ex-library. ; 4to 11" - 13" tall; 10 pages.…

First Tall 4to, stiff wrappers. 150 pp, 99 illustrations (9 in color), bibliography. Published in an edition of 27,000 copies. Exhibition Oct. 16, 1968 - Jan. 5, 1969. Very good, but minor cover tear.

Etat : Good. Catalogue for exhibition held October 16, 1968-January 5, 1969. Tall 4to. 150 pp., illus. Very good in wraps.

Softcover. Color pictorial wraps; 150 pp. plus 39-page addendum; Profusely illustrated in bw. Accompanied a traveling exhibition; Features 212 items. Good (Pages in good shape, but considerable wear to wraps, particularly at spine).

Paper Back. Etat : Very Good. The cover has light wear. The page edges have a minor tan. Contans b&w photographs. 166 pages. Books listed here are not stored at the shop. Please contact us if you want to pick up a book from Newtown. Size: Size H: 11"-12" Tall (279-304mm).

Softcover. Quarto. Softcover. Illustrated wraps. 150, A39 pages : illustrations (some color), maps ; 31 cm. "First published 1968 by the Los Angeles County Museum of Art."/ Catalog of an exhibition circulated by the International Exhibitions Foundation, 1970-71. Participating museums: The High Museum of Art, Atlanta, Georgia and others./ Addendum to the catalog, compiled by Roy Sieber and Robin Poyner: pages A1-A39./ Includes bibliographical references. G+. Toning, bumping, scuffing and some paper fraying to wraps. Interior clean and unmarked.…

Etat : Good. 4to. 150 pp. Soft Cover. Color and B&W illustrations. Very Good, minor rubs on the spine.

Softcover. First Edition Thus; First Printing. Very Good+ in wraps. Rubbing along panel edges.

150 pp.; b/w and colour plates throughout, bibliography. Exh. catalogue Los Angeles County Museum of Art, 1969. Pbk. KEYWORDS: 004 Africa: General Art & Reference books.

189 pages, 134 b/w and 9 color photographs--almost all full-page.

Etat : Gut. Ca. 140 Seiten; sehr zahlr. Illustrationen (auch farbig); 30,5 cm; kart. Gutes Ex.; der farb. illustr. Einband stw. berieben u. m. minimalen Läsuren; geringfügige Lager- und Gebrauchsspuren. - Englisch. - Aus der Afrika-Bibliothek von Dr. H. J. Koloß, vormals Völkerkundemuseum Berlin. - Vorwort v. Annemarie H. Pope. - INHALT : Acknowledgments ----- Collector's Note ----- Introduction ----- A Note on the Catalog ----- Western Sudan Style Region ----- Guinea Coast Style Region ----- Equatorial Forest Style Region ----- Southern Savannah Style Region ----- Bibliography ----- Addendum ----- Bibliography and Corrections. // . The sculptural traditions of that sub-continent have become accepted as an important part of the responsibility of the scholar and of the museum desiring to underscore the breadth and history of the artistic traditions of the world. Far from primitive, African sculpture represents a series of complex and often highly developed traditions whose meanings and histories are beginning to emerge. Just as in earlier centuries when Europe was only superficially aware of the arts of the ancient world or of the Orient, so in this century are we groping after a better understanding of the arts of black Africa. Following the format established in the 1930s by the pioneer scholar, Kjersmeier, exhibition catalogs and survey texts have listed African sculptural styles solely in terms of their geographical distribution. Little or no attention has been paid to the interactions of styles, their historical relationships or origins, except for a few notable exceptions such as Nok, Ife and Benin. In the case of these exceptions there has developed a remarkably easy and uncritical assumption of continuity of historical flow and interactions, whereas, in fact, there are few connections that are firmly established. The bronzes of Benin are well known; William Fagg has suggested a convincing sequence of stylistic changes. His evidence is, of necessity, circumstantial, for the British Punitive Expedition of 1897 which brought out several thousand bronzes as the prize of war recorded no data. Thus we know -from later research and from earlier travelers - that the heads were dedicated to deceased Obas (kings), but we have no clue to the specific identity of particular heads. The magnificent heads from Ife are presumed to have been commemorative, and almost certainly were portraits of leaders (Oni). According to Benin oral history a brasscaster from Ife founded the tradition at Benin. Although the oral traditions seem convincing, the objects themselves are less so, for there is a significant style gap between the Ife heads and the earliest Benin examples. A better link must be established before the historical connection can be considered fully persuasive. Finally no clear linkage has yet been established between Nok and either Ife or Benin. We may have to look to other areas of West Africa for further evidence, or at least complications of this sequence. For example, it seems quite clear that the tradition of figurative terra-cotta sculpture was well established in what is now Ghana by 1700 or earlier. Some examples are of a quality to challenge those of Nigeria. Further, the Akan examples were most probably portraits of dead leaders. Thus the complex of commemorative portraiture associated with kingship may be far broader and more complex in its historical implications than we have hitherto thought. . (Roy Sieber) Sprache: Englisch Gewicht in Gramm: 750. …