Suner suna (28 résultats)

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Etat : New. Brand new book, sourced directly from publisher. Dispatch time is 9-10 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Hardcover. Etat : Brand New. 300 pages. 7.17x1.26x9.72 inches. In Stock.

Buch. Etat : Neu. Neuware -On 29 November 1807, on the eve before Napoleon's army occupied Lisbon,the Portuguese court set sail for Brazil. Rio de Janeiro became the newcapital of the Império Português, which led to profound social and culturaltransformations in the city and a redefinition of the colony's political framework.Five months before the premiere of Da Ponte's and Mozart's Don Giovannion 20 September 1821, King John VI returned to Lisbon, appointing his sonPedro as Prince Regent. Pedro remained in Brazil with his wife, Leopoldina, thedaughter of Emperor Francis I. Little more than a year later, on 2 September1822, under the presidency of Pedro's wife Leopoldina, the Council of Stateapproved Brazil's secession from Portugal, paving the way for independenceand the rise of a new empire.Against this historical background, this volume traces the development ofopera in Brazil from the mid-eighteenth century to the reign of Emperor Pedro I,situating it within its wider cultural and political context. The analysis of the1821 Rio premiere of Don Giovanni is complemented by examinations of thework's subsequent American debuts in Buenos Aires (1827) and Mexico City (1828). 444 pp. Englisch.…

Buch. Etat : Neu. Neuware -On 29 November 1807, on the eve before Napoleon's army occupied Lisbon,the Portuguese court set sail for Brazil. Rio de Janeiro became the newcapital of the Império Português, which led to profound social and culturaltransformations in the city and a redefinition of the colony's political framework.Five months before the premiere of Da Ponte's and Mozart's Don Giovannion 20 September 1821, King John VI returned to Lisbon, appointing his sonPedro as Prince Regent. Pedro remained in Brazil with his wife, Leopoldina, thedaughter of Emperor Francis I. Little more than a year later, on 2 September1822, under the presidency of Pedro's wife Leopoldina, the Council of Stateapproved Brazil's secession from Portugal, paving the way for independenceand the rise of a new empire.Against this historical background, this volume traces the development ofopera in Brazil from the mid-eighteenth century to the reign of Emperor Pedro I,situating it within its wider cultural and political context. The analysis of the1821 Rio premiere of Don Giovanni is complemented by examinations of thework's subsequent American debuts in Buenos Aires (1827) and Mexico City (1828). 444 pp. Englisch.…

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : New.

Buch. Etat : Neu. Neuware -On 29 November 1807, on the eve before Napoleon's army occupied Lisbon,the Portuguese court set sail for Brazil. Rio de Janeiro became the newcapital of the Império Português, which led to profound social and culturaltransformations in the city and a redefinition of the colony's political framework.Five months before the premiere of Da Ponte's and Mozart's Don Giovannion 20 September 1821, King John VI returned to Lisbon, appointing his sonPedro as Prince Regent. Pedro remained in Brazil with his wife, Leopoldina, thedaughter of Emperor Francis I. Little more than a year later, on 2 September1822, under the presidency of Pedro's wife Leopoldina, the Council of Stateapproved Brazil's secession from Portugal, paving the way for independenceand the rise of a new empire.Against this historical background, this volume traces the development ofopera in Brazil from the mid-eighteenth century to the reign of Emperor Pedro I,situating it within its wider cultural and political context. The analysis of the1821 Rio premiere of Don Giovanni is complemented by examinations of thework's subsequent American debuts in Buenos Aires (1827) and Mexico City (1828).…

hardcover. Etat : New. Brand new book, sourced directly from publisher. Dispatch time is 9-10 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Etat : As New. Unread book in perfect condition.

Etat : New.

