simms matthew (77 résultats)

Paperback. Etat : Good. With dust jacket. It's a preowned item in good condition and includes all the pages. It may have some general signs of wear and tear, such as markings, highlighting, slight damage to the cover, minimal wear to the binding, etc., but they will not affect the overall reading experience.

Paperback. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

paperback. Etat : Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

Etat : New. 2018. hardcover. . . . . . Books ship from the US and Ireland.

Etat : Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Etat : New. 2018. hardcover. . . . . .

Soft cover. Etat : Fine. Side-stapled softcover, 42 pgs. 6" x 8.25". Small format catalog for exhibition held December 5, 2021 - January 30, 2022 at Light Art Space, Berlin. Text in English.

Paperback. Etat : Book in good condition. Clean pages with no markings. Minor wear on edges and corners. The image in this listing is stock photo for reference. Actual item may differ. Any queries, just ask! Your satisfaction matters!Ships same day in most cases!Textbooks may not include supplemental items i.e. CDs, access codes etc.

Hardcover. Etat : New. Hardcover. Publisher overstock, may contain remainder mark on edge.

Hardcover. Etat : New. *NEW* oversize hardcover in DJ. Sealed in plastic. Fresh from a distributor with no price tags and no remainder marks. Priority and international shipping NOT available on this item.

Hardcover. Etat : Fine. Pace Gallery, New York, 2018. Hardcover, 34 pp. Exhibition catalog, a show of sculpture in the form of colored acrylic panels which "defy the viewer's certainty of the space being perceived". Fine condition. The show took place from May 11 to August 17, 2018. Fine condition.

Etat : New.

Etat : New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books!

Paperback or Softback. Etat : New. The New York Tapes: Alan Solomon's Interviews for Television, 1965-66. Book.

First edition. Hardcover. 34 pages. Exhibition catalog for a show that ran May 11 through August 17, 2018. Features text by Matthew Simms. Includes color illustrations and a checklist. A fine copy in illustrated boards and from the library of Lucas Samaras with estate stamp. No dust jacket as issued. A very nice copy with an interesting provenance.

paperback. Etat : New. Pap. In shrinkwrap.

paperback. Etat : Used-Very Good. Pap. Minor shelf wear. Else a bright, clean copy.

Etat : As New. Unread book in perfect condition.

Paperback. Etat : new. Paperback. Previously unpublished interviews with some of Americas leading postwar artistsincluding Frankenthaler, Johns, Oldenburg, Rauschenberg, Stella and Warholoriginally conducted for TV in the mid-60s by famed curator Alan SolomonThis substantial volume publishes for the first time a series of interviews conducted with seminal East Coast artists and their associates, including Kenneth Noland, Jim Dine, Roy Lichtenstein, Marcella Brenner, Helen Jacobson, Clement Greenberg, Helen Frankenthaler, Larry Poons, Frank Stella, Robert Rauschenberg, Jasper Johns, Claes Oldenburg, Barnett Newman, Leo Castelli, Andy Warhol, Gerard Malanga and Edie Sedgwick. These were produced in late 1965 and early 1966 for the documentary television series USA: Artists by famed curator Alan Solomon, who was a regular fixture in the New York art world of the time. This was a logical extension of Solomon's recent curatorial involvements, including most importantly his organization of the United States exhibition at the 1964 Venice Biennale.The half-hour format of the episodes meant that a vast amount of Solomons original interviews, some of which lasted an hour or more, wound up on the cutting-room floor. At some point after the series was completed the original filmed and tape-recorded interviews were lost. A single set of typed transcripts, preserved in the Alan R. Solomon papers at the Archives of American Art, a branch of the Smithsonian Institution (copublisher of this volume), is the sole complete record of the original interviews.The New York Tapes gathers these interview transcripts and publishes them as a group for the first time, extensively illustrated with numerous stills from the television programs and related documentation. The transcripts make available material that was not included in the final programs, while also revealing how what was included became subtly manipulated to fit the format of documentary television. An informative introduction by editor Matthew Simms sets the project in context and highlights the differences between the interviews and the films, shedding new light on a germinal moment in postwar American art and how it was presented to the public. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Etat : New. Previously unpublished interviews with some of America's leading postwar artists-including Frankenthaler, Johns, Oldenburg, Rauschenberg, Stella and Warhol-originally conducted for TV in the mid-'60s by famed curator Alan SolomonThis substantial volume publishes for the first time a series of interviews conducted with seminal East Coast artists and their associates, including Kenneth Noland, Jim Dine, Roy Lichtenstein, Marcella Brenner, Helen Jacobson, Clement Greenberg, Helen Frankenthaler, Larry Poons, Frank Stella, Robert Rauschenberg, Jasper Johns, Claes Oldenburg, Barnett Newman, Leo Castelli, Andy Warhol, Gerard Malanga and Edie Sedgwick. These were produced in late 1965 and early 1966 for the documentary television series USA: Artists by famed curator Alan Solomon, who was a regular fixture in the New York art world of the time. This was a logical extension of Solomon's recent curatorial involvements, including most importantly his organization of the United States exhibition at the 1964 Venice Biennale.The half-hour format of the episodes meant that a vast amount of Solomon's original interviews, some of which lasted an hour or more, wound up on the cutting-room floor. At some point after the series was completed the original filmed and tape-recorded interviews were lost. A single set of typed transcripts, preserved in the Alan R. Solomon papers at the Archives of American Art, a branch of the Smithsonian Institution (copublisher of this volume), is the sole complete record of the original interviews.The New York Tapes gathers these interview transcripts and publishes them as a group for the first time, extensively illustrated with numerous stills from the television programs and related documentation. The transcripts make available material that was not included in the final programs, while also revealing how what was included became subtly manipulated to fit the format of documentary television. An informative introduction by editor Matthew Simms sets the project in context and highlights the differences between the interviews and the films, shedding new light on a germinal moment in postwar American art and how it was presented to the public.

