Type d'article
Etat
Reliure
Particularités
Pays
Evaluation du vendeur
Edité par PARKSTONE INTER, 2009
ISBN 10 : 184484613XISBN 13 : 9781844846139
Vendeur : medimops, Berlin, Allemagne
Livre
Redouté, Pierre-Joseph (illustrateur). Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.
Edité par Hachette Livre Bnf, 2019
ISBN 10 : 2329310374ISBN 13 : 9782329310374
Vendeur : Book Deals, Tucson, AZ, Etats-Unis
Livre
Etat : Very Good. Very Good condition. Shows only minor signs of wear, and very minimal markings inside (if any).
Plus de choix d'achat de la part d'autres vendeurs sur AbeBooks
Offres neuf à partir de EUR 21,09
Offres d'occasion à partir de EUR 20,57
Trouvez également Couverture souple
Edité par Hachette Livre Bnf, 2019
ISBN 10 : 2329310382ISBN 13 : 9782329310381
Vendeur : Books Unplugged, Amherst, NY, Etats-Unis
Livre
Etat : Good. Buy with confidence! Book is in good condition with minor wear to the pages, binding, and minor marks within.
Plus de choix d'achat de la part d'autres vendeurs sur AbeBooks
Offres neuf à partir de EUR 26,32
Offres d'occasion à partir de EUR 25,56
Trouvez également Couverture souple
Edité par Hachette Livre Bnf, 2019
ISBN 10 : 2329310390ISBN 13 : 9782329310398
Vendeur : Lucky's Textbooks, Dallas, TX, Etats-Unis
Livre
Etat : New.
Plus de choix d'achat de la part d'autres vendeurs sur AbeBooks
Offres neuf à partir de EUR 27,53
Edité par Paris: Firmin Didot (Oakland: Octavo) 1817-1824; 2002, 1817
Vendeur : Philip Smith, Bookseller, Berkeley, CA, Etats-Unis
Edition originale
Other Binding. Etat : New. 1st edition. New digital facsimile (in electronic PDF format on CD-ROM disc) of a deluxe copy (signed by Redoute) of the first edition of the most beautiful botanical book of all time, from the Lessing J. Rosenwald Collection at the Library of Congress. This Octavo Edition contains detailed digital images of the entire book and French text (may be magnified at up to 200% of original folio size) as well as the first-ever complete English translation and an introduction by Sandra Raphael. This Octavo Edition reproduces Redoute's magnificent plates with greater fidelity and accuracy than ever before. Not Signed.
Edité par Antwerp, De Schutter. 1975., 1975
Vendeur : Antiquariaat Ovidius, Bredevoort, Pays-Bas
Etat : Gebraucht / Used.
Edité par Pierre Dufart, Paris, 1820
Vendeur : Cole & Contreras / Sylvan Cole Gallery, Sitges, BCN, Espagne
Edition originale Signé
A SPECTACULAR COPY OF THE FIRST AND ONLY EDITION, WITH TWO COLOR ENGRAVINGS AFTER REDOUTÉ, IN A SIGNED BINDING BY SIMIER, THE ROYAL BINDER. 190 pp + folding table + 2 color plates. The first publication related to Redouté and Thory's magnificent "Roses" project (of which it is a sample), this is a critical catalogue of every known type of rose. Printed on fine laid paper with the plates on fine, thick wove paper. 12mo. Beautilly bound in full calf by René Simier (signed). Spine and covers elegantly gilt. All edges gilt. Tiny traces of wear to binding, and title-page a bit foxed, else FINE AND BRIGHT, inside and out. Overall an outstanding copy of a very rare and important book.
