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Softcover. Etat : Bon. Ancien livre de bibliothèque. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.
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Edité par SCM Collection im SCM-Verlag, Witten 2012, 2012
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Ajouter au panier142 Seiten, gebunden, neuwertig, ISBN 978-3-7893-9583-3.
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Ajouter au panierTaschenbuch. Etat : Neu. Druck auf Anfrage Neuware - Printed after ordering - Bachelor Thesis from the year 2013 in the subject History of Europe - Modern Times, Absolutism, Industrialization, grade: 1,0, Friedrich-Alexander University Erlangen-Nuremberg, language: English, abstract: The aim of this paper is to outline the complexity of the representations of the 'fallen woman.' All representations involved the fear of deviancy and the attempt to preserve the social and moral order. However, the strategies to deal with the 'problem' called 'fallen woman' were divergent.This paper is structured along modern forms of thinking. In Victorian times the differentiation of the religious, medical, judicial and literary fields was not as clear-cut as it is today. For this reason, the primary texts selected for the distinctive chapters might appear to belong to several discourses, not just the one assigned to them. It will become evident that the discourses on the 'fallen woman' reveal similar representations as well as contradictory ones. Even though the structure proposes the separation of the representations as victim and as threat, there are overlaps and the distinctions are not as definite as the outline suggests. In order to demonstrate basic ideas about the 'fallen woman,' there will be a strong focus on the female prostitute. Many aspects of the discourse on the 'fallen woman' become clear when looking at the topic of prostitution, which was thematized in Victorian culture and politics. Moreover, the term 'stereotype' will play a major role in this analysis.
Edité par GRIN Verlag, GRIN Verlag Jan 2021, 2021
ISBN 10 : 3346253325 ISBN 13 : 9783346253323
Langue: anglais
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Ajouter au panierTaschenbuch. Etat : Neu. Neuware -Bachelor Thesis from the year 2013 in the subject History of Europe - Modern Times, Absolutism, Industrialization, grade: 1,0, Friedrich-Alexander University Erlangen-Nuremberg, language: English, abstract: The aim of this paper is to outline the complexity of the representations of the ¿fallen woman.¿ All representations involved the fear of deviancy and the attempt to preserve the social and moral order. However, the strategies to deal with the ¿problem¿ called ¿fallen woman¿ were divergent. This paper is structured along modern forms of thinking. In Victorian times the differentiation of the religious, medical, judicial and literary fields was not as clear-cut as it is today. For this reason, the primary texts selected for the distinctive chapters might appear to belong to several discourses, not just the one assigned to them. It will become evident that the discourses on the ¿fallen woman¿ reveal similar representations as well as contradictory ones. Even though the structure proposes the separation of the representations as victim and as threat, there are overlaps and the distinctions are not as definite as the outline suggests. In order to demonstrate basic ideas about the ¿fallen woman,¿ there will be a strong focus on the female prostitute. Many aspects of the discourse on the ¿fallen woman¿ become clear when looking at the topic of prostitution, which was thematized in Victorian culture and politics. Moreover, the term ¿stereotype¿ will play a major role in this analysis. 52 pp. Englisch.
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Ajouter au panierTaschenbuch. Etat : Neu. Druck auf Anfrage Neuware - Printed after ordering - Master's Thesis from the year 2016 in the subject Literature - Modern Literature, grade: 1,0, Friedrich-Alexander University Erlangen-Nuremberg, language: English, abstract: This paper is an analysis of Huxley's representation of evilness by the example of Maurice Spandrell, a character in his novel 'Point Counter Point'. Huxley constructed Spandrell as the incarnation of evilness according to the understanding of evilness as an ¿unsubstantial¿ category. Here, ¿good¿ and ¿evil¿ are intertwined as he is represented as a paradoxical figure, namely both as a perpetrator and as a victim. The dialectics in Spandrell¿s characterisation are exemplary for the dialectics present in 'Point Counter Point' and in modernism in general. Talking a closer look, 'Point Counter Point' reveals Huxley¿s belief in a deeper ¿truth¿ that remains mysterious in its contingent existence of absence and presence. In connection with Huxley¿s understanding of ¿God¿, which he lays down mainly in his book The Perennial Philosophy (1945), Huxley¿s representation of evilness alias Spandrell is going to be analysed in this paper.8 There are other characters in Point Counter Point concerned with the question of God, for example, Marjorie Carling.9 However, the focus will be on Spandrell as the contemplations about good and evil concentrate around his character. Spandrell constantly tries to explain God¿s absence and make his presence felt but he is disappointed again and again. In this way, he embodies the focal point of the ¿problem of evil¿ in Point Counter Point. The root of evil, in Spandrell¿s case, can be found in his ¿individual¿ psychology. With the help of Spandrell, Huxley reflects on the origin of evil, in particular, on how evilness can develop in a person¿s life.
