stephen king barbara kruger (24 résultats)

Hard Cover. Etat : vg. Etat de la jaquette : vg-. Barbara Kruger (illustrateur). Trade ed.; 13-3/9" tall; 100 pages; monochrome full-page ils; il in blue on front cover; some sunning to spine; red slipcase with white top & bottom & white lettering has some sunning along fore edge one side; 1" split bottom of slipcase; top of slipcase dusty. Hardcover.

Hardcover. Etat : As New. Barbara Kruger (illustrateur). 1st Edition. This is a fine, as new, folio size first trade edition in a near fine slipcase, red spine and red slipcase. Photos on request. MEDIA SHIPPING ONLY, extra for airmail or international shipping.

Hardcover. Etat : Sehr gut. Barbara Kruger (illustrateur). 1. Auflage. B : First Trade Edition. Not paginated. 13 5/8 x 9 1/4 inches - "My Pretty Pony" is a short story written by Stephen King and illustrated by the artist Barbara Kruger. It was the sixth publication in the Whitney Museum of American Art artist and writer series. Kruger's art often pairs appropriated black and white photographs with red bands of text carrying punchy, loaded phrases, such as "I shop therefore I am" or "Your body is a battleground." These provocative combinations of texts and images subvert commodity culture while simultaneously reveling in its attractive packaging.

Hardcover. Etat : Fine. No Jacket. illustrated by Barbara Kruger (illustrateur). 1st Edition. First Trade Edition, in a slipcase. Book as new, very good slipcase shows bit of wear on the bottom edge and at the top front corner. Bought new, looked at once, been on the bookshelf since! Very clean and attractive. Size: 14" x 91/4". Book.

Etat : Good. Barbara Kruger (illustrateur). This Stephen King book, My Pretty Pony, is a must-have for collectors of rare and unique books. It is the perfect addition to any bookshelf, whether for display or reading. With its intriguing storyline and captivating characters, this book will keep you engaged from beginning to end. It is a true gem for those who appreciate the art of literature and the beauty of language. Dont miss out on the opportunity to own this special piece.

Hardcover. Barbara Kruger (illustrateur). First Trade Edition, First Printing. Quarto, unpaginated. In Very Good condition. Housed in publisher's mildly worn red paper slip case. Bound in publisher's pictorial paper boards. Spine red with white lettering. Minor general shelf wear, primarily to corners of boards. Textblock clean. PO Consignment. Shelved Case 4. 1389624. Shelved Dupont Bookstore.

Barbara Kruger (illustrateur). First printing. First trade edition of this unusual 1980s collaboration between the master of horror and the acclaimed art provocateur. Combining King's short story about a grandfather and his grandson with Kruger's vivid images and design, one of the more unusual modern livres d'artiste. A nice example. 13'' x 9''. Original color pictorial boards designed by Kruger. In original printed slipcase. No jacket, as issued. [64] pages. Slipcase and book spine faintly toned. Touches of shelfwear to case. Else bright and sharp. Near fine in near fine slipcase.

Hardcover. Etat : Fine. Barbara Kruger (illustrateur). First Edition/First Printing. A square solid clean copy that seems unread. Slipcase has only a bare hint of rubbing wear else fine. If i remember correctly there were about 15000 trade editions released. THIS COPY IS IN MY POSSESSION AND NORMALLY SHIPS NEXT DAY. Book.

Hardcover. Etat : Very Good. Barbara Kruger (illustrateur). Very Good. book.

Hardcover. Etat : new. Barbara Kruger (illustrateur). Excellent Condition.Excels in customer satisfaction, prompt replies, and quality checks.

Hardcover. Barbara Kruger (illustrateur). First Trade Edition, First Printing. Quarto, Unpaginated. In Very Good minus condition and housed in publisher's Good plus slipcase. Spine red with white lettering. Cracking to front hinge, measuring about 6 inches. Bumping to corners. Interior pages clean. Cracking and tearing to edges of slipcase. Signed flat by Stephen King in rear. DL consignment. Shelved in Case 4. 1392176. Shelved Dupont Bookstore.

Hardcover. Etat : As New. No Jacket. dj: none. book: oversized as new hardback in as new slipcase.