Vendeur : Librairie L'Abac / Gimmic SRL, Bruxelles, Belgique
Membre d'association : ILAB
Livre
Antwerp, de Schutter, 1974 - 1978. Fac-similé de l'édition Firmin Didot de 1817 - 1824. 4 volumes très grand in-folio, 55 x 36 cm, 156, 122, 125 et 386 pp. Relié demi-chagrin noir à coins, dos lisse, titre doré en long. Quelques très légères traces de frottements sinon très bel exemplaire. Fac-similé de l'édition originale illustrée du portrait de Redoute, d'une couronne florale en guise de frontispice et de 169 gravures en couleurs gravées d'après Redouté. Monument de la littérature botanique, tant sur le plan artistique que scientifique et documentaire, donnant des spécimens anciens dont plusieurs ont disparu entre-temps. Texte et classification dans leur ordre naturel par Thory. Pour cette édition, il a été ajouté un volume de "Commentaires" en français et en anglais par Gisèle de La Roche et Gordon D. Rowley. Tirage limité à 510 ex. num. Un des 500 ex. sur papier chiffon de Lana. Livres.
Vendeur : Frans Melk Antiquariaat, HILVERSUM, Pays-Bas
Antwerp, De Schutter S.A., 1974-1978. 4 Volumes: Hardcovers/bound in red half morocco [55 x 36 cm]. With 179 colour plates [full page]. This edition is limited to 510 copies. This set has number 315. Text in French with a summary in English of Thory's text. 4 volumes: 156, 122, 125, 386 pages. Condition: NEW !! [ Bijzonder / Special Botanie / Plantkunde / Botany roses / rozen ].
Vendeur : Frans Melk Antiquariaat, HILVERSUM, Pays-Bas
Antwerp, De Schutter S.A., 1974-1978. 4 Volumes: Hardcovers/bound in red half morocco [55 x 36 cm]. With 179 colour plates [full page]. This edition is limited to 510 copies. This set has number 316. Text in French with a summary in English of Thory's text. 4 volumes: 156, 122, 125, 386 pages. Condition: NEW !! [ Bijzonder / Special Botanie / Plantkunde / Botany roses / rozen ].
Edité par PARIS, (ANTWERP) FIRMIN DIDOT (DE SCHUTTER S.A.), 1817-1824 (1974 [- 1978)., 1978
Vendeur : BOOKSELLER - ERIK TONEN BOOKS, Antwerpen, Belgique
Membre d'association : ILAB
4 volumes tres gr. in-f . original Reliure moderne , -- Bound, Large folio (55 x 36 cm). 4 volumes.156,122,125,386 pages . An limited reprinted edition to 510 copies, With very fine 179 colour plates. A complete facsimile of the first edition. FINE CONDITION. FAC-SIMILE de l'edition originale illustree du portrait de Redoute, d'une couronne florale en guise de frontispice et de 169 gravures en couleurs finement gravees d'apres Redoute, le "Raphael des fleurs". Monument de la litterature botanique, tant sur le plan artistique que scientifique et documentaire, donnant des specimens anciens dont plusieurs ont disparu entre-temps. Texte et classification dans leur ordre naturel par Thory (1757-1827), amateur botaniste et polygraphe. Pour le fac-simile, il a ete ajoute 1 volume de "Commentaires" en francais et anglais par Gisele de La Roche et Gordon D. Rowley. Tirage a 510 ex. num.-- An limited reprinted edition to 510 copies, With 179 colour plates. Finely a foreword by George Taylor, introduction and bibliography by G.D. Rowley, biographies and bibliographies, with additions from the third edition, portraits, and extensive new material including commentaries, fine condition. 0 g.
Vendeur : ASHER Rare Books, T Goy Houten, Pays-Bas
387 pp.A complete facsimile reprint of the first edition (1817-1824) of Pierre Joseph Redouté's great work on roses, reproducing his famous flower paintings and the original text written by Claude Antoine Thory. The first three volumes contain the facsimile and volume 4 contains an English summary of Thory's text, additional descriptions of roses by Pirolle and additional plates from the third edition of 1828-1830, and portraits of Redouté (1759-1840) and Thory (1759-1827) by Godefroid and Mauraisse, as well as much new material: a foreword by George Taylor, introduction and bibliography by G.D. Rowley, biographies and bibliographies of Redouté and Thory by André Lawalrée, a commentary on the roses mentioned, with full synonymy and critical analyses by Gisèle de la Roche, an article on botanical Rosarians by William T. Stearn and a short index with modern names.This reprint is limited to 510 copies. The copy reproduced bears Redouté's signed inscription calling it "un des premier tirage et des plus bonn." Fine copy of an important facsimile that deserves a place in the collection of all rose lovers, even those lucky few who own the original.l Cf. GFB, p. 71; Jammes, Les Didot 102; Nissen, BBI 1599; Stafleu & Cowan 8748 (orig. ed.).
