Vice sue (233 résultats)

Paperback. Etat : Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Etat : very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.…

Etat : good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Paperback. Etat : Very Good. There is no other comprehensive introduction to Bakhtin. The book is aimed at arts students - the primary market. Deals extensively with gender issues. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

Paperback. Etat : Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Etat : Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Etat : Very Good. 1. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Etat : very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Etat : good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Etat : New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

Softcover. Etat : NF. 239 pages. Clean, very good binding. Examines novels that deal with the Holocaust: Fragments by Binjamin Wilkomirski; Perdition by Jim Allen, The Hand that Signed the Paper by Helen Darville; Time's Arrow by Martin Amis, Schindler's List by Thomas Keneally, Sophie's Choice by William Styron and others.…

Paperback. Etat : Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

paperback. Etat : Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Etat : good. The book is in good condition with all pages and cover intact, including the dust jacket if originally issued. The spine may show light wear. Pages may contain some notes or highlighting, and there might be a "From the library of" label. Boxed set packaging, shrink wrap, or included media like CDs may be missing.…

Etat : New.

Paperback. Etat : New. Sue Vice's study explores Claude Lanzmann's epic 1985 film Shoah both as cinema and as an example of Holocaust representation. Shoah, the distillation of more than 350 hours of footage gathered over eleven years, tells the story of the Holocaust through interviews with survivors of the extermination camps, bystanders who watched or participated in mass murder, and some of the perpetrators of genocide. Eschewing staple documentary elements of archival footage or narrating voiceover, the film is composed entirely of eyewitness interviews contrasted with footage of landscape in the present, and the chilling imagery of travelling trains. Shoah's effect is to represent the past, but only as it exists in the present - in Lanzmann's words, a "fiction of the real", and not a simple documentary.In a series of close readings of some of the film's interviews, Sue Vice follows Lanzmann's declaration that "Shoah is a fight against generalities", in emphasising the importance of detail in both dialogue and filmic technique. Through these analyses, Vice explores the background to the film, the difficulties in its financing and production, and the long process of editing that led to Lanzmann's realisation that "the subject of my film is death itself; death and not survival."In her afterword to this new edition, Sue Vice considers developments such as the online availability of the complete 'Shoah Collection', Lanzmann's archive at the United States Holocaust Memorial Museum, and Shoah's continuing influence on films that witness genocides and the Holocaust, including Joshua Oppenheimer's The Look of Silence (2014), and Jonathan Glazer's The Zone of Interest (2023).…

Etat : Very Good. VG condition book with dust jacket. DJ is clean, has fresh colours and has little wear to edges. Book has clean and bright contents with writing on the ffep.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Etat : Very Good. unmarked, light shelfwear-NICE Standard-sized.

Paperback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Etat : VG. 225pp. Index, Biblio. Wear extremities, rubbing.

Paperback. Etat : New. Sue Vice's study explores Claude Lanzmann's epic 1985 film Shoah both as cinema and as an example of Holocaust representation. Shoah, the distillation of more than 350 hours of footage gathered over eleven years, tells the story of the Holocaust through interviews with survivors of the extermination camps, bystanders who watched or participated in mass murder, and some of the perpetrators of genocide. Eschewing staple documentary elements of archival footage or narrating voiceover, the film is composed entirely of eyewitness interviews contrasted with footage of landscape in the present, and the chilling imagery of travelling trains. Shoah's effect is to represent the past, but only as it exists in the present - in Lanzmann's words, a "fiction of the real", and not a simple documentary.In a series of close readings of some of the film's interviews, Sue Vice follows Lanzmann's declaration that "Shoah is a fight against generalities", in emphasising the importance of detail in both dialogue and filmic technique. Through these analyses, Vice explores the background to the film, the difficulties in its financing and production, and the long process of editing that led to Lanzmann's realisation that "the subject of my film is death itself; death and not survival."In her afterword to this new edition, Sue Vice considers developments such as the online availability of the complete 'Shoah Collection', Lanzmann's archive at the United States Holocaust Memorial Museum, and Shoah's continuing influence on films that witness genocides and the Holocaust, including Joshua Oppenheimer's The Look of Silence (2014), and Jonathan Glazer's The Zone of Interest (2023).…

Etat : As New. Unread book in perfect condition.

Etat : Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Etat : Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Etat : new. Paperback. Sue Vice's study explores Claude Lanzmann's epic 1985 film Shoah both as cinema and as an example of Holocaust representation. Shoah, the distillation of more than 350 hours of footage gathered over eleven years, tells the story of the Holocaust through interviews with survivors of the extermination camps, bystanders who watched or participated in mass murder, and some of the perpetrators of genocide. Eschewing staple documentary elements of archival footage or narrating voiceover, the film is composed entirely of eyewitness interviews contrasted with footage of landscape in the present, and the chilling imagery of travelling trains. Shoah's effect is to represent the past, but only as it exists in the present - in Lanzmann's words, a "fiction of the real", and not a simple documentary.In a series of close readings of some of the film's interviews, Sue Vice follows Lanzmann's declaration that "Shoah is a fight against generalities", in emphasising the importance of detail in both dialogue and filmic technique. Through these analyses, Vice explores the background to the film, the difficulties in its financing and production, and the long process of editing that led to Lanzmann's realisation that "the subject of my film is death itself; death and not survival."In her afterword to this new edition, Sue Vice considers developments such as the online availability of the complete Shoah Collection, Lanzmanns archive at the United States Holocaust Memorial Museum, and Shoah's continuing influence on films that witness genocides and the Holocaust, including Joshua Oppenheimer's The Look of Silence (2014), and Jonathan Glazer's The Zone of Interest (2023). A new edition of the BFI Film Classic on Claude Lanzmann's epic documentary Shoah (1985). Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Etat : Very Good. Introducing Bakhtin This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .…

paperback. Etat : New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Etat : Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,400grams, ISBN:9780719043284.…