Hardcover. Etat : Very Good. 1st Edition. folio. unpaginated. Illustrated by Barbara Kruger. boards (head of spine bumped with a split). slipcase (corners are bumped with splits and tears) First Trade Edition.

Hardcover. Etat : Fine condition. Barbara Kruger (illustrateur). First Trade Edition. First Trade Edition. Folio. Illustrated red, white, and blue paper over boards, in matching red and white paper slipcase. Short story by King, in which an elderly man reflects on the nature of time to his grandson, illustrated throughout by Kruger. Slipcase: Near fine with some separation at the bottom and top.

Hardcover. Etat : Near Fine. Limited Edition. One of 250 copies (+ 30 Author's copies) printed on Rives, signed by Kruger and King. Folio. Bound in red leather-backed aluminum boards, with an (expired) digital clock on the front panel. A King short story illustrated with nine lithographs, eight screenprints, and one lithograph with screenprint. Minor scuffing to the aluminum, else fine. Signed by Author(s).

Deluxe Edition. Large folio. One of only 250 copies, in addition to 30 authors' copies, SIGNED by both Kruger and King to colophon. For the sixth volume in the Whitney's collaborative Artists and Writers Series, Barbara Kruger illustrates a short story from Stephen King; a grandfatherly parable about the relativity of time. In addition to 8 bold silkscreen prints, in her characteristic textual style, Kruger supplies a series of color lithographs depicting fallen horses and their riders, with a sequence of fragmented captions that together read: "Time ain't got nothing to do with how fast you can count." Bound in iconic aluminum boards, with an (expired) digital clock embedded to front panel; the accompanying care sheet reads: "The clock, which is expected to last through 1990, is manufactured by Big Time at 5 Terminal Road, West Hempstead, New York. You may choose to replace the clock or not; its failure is to be considered a property of the book." Contents: 8 silkscreens and 10 lithographs, each interleaved with original tissue guards. Very minor scuffing to aluminum boards; close to fine.

Cloth. Etat : Near Fine. First Trade Edition. First Trade Edition. Not paginated. 13 5/8 x 9 1/4 inches. Publisher's illustrated paper covered boards, with minor spine sunning. Specially INSCRIBED by Stephen King "For Larry - Best wishes.and keep an eye on your pretty pony - Stephen King 7/17/90" on the front flyleaf inside the white portion of the lower "Y" of the "MY". In the issued slipcase. Slipcase has soiling plus it has significant sunning affecting about 1/3 of the slipcase, mostly at the head of the slipcase and foreedges, and a scratch on one side. With original purchase slip dated 1992 laid in. Cloth. First published in a metal slipcased limited edition by The Whitney Museum of American Art in 1988, this is the first trade edition. We offer here an example of the trade edition, issued in 15,000 copies by Knopf. According to the stephenkingcollector website the slipcase (as here) is very difficult to find in pristine condition. The inscription makes this a scarcity and worthwhile to collectors. Rare signed or inscribed.

Hardcover. Etat : Very Good. 1st Edition. folio. [ff. 32]. 9 colour lithographs, 8 silkscreens & 1 lithograph with screenprint. Uncut in original quarter red morocco, sheets of brushed aluminum mounted on sides, digital clock on upper cover. First Edition, Limited to 250 copies (+ 30 Author's copies) on Rives, signed by Kruger and King. This is the sixth of the Artists and Writers Series published by the Library Fellows of the Whitney Museum. The lithographs were printed by Maurice Sánchez at Derrière L'Étoile Studios, and the the silkscreens were printed by Pinwheel, New York. The text was set by hand in Century Schoolbook and printed at A.Colish under the supervision of Jerry Kelly. This artist's book combines King's short story about the perception and experience of time with Kruger's overlaid images of horses and riders. The images contain a small photograph of a hand holding a stopwatch punctuated by one or two words which together spell "Time ain't got nothing to do with how fast you can count". The brushed stainless steel cover of the book incorporates a digital clock to track the reader's own time but the battery has now run out. Signed by Author(s).