Vendeur : Lynge & Søn ILAB-ABF, Copenhagen, Danemark
Membre d'association : ILAB
Paris, P. Dufart, 1828. Large8vo. In a very nice full morocco binding (Anker Kyster) with with five raised bands and gilt lettering to spine. Gilt frames to boards and top-edge gilt. Lower left corner of front board with small waterstain. With light occassional brownspotting, an overall nice and clean copy. 49 beautifully handcoloured engraved plates printed in colours and finished by hand by Chardin, Langlois, Lemaire and others after Redouté, with accompanying text. First volume of the third edition, being the ?most complete edition?, of arguably the most celebrated and reproduced of all flower books. The work proved to be not only outstanding in terms of its beauty but also for its scientific merits and is widely regarded as being one of the most successful examples of art employed in the service of science Redoute's "stipple engravings printed in color command the admiration of both natural historians and artists. Working directly from the flowers, Redoute arranged his compositions to show all their significant aspects without the sacrifice of aesthetic value." (Ray French). Thory cultivated his own collection of roses, and together with the Malmaison gardens he contributed the majority of the specimens illustrated in his collaborative work with Redoute. "Redoute and Thory knew, described and figured almost all the important roses known in their day. Included were many of the key ancestors of our present-day roses. The plates in Les Roses have artistic value, both for the species and cultivars still surviving and for those that have disappeared" (Gisele de la Roche, quoted in the introduction to the Antwerp facsimile edition of Les Roses, 1974-78). Redoute is widely considered the finest 19th century botanical illustrator, if not throughout history. Dunthorne 233 Great Flower Books p. 71 Hunt Redouteana 19 Nissen BBI 1599 Ray French 89 Stafleu & Cowan 8748.
Edité par C.L.F. Panckoucke, Paris, 1824
Vendeur : Arader Books, New York, NY, Etats-Unis
Edition originale
Hardcover. Etat : Near fine. First. First octavo edition. Paris: C. L. F. Panckoucke, 1824[-1826] Octavo (9 1/8" x 6", 232mm x 153mm). With 160 plates stipple-engraved à la poupée and finished by hand. Bound in contemporary red sheep with a gilt rose roll border. On the spine, 4 raised bands. Title gilt to second panel. Dashed gilt roll to the head- and tail-pieces. Gilt bead-and-reel roll to the edges of the boards. Gilt floral leaf roll to the inside dentelle. End-papers tiger-marbled. All edges of the text block marbled. Boards lightly scuffed. Abrasion to the lower spine-edge of the rear turn-in. Light staining throughout. Darker foxing along the top edges of c1 and c2 of the 33rd part (text to Rosa pomponiana flore subsimplici). A lovely copy. Pierre-Joseph Redouté (1759-1840) -- the "Raphael of flowers" -- found such success with the publication of Les roses (1817-1824) in folio, that he moved to publish a smaller octavo version with C. L. F. Panckoucke immediately following. It was published in forty parts of four plates, and Redouté is said to have overseen the hand-color finishing of the plates. Each plate is accompanied by a description by Claude-Antoine Thory (1757-1827), an eminent botanist and collector of roses. Les roses is Redouté's second work and is considered his finest. The owner of this binding was clearly passionate about roses, both because the plates are organized by species rather than livraison-order, and because the binding is lush with rose motifs. The color of the binding is no doubt an homage to red roses, as are the second and second-to-last end papers as they are dyed pink (rose in French). Catalogue Redoutéana 40; Nissen 1599; Pritzel 7455; Sitwell p. 128.
