text editor davidson (6 résultats)

PAPERBACK. Etat : Good. B001LOVO1I Light cover wear. Corner wear. No highlighting. No underlining. Feminist Press edition. UCLA stamp on page edges.

StapleBound. Etat : Very Good. B & W Photos, Text Figures, Color Cover Illustration (illustrateur). Vol. 46, No. 2, Spring 1988. Copyright Date: 1988 Octavo, Stapled Booklet, Color Photo Illustrated, PB, Spring 1988, PP.57-112, Octavo, Stapled Booklet, Color Photo Illustrated, PB.

StapleBound. Etat : Very Good. B & W Photos, Text Figures, Color Cover Illustration (illustrateur). Vol. 46, No. 3, Summer 1988. Copyright Date: 1988 Octavo, Stapled Booklet, Color Photo Illustrated, PB, Summer 1988, PP.113-168, Octavo, Stapled Booklet, Color Photo Illustrated, PB.

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. Hugh O'Donnell (Jacket Illustration); Amy C. King (Jacket Design); Con Purdue (Author Photo); Elizabeth Meryman-Brunner (Art Research); Stanley S. Drate/Folio Graphics Co., Inc. (Text Design) (illustrateur). 1st Edition: October 1996/1st Printing. 361 pp. Over-sized and/or over weight book; extra postage required. Please note that large and/or heavy items may incur an additional shipping charge. Stated first edition and first printing! Solidly bound copy and dust jacket with minimal external wear, crisp pages and clean text. Dust jacket slightly creased along spine.

First edition. 11.75 x 9 inches. 328 pages. Profusely illustrated in color. Original pictorial boards; cloth spine. "This volume presents the astonishing collection in full, offering a concentrated survey of works by such modern masters as Braque, Cézanne, Degas, Gauguin, Manet, Picasso, Pissarro and Van Gogh, among others. Throughout, artworks are given rich context and detail with historical installation views and high-tech conservation images. Short essays on collection highlights by current and former Guggenheim curators and conservators illuminate the artists' stylistic innovations as they sought to liberate art from academic genres and techniques. The book also features extensive technical analyses, offering rare insight into the artists' materials and processes based on the latest advances in conservation technology. A lead essay by Megan Fontanella recounts the genesis of Thannhauser's collection and its eventual transfer to the Guggenheim Museum. Tracing his ambitious career as gallerist and collector in Europe during the interwar years and into the calamity of World War II, she explores how Thannhauser's lifelong support for experimental art and eye for original talent helped define the modernist vanguard of 20th-century art" (the publisher). New in shrinkwrap.

Hardcover. Etat : Near Fine. Black cloth blind stamped with heiroglyphics. Tan endpapers. Large book - folio size - is tight, square, sharp-cornered and free of major flaws or markings inside and out, other than some minor soiling to exterior boards. With the original black slipcase, featuring a color photograph affixed to front of the pyramids at sunrise. Some rubbing and shelfwear to edges of slipcase but it's tight and solid.