Etat : New.

Hardcover. Etat : VG. Glossy color-illustrated boards with white lettering. 34 pp. Color illustrations. Catalogue of an exhibition from May 11-August 17, 2018 at the Pace Gallery in New York.

Paperback. Etat : New. Robert Irwin began his career in the 1950s as an abstract painter. As a pioneer of the Light and Space movement in Los Angeles in the 1970s and early '80s, Irwin focused on exploring aesthetic perception as the fundamental feature of art, culminating in what he terms "conditional art" or "site-conditioned work." In addition to being a prolific artist, Irwin has been an active writer throughout his career. This book-now in paperback-includes previously published pieces along with a significant selection of writings published for the first time. The book makes clear that writing as a reflection on aesthetic questions is an integral element of Irwin's multifaceted art practice.

Etat : As New. Unread book in perfect condition.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Etat : New. Previously unpublished interviews with some of America's leading postwar artists-including Frankenthaler, Johns, Oldenburg, Rauschenberg, Stella and Warhol-originally conducted for TV in the mid-'60s by famed curator Alan SolomonThis substantial volume publishes for the first time a series of interviews conducted with seminal East Coast artists and their associates, including Kenneth Noland, Jim Dine, Roy Lichtenstein, Marcella Brenner, Helen Jacobson, Clement Greenberg, Helen Frankenthaler, Larry Poons, Frank Stella, Robert Rauschenberg, Jasper Johns, Claes Oldenburg, Barnett Newman, Leo Castelli, Andy Warhol, Gerard Malanga and Edie Sedgwick. These were produced in late 1965 and early 1966 for the documentary television series USA: Artists by famed curator Alan Solomon, who was a regular fixture in the New York art world of the time. This was a logical extension of Solomon's recent curatorial involvements, including most importantly his organization of the United States exhibition at the 1964 Venice Biennale.The half-hour format of the episodes meant that a vast amount of Solomon's original interviews, some of which lasted an hour or more, wound up on the cutting-room floor. At some point after the series was completed the original filmed and tape-recorded interviews were lost. A single set of typed transcripts, preserved in the Alan R. Solomon papers at the Archives of American Art, a branch of the Smithsonian Institution (copublisher of this volume), is the sole complete record of the original interviews.The New York Tapes gathers these interview transcripts and publishes them as a group for the first time, extensively illustrated with numerous stills from the television programs and related documentation. The transcripts make available material that was not included in the final programs, while also revealing how what was included became subtly manipulated to fit the format of documentary television. An informative introduction by editor Matthew Simms sets the project in context and highlights the differences between the interviews and the films, shedding new light on a germinal moment in postwar American art and how it was presented to the public.

Hardcover. Etat : Very Good+. Etat de la jaquette : Very Good. Presumed First Edition. Presumed first edition w/NAP, hardcover, has a mild skew to the binding, and light bumps to the spine ends and cover corners. Otherwise, this is a solid, tight and clean, Very Good+ copy in a Very Good dust jacket, which has bumps with light creasing to the spine ends and corners, very short tears to the tail of the spine, and rubbing to the covers. The jacket is wrapped in Mylar.

Etat : Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.

paperback. Etat : New.