soderlund gustave fredric (41 résultats)

Hardcover. Etat : Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less 0.9.

Hardcover. Etat : Good. Hardcover, 10 1/4 by 7 1/4 inches, 133 pages. Binding has some wear to corners and spine ends. Hinges tight and pages clean.

Unknown. Etat : Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.1.

Unknown. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.1.

Leineneinband. Etat : Guter Allgemeinzustand. 133 Seiten - Seiten altersbedingt nachgedunkelt - Ecken bestoßen - Einband mit Lagerspuren - Vorsatzblätter mit abgeschnittenen Streifen (Namenseintrag) - mit Anstreichungen im Text - in englischer Sprache Size: 18,5 x 26 Cm. Hardcover.

Etat : New.

Etat : New. SUPER FAST SHIPPING.

Hardcover. Etat : Good. Good hardcover copy, from a personal collection. Binding is tight, sturdy, and square; boards also very good. Markings. Ships same or next business day from Dinkytown in Minneapolis, Minnesota.

Hardcover. Etat : Very Good. No Jacket. 3rd. green c w/clack titles; owner's names, notes, some foxing on end papers; 244 clean, unmarked pages; lite wear at extremities.

Hardcover. Etat : Very Good. No Jacket. 1st. First American Edition; green c w/gilt titles; owner's stamps; 133 clean, unmarked pages; tiny soft bump to lower front corner (see image).

Etat : New.

Hardcover. Etat : Good. pp.133 tight copy with some sporactic pencil underlining and notes in margins, tanning to text pages and edges, green cloth covers with gold gilt shows some soiling, bumping to corners, and crimping and small tears to top/bottom spines Size: 4to - over 9¾" - 12" tall.

Etat : FAIR. 1946 SOFTCOVER, 3rd ed. "For use in Classes of Counterpoint" Dingy paper wraps are encased in vinyl bookcover. Some marginalia.

Etat : New. SUPER FAST SHIPPING.

Cloth. Etat : Good. No Jacket. x, 133 pp. Spine faded; pencil notations on endpapers and on roughly 1/4 of the pages of text. Very light scuffing to corners and to head and foot of spine.

Cloth. Etat : Very Good. No Jacket. x, 133 pp. Spine slightly faded; pencil notations on endpapers and on roughly 1/4 of the pages of text. Previous owner name stamped on front pastedown and front free endpaper. Very light scuffing to corners and to head and foot of spine.

Hardcover. Etat : Very Good. No Jacket. 3rd Edition. Appleton-Century-Crofts, Inc., New York. 1946. Hardcover. 3rd Edition. Book is tight, square, and unmarked but for former owner name on the FFFP. Book Condition: Very Good; light wear to tips, head, and tail from shelving; small dent on rear board. No DJ. Green cloth boards and spine with bright gilt lettering on the spine and front board. 244 pp 4to. It has become increasingly apparent in the last few years that th study of counterpoint should begin with the technique of the later sixteenth century, as exemplified in the style of Palestrina. Since the secular compositions of this composer involve a great deal of melodic and harmonic freedom, for the sake of greater pedagogic discipline, limited the choice of compositions in the compilation to the liturgical church music of Palestrina but have attempted to make the selection comprehensive enough for serious study. A clean very presentable copy.

Hard Cover. Etat : Good. No Jacket. Musical notation (illustrateur). Third Edition. [x], 244pp [ink ownership; pencil notes] Size: 4to - over 9¾" - 12" tall.

Buch. Etat : Neu. Neuware - This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.

Hardcover. Etat : VERY GOOD. Third Edition. 244pp. Green cloth black-stamped lettering to front cover and spine, sheet music throughout. Rubbing to extremities, wear to covers, edges a bit dusted, otherwise sound and unmarked.

Hardcover. Etat : Very Good. name stamp on front endpaper and title page, lacking dust jacket. From the foreword: Direct Approach to Counterpoint in Sixteenth-Century Style by Gustave Fredric Soderlund is an important, authoritative, and illuminating addition to the list of textbooks on contrapuntal style. In accord with the best traditions of pedagogy the technical problems of sixteenth-century contrapuntal style are approached through a careful and exhaustive analysis of the music of the period, with special emphasis upon the works of Palestrina. By adopting this highly desirable approach the author avoids the sterility of academic strict counterpoint and initiates the student directly into the living art of the greatest of all contrapuntal periods. The material presented in this text represents not only Mr. Soderlund's thorough and painstaking scholarship over many years of investigation but also embodies the practical results of his long career as a distinguished teacher of counterpoint. Thoroughly tested in the classrooms of the Eastman School of Music for the past twelve years, this text has proved to be highly valuable both to the composer and to the general student seeking an intimate knowledge of the fundamentals of sixteenth-century vocal polyphony. 133pp 1.09lb 10.2x7.3x0.7in.

hardcover. Etat : Acceptable. This is a used book. It may contain highlighting/underlining and/or the book may show heavier signs of wear . It may also be ex-library or without dustjacket. This is a used book. It may contain highlighting/underlining and/or the book may show heavier signs of wear . It may also be ex-library or without dustjacket.

Hardcover. Etat : Very Good with no dust jacket. Eastman School of Music Series. Valuable to the composer and music student seeking knowledge of the fundamentals of 16th century vocal polyphony. 133 pages. Corners and spine ends slightly worn, some pencil marginalia.; 7 x 10 ".

Hardcover. Etat : Very Good with no dust jacket. Eastman School of Music Series. Valuable to the composer and music student seeking knowledge of the fundamentals of 16th century vocal polyphony. 133 pages. Corners and spine ends slightly worn.; 7 x 10 ".

Hard Cover. Etat : Fair. No Jacket. Cover is slightly worn with edgewear at head and foot of spine and some cornerbumping, spine is discolored. Minor pencil underlining throughout text. Previous owner's name inked on front endpage. Size: 4to - over 9¾" - 12" tall.

Etat : Fair. Acceptable condition. No Dust Jacket (counterpoint, music theory, history, 16th century) A readable, intact copy that may have noticeable tears and wear to the spine. All pages of text are present, but they may include extensive notes and highlighting or be heavily stained. Includes reading copy only books.

Soft cover. Etat : Good. Handwritten scores of Gregorian chants. Clean pages. Name whited-out on title page. Rubbing to edges with tear at lower spine.

Hardcover. Etat : Good. 7 x 10 inches. x, 133 pages. Condition is Good, some underlining and marginal notes in the first 26 pages. STK.

Hardcover. Etat : Good. Etat de la jaquette : No. Third American Edition. New York: Appleton Century Croft, 1946. Book. Good. Hardcover. Third American Edition. 4to - over 9¾" - 12" tall. Hardcover Collection and Examples of Gregorian chant. A Good- Working collection. One inch chip of covering paper toward top of spine. Some fades. Internally clean tight. Lyrics and music notation Good, clean. NO writing or underlines.

Hard Cover. Etat : Fair. No Jacket. Third Edition. Green cloth boards are tanning, rubbed to board on edges, spinecover taped in place (very old tape.) Text pages have a tiny amount of pencil markings. Size: 4to - over 9¾" - 12" tall.