tao chi fong wen (21 résultats)

Etat : Very Good. Very Good condition. Slipcase Good. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Etat : Good. deluxe slip case. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Etat : Good. deluxe slip case. Used book that is in clean, average condition without any missing pages.

Hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardcover. Etat : Good.

Etat : Good. Good condition. No Dust Jacket A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

hardcover. Etat : Very Good. Clean pages intact NO SLIPCASE, Fast shipping with tracking number.

Hardcover. First edition, 1973, first printing. Near Fine scarlet clothbound hardcover with gilt titling to the spine and a paper label mounted to the front with only tanning to the spine in the publisher's Very Good minus illustrated paper-covered slipcase with light soiling and tanning and rubbing to the extremities; no dj as issued. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. A collection of twelve works painted by Tao-Chi between 1697 and 1700, drawn from the Arthur M. Sackler Collection in the Metropolitan Museum of Art. Introduction, commentary, and translations by Marilyn Fu and Wen Fong. Unpaginated [48 pages]; 12 full-page color plates; 10.25 x 14 inches. Notes, bibliography.

Hardcover. Etat : Very Good. New York 1976. Gold dust jacket with red spine titles and illustration; brown boards with gold spine titles; minimal discoloration on edges; minimal wear on edges of dust jacket; 8vo, 7 3/4" to 9 3/4" tall; no jacket; note from previous owner on flyleaf, otherwise interior is clean and unmarked. 91 pages.

Hardcover. Etat : Near Fine. 1st Edition. Slight fading to spine, else hardcover in fine condition. Slipcase lightly worn. First edition, first printing (stated).

Etat : Very Good. Location:998 in a worn slip case 998.

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. Tao-Chi (illustrateur). 1st Edition. Brown hardcover binding clean,square and tight- no writing, tears or marks - interior clean and crisp. Dustjacket has minimal shelfwear, small tear top of front of jacket - protected from further damage in clean Brodart. 91 pages with notes. Tao-chi - 17th century poet, painter, and scholar - was born into a branch of the imperial family at the close of the Ming Dynasty in China. His father attempted to seize the royal throne when Tao-chi was 3 but was executed - Tao-chi was rescued by a member of the household who fled with him to a city in the north. The young Tao-chi found refuge in the Buddhist priesthood. This book reproduces an album of 24 small leaves executed by Tao-chi in 1695 at a time of great personal turmoil. EAch painting is accompanied by a page of poetic comment. Size: 8vo - over 7¾ - 9¾" tall 1st Printing Language: ENG.

Hard Cover. Etat : Fine. First Edition. First Printing (stated) in gilt-stamped full brown cloth with panel inset illustration, in slightly rubbed as new printed slipcase, no markings, a pristine unread copy; sm 8vo; 91pp illus.

Hardcover. Etat : Very Good. Etat de la jaquette : Good. First Edition. Dust jacket in good condition. First edition. Minor shelf and handling wear, overall a clean solid copy with minimal signs of use. Secure packaging for safe delivery. 0.84.

Hardcover. Etat : Very Good. First Edition; First Printing. Spine very lightly faded, small fade spot to paste-down on front cover; in slipcase that has some mild scuffing and light fading to spine; 91 pages.

Hard Cover with Slipcase. Etat : Fine. No Jacket. First Edition First Printing. Brown cloth hardcover with gilt lettering on spine; title label on front; 91 pages; illustrated; first printing stated. Book in fine condition with only very very slight fading to spine, otherwise like new. Slipcase is very good plus with slight scuffing. Size: 8vo - over 7¾ - 9¾" tall. Book.

Hardcover. Etat : Very Good+. Etat de la jaquette : Near Very Good. 1st Edition. First edition, hardcover, slight lean, a touch of soiling to page edges, a touch of edgewear, otherwise clean and tight, a Very Good + copy in a Near Very Good dustjacket that is somewhat rubbed and lightly soiled, price sticker to front endflap, bumps to spine ends and corners, a few tiny closed tears to lightly worn edges.

Hardcover. Etat : Near Fine. Etat de la jaquette : Near Fine. 1st Edition. 1stedn, First Printing Stated.; 8vo brown cloth, gilt titles to spine, chinese calligraphic pastedown title  to cover, no dj in slipcover, Clean, crisp; UNREAD AND GIFTWORTHY: NF/nf slipcover: 91pp. Illustrated. Introduction and commentaries by Fong. Covers poems, paintings, with copious footnotes. Shitao or Shi Tao (1642 1707) is one of the most famous individualist painters of the early Qing dynasty, transgressing the rigidly codified techniques and styles that dictated what was considered beautiful. He was born into the Ming dynasty imperial clan as Zhu Ruoji, but assumed the name Yuanji Shitao no later than 1651 when he became a Buddhist monk. He used over two dozen courtesy names during his life. Among the most commonly used names were Shitao (Stone Wave), Daoji (Saved by the Way = Tao-chi), Kugua Heshang (Bitter Gourd Monk), Xia Zunzhe (Honorable Blind One), Dadizi (The Cleansed One), etc, etc. As a Buddhist convert, he was also known with the monastic name Yuan Ji (Origin of Salvation). Da Dizi was the name taken when he renounced Buddhism and turned to Daoism. It was also the name he used for his home in Yangzhou.

hardcover. Etat : New. In shrink wrap. Looks like an interesting title!

Etat : Very Good. First edition. Hardback. About fine in worn and marked slipcase with small missing piece from bottom edge.

Couverture rigide. Etat : Très bon. In-folio, pleine toile ornée d'une vignette contrecollée, étui illustré. Quelques tout petits frottements à l'étui, pour le reste en belle condition. 12 reproductions couleurs à pleine page.