Edité par Crapelet for P. Dufart and J.F. Hauer & Cie. of St. Petersburg, Paris, 1835
Vendeur : Donald A. Heald Rare Books (ABAA), New York, NY, Etats-Unis
3 volumes, octavo. (9 1/2 x 6 1/2 inches). Half-titles. 2 lithographic portraits of Redouté and Thory by C.Motte after Mauraisse, hand-coloured engraved floral wreath by Manceau after Redouté, 183 stipple-engraved plates printed in colours and finished by hand by Chardin, Langlois, Lemaire and others after Redouté (including 3 plates illustrating the anatomy of the rose). Contemporary French blue half morocco gilt, the flat spine in five compartments delineated by horizontal rules, titled in the second, numbered in the fourth, green silk page-markers, marbled endpapers. A very fine set of Redouté's best known work. The "most complete edition" (Madol) to be published during his lifetime, this is a re-issue of the second octavo edition, with the addition of St. Petersburg to the imprint, and containing the 23 additional plates, the portraits and the frontispiece floral wreath, the biographical note on Thory and additional text. Pierre-Joseph Redouté, the most successful flower painter of all time, together with Claude-Antoine Thory, an ardent botanist and collector of roses, have together in Les Roses produced a work not only of great artistic merit, but also an invaluable scientific record. "Redouté and Thory knew, described and figured almost all the important roses known in their day. Included were many of the key ancestors of our present-day roses. The plates in Les Roses have artistic value, botanical and documentary value, both for the species and cultivars still surviving and for those that have disappeared" (Gisele de la Roche). The roses used as specimens for the work were taken from the collections of Thory, the Malmaison gardens, and from other collections around Paris. Many of the flowers were novelties in Redouté's time, and a number were dedicated to the memory of his friends and acquaintances, such as l'Héritier de Brutelle and Ventenat. The success of the folio edition prompted the issue of a second (first octavo) edition in 40 parts between 1824 and 1826 with 160 plates and an expanded text. New information and new varieties led to the issue of a third edition (second octavo) edition, published in 30 parts between 1828 and 1829. The popularity of the first issue of this edition warranted the publication of the present second issue (with reset and reprinted title pages). In both issues the text was expanded yet again to contain not only more information about the culture of the rose but also by the addition of a biography of Thory by D.Beaumont, the inclusion of Thory's Traité du Rosier and the descriptive text to the 23 additional plates. In addition a floral wreath plate was added as a frontispiece to volume I and the portraits of Redouté and Thory were included for the first time. The plates are masterpieces in miniature of the engraver's art and lose none of the impact of their larger precursors in the process of reducing them from the folio to octavo format. Redouté as presiding genius is plainly discernable. Dunthorne 233; Lawalrée 39; Madol 42; Macphail Redoutéana 22; cf. Nissen BBI 1599; Stafleu & Cowan TL2 8751; Stock Rose Books 2371.
Edité par Paris: Firmin Didot, 1817-1824., 1824
Vendeur : Arader Galleries - AraderNYC, New York, NY, Etats-Unis
3 volumes. Folio (14 x 10 inches). Engraved portrait of Redouté by C.S. Pradier after Gerard, floral wreath and 169 stipple-engraved plates printed in colours and finished by hand, by Langlois, Chapuy and others after Redouté, printed by Rémond (occasional spotting throughout). Contemporary rose morocco gilt, gilt spines with repeat pattern of volutes, foliate and dotted tools, marbled endpapers, gilt edges (spines slightly faded to brown, and a bit worn at the extremities, front hinge of volume two weak). Provenance: Foljambe Collection removed from Osberton Hall, their sale Christies April 30 2008, lot 41. First edition of 'JOSEPHINE'S ROSES'. 'The technical execution of its production was. near perfect. The artistic quality of the plates is high, and there is no reason to mark it any lower than one would Les Liliacées and the Jardin de la Malmaison' (Hunt Redoutéana p.26). "Les Roses" was issued in four formats: a large-paper folio with colored plates; a "special issue" of each work with the extra suite of black impressions on ochre paper was apparently bound in very small quantities (Hunt, "Printmaking"); folio with colored plates; and folio with the plates in two states. Commemorating the rose garden of the Empress Josephine, many of the roses having been painted in her garden at Malmaison. The subtle gradations of tone found in Redouté's original watercolors