viccy coltman (105 résultats)

Etat : Good. Ships from the UK. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Paperback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

paperback. Etat : Very Good. Henry Raeburn: Context, Reception and Reputation This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

paperback. Etat : Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

paperback. Etat : Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Etat : New. pp. 352 70 Illus.

Paperback. Etat : new. Paperback. An edited volume devoted to the reception and reputation of Edinburgh's premier Enlightenment portrait painter.Sir Henry Raeburn (1756-1823) is especially well known in Scotland as the portrait painter of members of the Scottish Enlightenment. However, outside Scotland, the artist rarely makes more than a fleeting appearance in survey books about portraiture. A review of the most recent exhibition devoted to the artist held in Edinburgh and London during 1997/8, noted that it wears the aspect of a closure rather than a new dawn' in Raeburn studies, with the painter being shown 'in solitary splendour'.This volume seeks to recover Raeburn from his artistic isolation by looking at his local and international reception and reputation, both in his lifetime and posthumously. It focuses as much on Edinburgh and Scotland as on metropolitan markets and cosmopolitan contexts. Previously unpublished archival material will be brought to light for the first time, especially from the Innes of Stow papers and the archives of the dukes of Hamilton.Key Features* 14 chapters each looking at different aspects of Raeburn's professional career*International scholars contributing to Raeburn studies for the first time* Interdisciplinary perspectives setting a new agenda for Raeburn studies* Traditional art analysis integrated with cultural, social, political and economic history* Includes much unpublished archival materialKeywordsScotland, Raeburn, Enlightenment, portraiture, art, patronage, taste, collecting The first illustrated scholarly work devoted to the reception and reputation of Edinburgh's premier Enlightenment portrait painter. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Etat : new.

Paperback. Etat : New. An edited volume devoted to the reception and reputation of Edinburgh's premier Enlightenment portrait painter.Sir Henry Raeburn (1756-1823) is especially well known in Scotland as the portrait painter of members of the Scottish Enlightenment. However, outside Scotland, the artist rarely makes more than a fleeting appearance in survey books about portraiture. A review of the most recent exhibition devoted to the artist held in Edinburgh and London during 1997/8, noted that it wears the aspect of a closure rather than a new dawn' in Raeburn studies, with the painter being shown 'in solitary splendour'.This volume seeks to recover Raeburn from his artistic isolation by looking at his local and international reception and reputation, both in his lifetime and posthumously. It focuses as much on Edinburgh and Scotland as on metropolitan markets and cosmopolitan contexts. Previously unpublished archival material will be brought to light for the first time, especially from the Innes of Stow papers and the archives of the dukes of Hamilton.Key Features* 14 chapters each looking at different aspects of Raeburn's professional career* International scholars contributing to Raeburn studies for the first time* Interdisciplinary perspectives setting a new agenda for Raeburn studies* Traditional art analysis integrated with cultural, social, political and economic history* Includes much unpublished archival materialKeywordsScotland, Raeburn, Enlightenment, portraiture, art, patronage, taste, collecting.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Etat : Near Fine. Etat de la jaquette : Near Fine. 1st Edition.

Etat : New. 2012. 1st Edition. Paperback. Sir Henry Raeburn (1756-1823) is especially well known in Scotland as the portrait painter of members of the Scottish Enlightenment. This illustrated scholarly work is devoted to the reception and reputation of Edinburgh's premier Enlightenment portrait painter. It includes chapters that look at different aspects of Raeburn's professional career. Editor(s): Coltman, Viccy; Lloyd, Stephen. Num Pages: 352 pages, illustrations. BIC Classification: 1DBKS; ACQ; AGB; AJCP. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 243 x 172 x 23. Weight in Grams: 990. Context, Reception and Reputation. 352 pages. Editor(s): Coltman, Viccy; Lloyd, Stephen. Sir Henry Raeburn (1756-1823) is especially well known in Scotland as the portrait painter of members of the Scottish Enlightenment. This illustrated scholarly work is devoted to the reception and reputation of Edinburgh's premier Enlightenment portrait painter. It includes chapters that look at different aspects of Raeburn's professional career. Cateogry: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. BIC Classification: 1DBKS; ACQ; AGB; AJCP. Dimension: 243 x 172 x 23. Weight: 990. . . . . .

Etat : As New. Unread book in perfect condition.

Etat : New. pp. 352 1st Edition.

Hardcover. Etat : Fine. Etat de la jaquette : Fine. A nice bright copy. ; Color Illustrations; 0.98 x 9.25 x 7.87 Inches.

Hardcover. Etat : Fine. Etat de la jaquette : Fine. Color Illustrations; 0.98 x 9.25 x 7.87 Inches.

Hardcover. Etat : New. Hardcover and dust jacket. Fine binding and cover. Clean, unmarked pages. Ships daily.

