tilghman b r (48 résultats)

Etat : Good. 1st Edition. Ships from the UK. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Etat : Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pencil markings. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:0631136630.

Etat : Good. Used book that is in clean, average condition without any missing pages.

Etat : Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Softcover. Etat : Bon. Ancien livre de bibliothèque avec équipements. Couverture différente. Edition 1991. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Different cover. Edition 1991. Ammareal gives back up to 15% of this item's net price to charity organizations.

Soft cover. Etat : Good. No Jacket. Basil Blackwell, 1984. Paperback, 8vo, xii,193pp. Some pencil notes, spine slightly creased. A fair copy. 0631150994/0.3uk . (Please note that our condition gradings are stricter than those of Abebooks and many other sellers. There may therefore be a discrepancy between this description and its listed condition grading).

Fine first edition paperback. 235 Pages.

Etat : Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:9780631189374.

Etat : New. Idioma/Language: Español. La filosofía del arte es importante porque el arte es importante. Uno de los propósitos de este libro es, en palabras de su autor, «mostrar que buena parte de la filosofía del arte no ha sido planteada con claridad». Son las técnicas de investigación filosófica que se pueden aprender de Wittgenstein las que permiten reconocer las confusiones en la filosofía del arte reciente y mostrar en qué consisten, y son algunos aspectos más pronto abandonados de su obra los que nos permiten una mejor comprensión de la que es aquello que genera éstos tropezones filosóficos". Este ensayo se centra en la propia palabra arte y en algunos de los muchos intentos de formular una definición filosófica y de conseguir así una comprensión teórica del arte. La pregunta principal es, por lo tanto, la tradicional "¿Qué es arte?". Si bien en la primera mitad del siglo XX, los especialistas en estética y los filósofos del arte no tenían duda que unas de las tareas capitales, si no la tarea capital, de su disciplina era responder la pregunta con una definición o teoría general del arte, esta suposición sobre la función capital de la estética se cuestionó los años cincuenta, en gran parte a partir de las Investigaciones filosóficas de Wittgenstein (1953). Y desde entonces ha habido nuevas olas de ensayos sobre teoría y definición. Como nos recuerda Salvador Rubio, traductor y editor de esta magnífica versión, Tilghman se inclina por una concepción terapéutica (en el sentido wittgensteniano del término): la función de la estética, en tanto que filosofía, es detectar y deshacer los malentendidos que nos impiden comprender adecuadamente el arte. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.

Cloth with dustjacket, 23 cm, 193 pp. Cond.: goed / good. ISBN: 0631136630.

200pp. Hardcover. Very good.

VG, clean HB; no DJ. xi + 591 pp.

paperback (VG); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples.Ordering more than one book will reduce your overall postage cost.

Etat : New. In.

Oxford, Blackwell, 1994. (XII) 235 pp. Paperback. (IP, 1) *librarysticker on back, librarystamp backside title page otherwise good condition*.

Soft cover. Etat : Near Fine. 1st Edition. First Edition. Paperback. From the library of Philosophy professor John M. Koller with the shipment papers addressed to him. Near Fine.

Card Covers. Etat : Very Good. Etat de la jaquette : No Dust Jacket. First Edition; First Impression. Some tanning on and around spine. Light soiling on front and back covers and top page edges. Little creasing on pages. Minimal shelfwear. ; Two loose newspaper cutouts. ; 24.5 x 16.4 x 0.8 cm; 85, XIII pages.

Soft cover. Etat : Good. First Edition. Good+ wraps, clean and tight, no notes or underlining. 85pp with bibliography. "This essay is an attempt to resolve a number of philosophical problems surrounding certain facets of aesthetic experience and the descriptions that can be given of works of art, especially problems about the emotional character that can be seen in art and the use of the language of emotion to describe works of art." INSCRIBED BY THE AUTHOR: "With fond memories of 'philosophy' in Bucharest.".

The Hauge: Martinus Nijhoff, 1970. xiii,85 pp. Sewn as issued. Publishers printed wrappers. Stained at upper corner of rear wrapper and into the upper margin of the last pages. 24 x 16 cm.[#\136931].