Buch. Etat : Neu. Neuware - On 29 November 1807, on the eve before Napoleon's army occupied Lisbon,the Portuguese court set sail for Brazil. Rio de Janeiro became the newcapital of the Império Português, which led to profound social and culturaltransformations in the city and a redefinition of the colony's political framework.Five months before the premiere of Da Ponte's and Mozart's Don Giovannion 20 September 1821, King John VI returned to Lisbon, appointing his sonPedro as Prince Regent. Pedro remained in Brazil with his wife, Leopoldina, thedaughter of Emperor Francis I. Little more than a year later, on 2 September1822, under the presidency of Pedro's wife Leopoldina, the Council of Stateapproved Brazil's secession from Portugal, paving the way for independenceand the rise of a new empire.Against this historical background, this volume traces the development ofopera in Brazil from the mid-eighteenth century to the reign of Emperor Pedro I,situating it within its wider cultural and political context. The analysis of the1821 Rio premiere of Don Giovanni is complemented by examinations of thework's subsequent American debuts in Buenos Aires (1827) and Mexico City (1828).…

Etat : As New. Unread book in perfect condition.

Buch. Etat : Neu. Neuware -Diplomacy is a performance. The stage is set on the streets and palaces that centre upon the spaces of political power. As this volume explores, diplomacy as 'spectacle' is no mere metaphor for political interaction, but an elevation of how it was practiced as performance.No other activity in the early modern world yielded to such an intensive flow of cultural exchange, artistic endeavour to be patronised, orexpense to be lavished on the aggrandisement of events, entertainments, and festivities. Indeed, these efforts were orchestrated: theambassadors were both impresarii and lead actors. Understanding the ambassador as a cultural mediator is the recognition of the power of diplomatic activity to transform culture through the process of mediation, and more, the appreciation of the sphere of diplomatic mediation as a most fertile ground for cultural invention. 731 pp. Englisch.…

Buch. Etat : Neu. Neuware -Diplomacy is a performance. The stage is set on the streets and palaces that centre upon the spaces of political power. As this volume explores, diplomacy as 'spectacle' is no mere metaphor for political interaction, but an elevation of how it was practiced as performance.No other activity in the early modern world yielded to such an intensive flow of cultural exchange, artistic endeavour to be patronised, orexpense to be lavished on the aggrandisement of events, entertainments, and festivities. Indeed, these efforts were orchestrated: theambassadors were both impresarii and lead actors. Understanding the ambassador as a cultural mediator is the recognition of the power of diplomatic activity to transform culture through the process of mediation, and more, the appreciation of the sphere of diplomatic mediation as a most fertile ground for cultural invention. 731 pp. Englisch.…

Hardcover. Etat : Brand New. 9.65x6.97x1.46 inches. In Stock.

Buch. Etat : Neu. Neuware -Diplomacy is a performance. The stage is set on the streets and palaces that centre upon the spaces of political power. As this volume explores, diplomacy as 'spectacle' is no mere metaphor for political interaction, but an elevation of how it was practiced as performance.No other activity in the early modern world yielded to such an intensive flow of cultural exchange, artistic endeavour to be patronised, orexpense to be lavished on the aggrandisement of events, entertainments, and festivities. Indeed, these efforts were orchestrated: theambassadors were both impresarii and lead actors. Understanding the ambassador as a cultural mediator is the recognition of the power of diplomatic activity to transform culture through the process of mediation, and more, the appreciation of the sphere of diplomatic mediation as a most fertile ground for cultural invention.…

Etat : New.

Hardcover. Etat : Brand New. 712 pages. 6.85x1.89x9.69 inches. In Stock.

Buch. Etat : Neu. Neuware - This anthology features the proceedings of Don Juan Archiv Wien's symposium organized in March 2016 in cooperation with the University of Vienna and STVDIVM FÆSVLANVM. It introduces contributions which focus on and investigate 'gender', a lesser studied aspect in studies of diplomatic history. The term 'gender' quintessentially is associated with and suggests at first hand 'the female'; acknowledging this, the volume endeavours to provide a balance of both genders, and does so by looking at the cult urally relevant aspects of the male gender as well as considering both genders in their interwoven network of relationships; that is in marital, cultural, diplomatic contexts. The volume features thefollowing chapters: Women as Diplomatic Actors, Diplomacy of Queens, The Birth of the Ambassadress, Stages for Male Diplomacy.…

Gebunden. Etat : New.