Edité par GRIN Verlag, GRIN Verlag Jan 2021, 2021
ISBN 10 : 3346253309 ISBN 13 : 9783346253309
Langue: anglais
Vendeur : buchversandmimpf2000, Emtmannsberg, BAYE, Allemagne
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Ajouter au panierTaschenbuch. Etat : Neu. Neuware -Master's Thesis from the year 2016 in the subject Literature - Modern Literature, grade: 1,0, Friedrich-Alexander University Erlangen-Nuremberg, language: English, abstract: This paper is an analysis of Huxley's representation of evilness by the example of Maurice Spandrell, a character in his novel 'Point Counter Point'. Huxley constructed Spandrell as the incarnation of evilness according to the understanding of evilness as an ¿unsubstantial¿ category. Here, ¿good¿ and ¿evil¿ are intertwined as he is represented as a paradoxical figure, namely both as a perpetrator and as a victim. The dialectics in Spandrell¿s characterisation are exemplary for the dialectics present in 'Point Counter Point' and in modernism in general. Talking a closer look, 'Point Counter Point' reveals Huxley¿s belief in a deeper ¿truth¿ that remains mysterious in its contingent existence of absence and presence. In connection with Huxley¿s understanding of ¿God¿, which he lays down mainly in his book The Perennial Philosophy (1945), Huxley¿s representation of evilness alias Spandrell is going to be analysed in this paper.8 There are other characters in Point Counter Point concerned with the question of God, for example, Marjorie Carling.9 However, the focus will be on Spandrell as the contemplations about good and evil concentrate around his character. Spandrell constantly tries to explain God¿s absence and make his presence felt but he is disappointed again and again. In this way, he embodies the focal point of the ¿problem of evil¿ in Point Counter Point. The root of evil, in Spandrell¿s case, can be found in his ¿individual¿ psychology. With the help of Spandrell, Huxley reflects on the origin of evil, in particular, on how evilness can develop in a person¿s life. 76 pp. Englisch.
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Ajouter au panierPaperback. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 0.68.
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Ajouter au panierTaschenbuch. Etat : Neu. The fallen woman. Representations in dominant victorian discourses | An analysis with focus on the female prostitute | Tabea Halbmeyer | Taschenbuch | Englisch | 2021 | GRIN Verlag | EAN 9783346253323 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu.
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Ajouter au panierTaschenbuch. Etat : Neu. Maurice Spandrell and the 'Problem of Evil' in "Point Counter Point" (1928) by Aldous Huxley | An analysis | Tabea Halbmeyer | Taschenbuch | Englisch | 2021 | GRIN Verlag | EAN 9783346253309 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu.
Vendeur : BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Allemagne
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Ajouter au panierTaschenbuch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Bachelor Thesis from the year 2013 in the subject History of Europe - Modern Times, Absolutism, Industrialization, grade: 1,0, Friedrich-Alexander University Erlangen-Nuremberg, language: English, abstract: The aim of this paper is to outline the complexity of the representations of the 'fallen woman.' All representations involved the fear of deviancy and the attempt to preserve the social and moral order. However, the strategies to deal with the 'problem' called 'fallen woman' were divergent.This paper is structured along modern forms of thinking. In Victorian times the differentiation of the religious, medical, judicial and literary fields was not as clear-cut as it is today. For this reason, the primary texts selected for the distinctive chapters might appear to belong to several discourses, not just the one assigned to them. It will become evident that the discourses on the 'fallen woman' reveal similar representations as well as contradictory ones. Even though the structure proposes the separation of the representations as victim and as threat, there are overlaps and the distinctions are not as definite as the outline suggests. In order to demonstrate basic ideas about the 'fallen woman,' there will be a strong focus on the female prostitute. Many aspects of the discourse on the 'fallen woman' become clear when looking at the topic of prostitution, which was thematized in Victorian culture and politics. Moreover, the term 'stereotype' will play a major role in this analysis. 52 pp. Englisch.
Vendeur : BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Allemagne
EUR 42,95
Autre deviseQuantité disponible : 2 disponible(s)
Ajouter au panierTaschenbuch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Master's Thesis from the year 2016 in the subject Literature - Modern Literature, grade: 1,0, Friedrich-Alexander University Erlangen-Nuremberg, language: English, abstract: This paper is an analysis of Huxley's representation of evilness by the example of Maurice Spandrell, a character in his novel 'Point Counter Point'. Huxley constructed Spandrell as the incarnation of evilness according to the understanding of evilness as an ¿unsubstantial¿ category. Here, ¿good¿ and ¿evil¿ are intertwined as he is represented as a paradoxical figure, namely both as a perpetrator and as a victim. The dialectics in Spandrell¿s characterisation are exemplary for the dialectics present in 'Point Counter Point' and in modernism in general. Talking a closer look, 'Point Counter Point' reveals Huxley¿s belief in a deeper ¿truth¿ that remains mysterious in its contingent existence of absence and presence. In connection with Huxley¿s understanding of ¿God¿, which he lays down mainly in his book The Perennial Philosophy (1945), Huxley¿s representation of evilness alias Spandrell is going to be analysed in this paper.8 There are other characters in Point Counter Point concerned with the question of God, for example, Marjorie Carling.9 However, the focus will be on Spandrell as the contemplations about good and evil concentrate around his character. Spandrell constantly tries to explain God¿s absence and make his presence felt but he is disappointed again and again. In this way, he embodies the focal point of the ¿problem of evil¿ in Point Counter Point. The root of evil, in Spandrell¿s case, can be found in his ¿individual¿ psychology. With the help of Spandrell, Huxley reflects on the origin of evil, in particular, on how evilness can develop in a person¿s life. 76 pp. Englisch.