Hardcover. Etat : Near Fine. Etat de la jaquette : Near Fine.

Etat : New. 2012. 1st Edition. Paperback. Sir Henry Raeburn (1756-1823) is especially well known in Scotland as the portrait painter of members of the Scottish Enlightenment. This illustrated scholarly work is devoted to the reception and reputation of Edinburgh's premier Enlightenment portrait painter. It includes chapters that look at different aspects of Raeburn's professional career. Editor(s): Coltman, Viccy; Lloyd, Stephen. Num Pages: 352 pages, illustrations. BIC Classification: 1DBKS; ACQ; AGB; AJCP. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 243 x 172 x 23. Weight in Grams: 990. Context, Reception and Reputation. 352 pages. Editor(s): Coltman, Viccy; Lloyd, Stephen. Sir Henry Raeburn (1756-1823) is especially well known in Scotland as the portrait painter of members of the Scottish Enlightenment. This illustrated scholarly work is devoted to the reception and reputation of Edinburgh's premier Enlightenment portrait painter. It includes chapters that look at different aspects of Raeburn's professional career. Cateogry: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. BIC Classification: 1DBKS; ACQ; AGB; AJCP. Dimension: 243 x 172 x 23. Weight: 990. . . . . . Books ship from the US and Ireland.

Etat : New.

Paperback or Softback. Etat : New. Art and Identity in Scotland: A Cultural History from the Jacobite Rising of 1745 to Walter Scott 1.24. Book.

Etat : New.

Etat : New. pp. 352.

Etat : New. SUPER FAST SHIPPING.

Hardcover. Etat : Near Fine. Etat de la jaquette : Very Good+. Very faint shelfwear to book and DJ. ; Between 1760 and 1800, British aristocrats became preoccupied with the acquisition of ancient Greek and Roman artifacts. From marble busts to intricately painted vases, these antiquities were amassed in vast collections held in country houses and libraries throughout Britain. In Fabricating the Antique, Viccy Coltman examines these objects and their owners, as well as dealers, restorers, designers, and manufacturers. She provides a close look at the classical revival that resulted in this obsession with collecting antiques. ; 9.3 X 7.9 X 1.0 inches; 248 pages.

Paperback. Etat : New. New copy - Usually dispatched within 4 working days. 1018.

Etat : New.

Paperback. Etat : new. Paperback. This lively and erudite cultural history of Scotland, from the Jacobite defeat of 1745 to the death of an icon, Sir Walter Scott, in 1832, examines how Scottish identity was experienced and represented in novel ways. Weaving together previously unpublished archival materials, visual and material culture, dress and textile history, Viccy Coltman re-evaluates the standard cliches and essentialist interpretations which still inhibit Scottish cultural history during this period of British and imperial expansion. The book incorporates familiar landmarks in Scottish history, such as the visit of George IV to Edinburgh in August 1822, with microhistories of individuals, including George Steuart, a London-based architect, and the East India Company servant, Claud Alexander. It thus highlights recurrent themes within a range of historical disciplines, and by confronting the broader questions of Scotland's relations with the rest of the British state it makes a necessary contribution to contemporary concerns. This lively and erudite cultural history of Scotland, from the Jacobite defeat of 1745 to the death of an icon, Sir Walter Scott, in 1832, weaves together previously unpublished archival materials, visual and material culture, dress and textile history to examine how Scottish identity was experienced and represented in novel ways. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Etat : Very Good. Used book that is in excellent condition. May show signs of wear or have minor defects.

Hardcover. Etat : New. Etat de la jaquette : New. 1st Edition. Hardcover volume, measuring approximately 8" x 9.5", is new, still in shrinkwrap. Dust jacket is new. xii/256 pages/4 unnumbered pages of plates. "Between 1760 and 1800, British aristocrats became preoccupied with the acquisition of ancient Greek and Roman artifacts. From marble busts to intricately painted vases, these antiquities were amassed in vast collections held in country houses and libraries throughout Britain. In "Fabricating the Antique," Viccy Coltman examines these objects and their owners, as well as dealers, restorers, designers, and manufacturers. She provides a close look at the classical revival that resulted in this obsession with collecting antiques. Looking at the theoretical foundations of neoclassicism, Coltman contends this reinvention of ancient material culture was more than a fabrication of style. Based in the strong emphasis on classical education during this time, neoclassicism, Coltman claims, could be more accurately described as a style of thought translated into material possessions. "Fabricating the Antique" is a new take on both well-known collections of ancient art and newly cataloged artifacts. This book also covers how these objectsonce removed from their original contextwere received, preserved, and displayed. Art historians, classicists, and archaeologists alike will benefit from this important examination of British eighteenth-century history.".