First Trade Issue. Quarto (35cm); pictorial paper-covered boards, with titling in white on spine; [n.p.]; illus. Spine-faded, with modest shelf-wear, 4" split to upper front joint, rubbing to spine ends and board edges, and bumped corners (affecting upper margins of text); Very Good. In publisher's slipcase, with shelf-soil and residue, tiny cracks and rubbing to edges, and splits to joints (the longest of which is 6" along lower edge); Very Good. First published as a deluxe, limited edition in the Artists and Writers series of fine press books, this trade issue includes reproductions of original lithographs, silkscreens, and typography. This short story was later included in King's Nightmares & Dreamscapes (1993), and explores a grandson and grandfather's relationship as they consider time. [84825].

Published by Knopf in Association with the Whitney Museum, 1989. Hardcover. Very good in good. New York; Knopf In Association With The Whitney Museum Of American Art, 1989. The first trade edition. Publisher's colour printed boards in matching slip-case. Very good copy. Corners of slip-case and book show fairly heavy wear. A rare book.

Etat : Fine. Signed Deluxe Limited Edition. Limited first edition, one of 250 unnumbered copies signed by both Stephen King and Barbara Kruger. Folio. Bound in publisher's red morocco-backed brushed stainless steel-covered boards with inset digital clock on front board; housed in the original buckram slipcase. Near Fine. Clock batteries are dead, as usual; some thumbprints to steel, minor spotting to case. A stunning production with 8 silkscreens and 10 lithographs. With two manilla enveloped from the Whitney Museum laid in, one postmarked March 14, 1989, with prospectus and other related ephemera. King's short fable about mortality and time juxtaposed by Barbara Kruger's Lichtenstein-esque color lithographs of wranglers and their fallen horses. Fragmented text silkscreens in her iconic Futura Oblique font boldly form the phrase, "Time ain't got nothing to do with how fast you can count." The sixth publication in the Whitney Museum of American Art artist and writer series; uncommon in the original slipcase. A beautiful copy of this lavish production. Brooks A38.1.

Couverture rigide. Etat : Comme neuf. Edition originale. Stainless steel cover, digital clock, nine lithographs, eight screenprints, and one lithograph with screenprint, created as a fundraiser for The Whitney Museum New York. Metal binding on book signed by Stephen King and Barbara Kruger. Edition of 250. Signé par l'illustrateur.

New York, Library Fellows of the Whitney Museum of American Art, Série Artistes et Ecrivains vol 6, 1988, 34 folios non numérotés (y compris les pages de garde), demi cuir rouge de l'éditeur, plats en acier brossé, horloge digitale incluse dans le premier plat, boîte de l'éditeur en toile grise avec pièce de titre au dos.Edition originale tirée en tout à 250 exemplaires sur Rives tous signés par l'auteur et l'illustrateur.L'illustration de Barbara Kruger comprend 9 lithographies et 8 sérigraphies réalisées d'après des images photographiques ; le texte est imprimé en typographie manuelle.Reliure réalisée par Booklab à Austin. (102906) Le livre conçu par Barbara Kruger fut produit par May Castelberry.La pendule numérique de la couverture égrène le temps au rythme de la vie du cheval qui parcourt les rue de New York et qui finit par mourir, comme la pendule finit par s'arrêter, à dessin, la pile vide ; l'impression en rouge et noir, la large trame des photographies accentue le contraste entre la vie et la mort, le temps et l'éternité.Castelman 216. Deborah Wye Thinking Print Moma 1996 p.22, reproduit.Sand in der Vaseline Walther König 2002, 4.42 p.123.

New York, Library Fellows of the Whitney Museum of American Art, 1988, 34 folios non numérotés (y compris les pages de garde), demi cuir rouge de l'éditeur, plats en acier brossé, horloge digitale incluse dans le premier plat.Edition originale tirée en tout à 250 exemplaires sur Rives tous signés par l'auteur et l'illustrateur. Conçu par Barbara Kruger et produit par May Castelberry. Impression en rouge et noir pour le texte et l'illustration de Barabara Kruger qui comprend 9 lithographies et 8 sérigraphies réalisées d'après des images photographiques.Reliure réalisée par Booklab à Austin.Riva Castelman, A Century of Artists Books, Moma 1994, p. 216 ; Deborah Wye, Thinking Print , New York Moma 1996 p.22 n°4(104119).