Tim bergfelder (190 résultats)

Etat : good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Paperback. Etat : Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

Paperback. Etat : Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Soft cover. Etat : As New. Since its maiden voyage and sinking in April 1912, Titanic has become a monumental icon of the 20th century and has inspired a wealth of interpretations across literature, art and media. This book offers a comprehensive discussion of the diverse representations of the connections and differences in the way generations of artists and audiences have approached and used the tragedy. In the final section is an in-depth study of James Cameron's blockbuster film "Titanic".…

paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Soft cover. Etat : As New. Bright and crisp copy in violet illustrated wraps. No markings.

Paperback. Etat : Used-Very Good. 1st Edition. Pap. Slight shelf-wear.

Etat : Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Etat : Good. One owner, no interior markings, some bending at the corners.

Hardcover. Etat : New. 1st Edition. New. Pristine, unmarked. // Shipped carefully packed in a sturdy box.

Paperback. Etat : New. 2090. The item is brand new, never used or read. It's in perfect condition and may include supplements and/or access codes or come shrink-wrapped.

Etat : Very Good. 1st Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Etat : Good. 1st Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Etat : New. Provides a comprehensive account of German Popular Cinema and European Co-Productions in the 1960s. This volume charts the history of the West German film industry and its main protagonists, from the immediate post-war years to its boom period in the 1950s and 1960s. Series: Film Europa. Num Pages: 15 illustrations. BIC Classification: 1DFG; 3JJPK; APF. Category: (G) General (US: Trade). Dimension: 228 x 160 x 14. Weight in Grams: 408. . 2005. paperback. Not a first edition copy. . . . Books ship from the US and Ireland. …

Paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Etat : New. Provides a comprehensive account of German Popular Cinema and European Co-Productions in the 1960s. This volume charts the history of the West German film industry and its main protagonists, from the immediate post-war years to its boom period in the 1950s and 1960s. Series: Film Europa. Num Pages: 15 illustrations. BIC Classification: 1DFG; 3JJPK; APF. Category: (G) General (US: Trade). Dimension: 228 x 160 x 14. Weight in Grams: 408. . 2005. paperback. Not a first edition copy. . . . …

Etat : Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Paper Back. Etat : Very Good.

Paperback. Etat : Used-Very Good. Revised. Paperback. Minor shelf wear.

Etat : Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Etat : Very Good+. Very good plus hardcover with pictorial boards, nice tight copy. A superb hardcover copy. Ships from Dinkytown in Minneapolis, Minnesota.

paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Etat : Good.

Etat : New.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Paperback or Softback. Etat : New. International Adventures: German Popular Cinema and European Co-Productions in the 1960s. Book.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Etat : New. West German cinema of the 1960s is frequently associated with the emergence of a new generation of filmmakers, collectively known by the 1970s as the "New German Cinema." Yet for domestic and international audiences at the time, German cinema primarily meant popular genres such as exotic adventure films, Gothic crime thrillers, westerns, and sex films, which were dismissed by German filmmakers and critics of the 1970s as "Daddy's Cinema."International Adventures provides the first comprehensive account of these genres, and charts the history of the West German film industry and its main protagonists from the immediate post-war years to its boom period in the 1950s and 1960s. By analyzing film genres in the context of industrial practices, literary traditions, biographical trajectories, and wider cultural and social developments, this book uncovers a forgotten period of German filmmaking that merits reassessment.International Adventures firmly locates its case studies within the wider dynamic of European cinema. In its study of West German cinema's links and co-operations with other countries including Britain, France, and Italy, the book addresses what is perhaps the most striking phenomenon of 1960s popular film genres: the dispersal and disappearance of markers of national identity in increasingly international narratives and modes of production.…

Paperback. Etat : New. The legacy of emigres in the British film industry, from the silent film era until after the Second World War, has been largely neglected in the scholarly literature. Destination London is the first book to redress this imbalance. Focusing on areas such as exile, genre, technological transfer, professional training and education, cross-cultural exchange and representation, it begins by mapping the reasons for this neglect before examining the contributions made to British cinema by emigre directors, actors, screenwriters, cinematographers, set designers, and composers. It goes on to assess the cultural and economic contexts of transnational industry collaborations in the 1920s, artistic cosmopolitanism in the 1930s, and anti-Nazi propaganda in the 1940s. Tim Bergfelder is Professor in Film at the University of Southampton. He is the author of International Adventures: Popular German Cinema and European Co-Productions in the 1960s (2005). His co-edited or co-authored volumes include The German Cinema Book (2002), The Titanic in Myth and Memory: Representations in Visual and Literary Culture (2004), and Film Architecture and the Transnational Imagination (2007).Christian Cargnelli is a film historian based in Vienna and teaches film history at the University of Vienna. He holds a PhD in Film Studies from the University of Southampton and has published widely on film exile and exile film. His co-edited volumes include Aufbruch ins Ungewisse: terreichische Filmschaffende in der Emigration vor 1945 (1993), Schatten. Exil: Europaiche Emigranten im Film Noir (1997), and Carl Mayer, Scenar[t]ist (2003). He is the editor of Gustav Machaty - Ein Filmregisseur zwischen Prag und Hollywood (2005). …

Etat : New.