are shown to perfection by the technique of the stipple engraving used to produce these exquisite plates. Redoute met the renowned and talented engraver Francesco Bartolozzi, on a trip to London and learned that the most successful impressions of stipple engravings came from well-used plates. A number of initial black plates were struck to take the edge off the plate before printing in colors began. Redouté's printers struck black impressions-always on paper with a distinct ochre tint-from the plates for both "Les Roses" and "Les Liliacées". The botanical descriptions were by Claude Antoine Thory (1759-1827). Lawalrée describes the text as being 'of outstanding importance to both botanists and horticulturalists'. Thory was an ardent botanist with his own collection of roses, who came to live at an estate neighbouring Redouté's soon after 1814. The roses they used as specimens for the work were taken from the collections of Thory, the Malmaison gardens, and from other collections around Paris. Many of the flowers were novelties in Redouté's day, and a number were dedicated to his friends and acquaintances, such as L'Héritier de Brutelle and Ventenat. He and Redouté regularly traded cuttings and seeds. "Redouté and Thory knew, described, and figured almost all the important roses in their day. Included were many of the key ancestors of our present-day roses. The plates in "Les Roses" have artistic value, and botanical and documentary value, both for the species and cultivars still surviving and for those that have disappeared" [Sir George Taylor quoting Gisèle de la Roche in the Schutter facsimile, (Antwerp, 1974-78)]. Nissen BBI 1599; Stafleu and Cowan 8748; Hunt Redouteana 19; Great Flower Books (1990) p.128; Dunthorne 232. Catalogued by Kate Hunter.
Edité par Paris: Firmin Didot, 1817-1824., 1824
Vendeur : Arader Galleries - AraderNYC, New York, NY, Etats-Unis
Livre
Hardcover. Etat : Very Good. Folio (21 x 14 inches). Half-titles, engraved portrait of Redouté by C. S. Pradier after Gerard printed in black on white and on ochre paper, stippled engraved wreath and 169 stipple-engraved plates after Redouté by Bessa, Bessin, Chapuy, Langlois, Victor and others, the plates in 2 states, printed in colors and finished by hand, and in black on ochre paper (some light mostly marginal spotting). Contemporary French quarter green morocco gilt, green mottled boards by Tessier (extremities a bit scuffed, spine of volume one restored at the head and foot). ONE OF A VERY FEW LARGE-PAPER COPIES WITH THE PLATES IN TWO STATES First edition, bound from the original 30 parts between March 1817 and March 1824, each part containing six plates (except no. 10, which had one plate, and no. 30, which had none). "Les Roses" was issued in four formats: a large-paper folio with colored plates; a "special issue" of each work with the extra suite of black impressions on ochre paper was apparently bound in very small quantities (Hunt, "Printmaking") (as here); folio with colored plates; and folio with the plates in two states. Commemorating the rose garden of the Empress Josephine, many of the roses having been painted in her garden at Malmaison. The subtle gradations of tone found in Redouté's original watercolors are shown to perfection by the technique of the stipple engraving used to produce these exquisite plates. Redoute met the renowned and talented engraver Francesco Bartolozzi, on a trip to London and learned that the most successful impressions of stipple engravings came from well-used plates. A number of initial black plates were struck to take the edge off the plate before printing in colors began. Redouté's printers struck black impressions-always on paper with a distinct ochre tint-from the plates for both "Les Roses" and "Les Liliacées". The botanical descriptions were by Claude Antoine Thory (1759-1827), a civil servant by profession, and an enthusiastic gardener who cultivated his own collection of roses. He and Redouté regularly traded cuttings and seeds. The roses depicted in the work included examples from Thory's own collection as well as from Malmaison. "Redouté and Thory knew, described, and figured almost all the important roses in their day. Included were many of the key ancestors of our present-day roses. The plates in Les Roses have artistic value, and botanical and documentary value, both for the species and cultivars still surviving and for those that have disappeared" [Sir George Taylor quoting Gisèle de la Roche in the Schutter facsimile, (Antwerp, 1974-78)]. Dunthorne 232; "Great Flower Books" p. 71; Hunt "Redoutéana" 19; Hunt "Printmaking in the Service of Botany" 25; Johnston Cleveland "Herbal" 807; Nisen BBI 1599; Pritzel 7455; Ray "French" 89; Stafleu TL2 9748. L65V2B.