Buch. Etat : Neu. Neuware -On 29 November 1807, on the eve before Napoleon's army occupied Lisbon,the Portuguese court set sail for Brazil. Rio de Janeiro became the newcapital of the Império Português, which led to profound social and culturaltransformations in the city and a redefinition of the colony's political framework.Five months before the premiere of Da Ponte's and Mozart's Don Giovannion 20 September 1821, King John VI returned to Lisbon, appointing his sonPedro as Prince Regent. Pedro remained in Brazil with his wife, Leopoldina, thedaughter of Emperor Francis I. Little more than a year later, on 2 September1822, under the presidency of Pedro's wife Leopoldina, the Council of Stateapproved Brazil's secession from Portugal, paving the way for independenceand the rise of a new empire.Against this historical background, this volume traces the development ofopera in Brazil from the mid-eighteenth century to the reign of Emperor Pedro I,situating it within its wider cultural and political context. The analysis of the1821 Rio premiere of Don Giovanni is complemented by examinations of thework's subsequent American debuts in Buenos Aires (1827) and Mexico City (1828).Hollitzer Wissenschaftsverlag, Trautsongasse 6/6, 1080 Wien 444 pp. Englisch.…

Buch. Etat : Neu. Neuware - Diplomacy is a performance. The stage is set on the streets and palaces that centre upon the spaces of political power. As this volume explores, diplomacy as 'spectacle' is no mere metaphor for political interaction, but an elevation of how it was practiced as performance.No other activity in the early modern world yielded to such an intensive flow of cultural exchange, artistic endeavour to be patronised, orexpense to be lavished on the aggrandisement of events, entertainments, and festivities. Indeed, these efforts were orchestrated: theambassadors were both impresarii and lead actors. Understanding the ambassador as a cultural mediator is the recognition of the power of diplomatic activity to transform culture through the process of mediation, and more, the appreciation of the sphere of diplomatic mediation as a most fertile ground for cultural invention.…

Buch. Etat : Neu. Don Giovanni in Rio De Janeiro | The Opera's First Performance Beyond Europe (1821) and Its Cultural-Political Context | Reinhard Eisendle (u. a.) | Buch | 444 S. | Englisch | 2026 | Hollitzer Wissenschaftsv. | EAN 9783990942611 | Verantwortliche Person für die EU: Hollitzer Wissenschaftsverlag, Trautsongasse 6/6, 1080 WIEN, ÖSTERREICH, kontakt[at]hollitzer[dot]at | Anbieter: preigu.…

Etat : New.

Buch. Etat : Neu. Neuware -Diplomacy is a performance. The stage is set on the streets and palaces that centre upon the spaces of political power. As this volume explores, diplomacy as 'spectacle' is no mere metaphor for political interaction, but an elevation of how it was practiced as performance.No other activity in the early modern world yielded to such an intensive flow of cultural exchange, artistic endeavour to be patronised, orexpense to be lavished on the aggrandisement of events, entertainments, and festivities. Indeed, these efforts were orchestrated: theambassadors were both impresarii and lead actors. Understanding the ambassador as a cultural mediator is the recognition of the power of diplomatic activity to transform culture through the process of mediation, and more, the appreciation of the sphere of diplomatic mediation as a most fertile ground for cultural invention.Hollitzer Wissenschaftsv., Stadiongasse 6-8, 1010 Wien 731 pp. Englisch.…

Buch. Etat : Neu. Performing Diplomacy in the Early Modern World | Roberta Anderson (u. a.) | Buch | XXXVII | Englisch | 2025 | Hollitzer Wissenschaftsv. | EAN 9783990941454 | Verantwortliche Person für die EU: Hollitzer Wissenschaftsverlag, Trautsongasse 6/6, 1080 WIEN, ÖSTERREICH, kontakt[at]hollitzer[dot]at | Anbieter: preigu. …