strunk william oliver (13 résultats)

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Etat : Nearly Very Good. Etat de la jaquette : Nearly Very Good. First Edition. xxii, 350 pages, facsimiles and music scores. Ex-library, very clean, dust wrapper in plastic cover.

Black Boards. Etat : Very Good. No Jacket. First Edition, First Printing. Occasional essays on the history of music (mainly eighteenth century and before), and musicology by a Princeton professor. The chapter headings are: Erich Hertzmann; The Historical Aspect of Musicology; Sources and Problems for Graduate Study in Musicology; Vergil in Music; On the Date of the Marchetto da Padova; Church Polyphony apropos of a New Fragment at Grottafera; The Music of the Old Hall Manuscript - A Postscript; The ORDINARIUM MISSAE in settings by Dufay and Power; Origins of the L'HOMME ARME Mass; Relative Sonority as a Factor in Style-Critical Analysis; A Cypriot in Venice; Gugliermo Gonzaga and Palestrina's MISSA DOMINICALIS; Some Motet-Types of the Sixteenth Century; Haydn; Haydn's DIVERTIMENTI FOR BARYTON, VIOLA, AND BASS; Notes on a Haydn Autograph; Early Music Publishing in the United States; and Verdiana in the Library of Congress. Eighteen papers, 200 pages, with figures, halftones, and two Appendixes; plus xxii pages Contents, Foreword (by Lewis Lockwood), and Preface; erratum slip laid in. ExLib: markings are limited to bar code and strike-out on lfEP, reference card glued to rfEP and stamp on rfEP, pencilled location number on title page, and stamp on upper text edge. Covers show slight wear at backstrap, otherwise sound; text is strong, but the upper edges of pages 27-38 have been somehow crimped.

Hardcover. Etat : Good. Etat de la jaquette : Good. Norton, 1998 edition of original 1950 publication. Light to moderate cover and jacket wear tiny damaged spot at bottom corner of rear cover. Binding firm, text unmarked. Previous owner's name on flyleaf.

Paperback. Etat : New. Print on Demand. This book is an intriguing collection of 18th-century music closely tied to the historic period of America's national origin. The author has meticulously selected pieces that not only reflect the musical landscape of the time but also provide a glimpse into the cultural and social context of George Washington's era. The book encompasses a wide range of musical genres, from patriotic marches to military songs, elegant minuets, and heartfelt ballads. Each piece is presented with historical commentary, offering insights into the significance and reception of the music during Washington's lifetime. Through this captivating musical journey, the book explores the complex relationship between music and nationhood, examining how music shaped and was shaped by the momentous events of the American Revolution. The author skillfully weaves together historical anecdotes and musical analysis, painting a vivid picture of the vibrant musical culture that flourished alongside the birth of a new nation. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.

Paperback. Etat : New. Print on Demand. This book provides an overview of the current state of musicology, the study of music history and scholarship, in the United States. In the past few decades, musicology has gained recognition as an independent field of study, and this book provides an analysis of the methods and aims of musicological research and investigation. This survey of university instruction in musicology indicates that, while many universities offer introductory courses in musical history, relatively few provide advanced instruction that would prepare students for graduate work in the field. The book also examines the practice of granting advanced degrees for work in musicology, and finds inconsistencies in the requirements for these degrees. The author concludes that, while there has been progress in the recognition of musicology as a field of study, there is still a need for more uniform standards and greater support for graduate work in the field. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.

23 S. Blaupause vom Autograph. Hln. Einband etwas berieben und bestoßen. Erstausgabe. - Komposition des später berühmten Musikwissenschaftlers Oliver Strunk. - Unikat (kein Werk von Strunk in Worldcat nachweisbar).

LeatherBound. Etat : New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1931 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 82 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 82 Strunk, William Oliver,Engel, Carl.

LeatherBound. Etat : New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1932 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 90 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 90.

Gebunden. Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. &Uumlber den Autorwers /f Harold unk /f William /i OliverKlappentextrnrn?The overall quality of these essays [subdivided under the headings Music History Words and Music in Christian Liturgy Sources, Problems.