Stanivukovic (193 résultats)

Hardcover. Etat : Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

paperback. Etat : Very Good. Publisher overstock. May have remainder mark / minor shelfwear. 99% of orders arrive in 4-10 days. Discounted shipping on multiple books.

paperback. Etat : New. New item in gift quality condition. 99% of orders arrive in 4-10 days. Discounted shipping on multiple books.

Etat : Good. Meets or exceeds the good condition guidelines. Nice copy. Has a small amount of writing/highlighting. Five star seller - Buy with confidence.

Etat : acceptable. Used - Acceptable: All pages and the cover are intact, but shrink wrap, dust covers, or boxed set case may be missing. Pages may include limited notes, highlighting, or minor water damage but the text is readable. Item may be missing bundled media.

paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Etat : New. Brand new book, sourced directly from publisher. Dispatch time is 6-7 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Paperback. Etat : New. Explores popular Renaissance tragedies through a chronological commentary of political, social, cultural and aesthetic factorsThis book covers the development of tragedy as a dramatic genre from its earliest examples in the 1560's until the closure of the theatres in 1642. It traces the astonishingly diverse range of tragedies as they were influenced by the growth of public and private theatre venues in London. Tragedy was the most popular and the most diverse of theatrical genres during the English Renaissance; it was also the most disruptive and subversive. For Shakespeare and his contemporaries, tragedy reaches kings and queens and everyday person alike. Tragedy has rules, but these were rules that playwrights were ready to trouble and transform to meet changes in society and politics, in theatre venue, and in audience demand.Key FeaturesPlays and their authors are discussed alongside each other against the background of the socio-cultural and political conditions of their timesShows the degree to which theatre history can be connected with other significant contextual factors and critical ideas in analysis of the tragedies of the English RenaissanceReflects the latest scholarship of early modern theatre history (especially London theatres), the history of performance and acting and the print history of stage playsInspects the sub-genres associated with the form, such as revenge tragedy, historical tragedy, domestic tragedy, tragicomedy and closet drama.…

Paperback. Etat : new. Paperback. Explores popular Renaissance tragedies through a chronological commentary of political, social, cultural and aesthetic factorsThis book covers the development of tragedy as a dramatic genre from its earliest examples in the 1560s until the closure of the theatres in 1642. It traces the astonishingly diverse range of tragedies as they were influenced by the growth of public and private theatre venues in London. Tragedy was the most popular and the most diverse of theatrical genres during the English Renaissance; it was also the most disruptive and subversive. For Shakespeare and his contemporaries, tragedy reaches kings and queens and everyday person alike. Tragedy has rules, but these were rules that playwrights were ready to trouble and transform to meet changes in society and politics, in theatre venue, and in audience demand.Key FeaturesPlays and their authors are discussed alongside each other against the background of the socio-cultural and political conditions of their timesShows the degree to which theatre history can be connected with other significant contextual factors and critical ideas in analysis of the tragedies of the English RenaissanceReflects the latest scholarship of early modern theatre history (especially London theatres), the history of performance and acting and the print history of stage playsInspects the sub-genres associated with the form, such as revenge tragedy, historical tragedy, domestic tragedy, tragicomedy and closet drama This book covers the development of tragedy as a dramatic genre from its earliest examples in the 1560s until the closure of the theatres in 1642. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Etat : Brand New. 230 pages. 8.25x5.50x0.75 inches. In Stock.

Etat : new.

Etat : New. pp. 192.

Etat : new.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : New. . . 2018. Paperback. . . . .

Etat : New. pp. 192.

Paperback. Etat : New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Hardcover. Etat : As New. xx, 265 pp., 4 illus. Hardcover with DJ. Unread, as new. New list price: $65.00.

Etat : New.

Etat : New. pp. 192.

Hardcover. 8vo. Etat : Very Good. Etat de la jaquette : Very Good. 1st edition. This assumed first edition (no other dates listed) has boards bound in black cloth with straight edge and pointed corners. Spine is uncreased with straight edges and silver lettering. Text block is square. Binding is firm. 265p. Burnt Orange end pages are clean. Interior is unmarked with crisp white pages that include several b/w illustrations through out. Glossy Dust Jacket is clean with colored illustrations on front cover and clear titling. Edges are softly creased. Small closed tear present at top front hinge.…

Paperback / softback. Etat : New. New copy - Usually dispatched within 4 working days.

Etat : New. . . 2018. Paperback. . . . . Books ship from the US and Ireland.

Etat : As New. Unread book in perfect condition.

Paperback. Etat : New. Now available in paperback, Queer Shakespeare: Desire and Sexuality draws together 13 essays, which offer a major reassessment of the criticism of desire, body and sexuality in Shakespeare's drama and poetry. Bringing together some of the most prominent critics working at the intersection of Shakespeare criticism and queer theory, this collection demonstrates the vibrancy of queer Shakespeare studies. Taken together, these essays explore embodiment, desire, sexuality and gender as key objects of analyses, producing concepts and ideas that draw critical energy from focused studies of time, language and nature. The Afterword extends these inquiries by linking the Anthropocene and queer ecology with Shakespeare criticism. Works from Shakespeare's entire canon feature in essays which explore topics like glass, love, antitheatrical homophobia, size, narrative, sound, female same-sex desire and Petrarchism, weather, usury and sodomy, male femininity and male-to-female crossdressing, contagion, and antisocial procreation.…

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : New.

Paperback. Etat : New. Body has been one of the main preoccupations of current Renaissance historiography and current critical theory. Both the literary representation of the body and the construction of the material body in Renaissance anatomical and medical discourses have been used to explore the dynamics of early modern sexuality, gender, and society. Yet the influence of Ovid's texts on the construction of the Renaissance discourses of gender, sexuality, and subjectivity has not been fully explored. This collection of original essays uses contemporary theory to examine Renaissance writers' reworking of Ovid's texts in order to analyze the strategies in the construction of the early modern discourses of gender, sexuality, and writing. The volume is divided into three parts. Part I explores literary and dramatic allusions to Ovid in relation to early modern ideologies of subjectivity and anxieties about identification and desire. Part II illustrates the appropriation of Ovidian myths by poets and dramatists interested in the articulation of agency. Part III demonstrates how various points of intertextuality between Ovid and English Renaissance writers ranging from Marlowe to Milton contributed to early modern epistemologies and discourse of embodiment, spectatorship, and print culture.…