vladimirovich dmitrii sarabianov (23 résultats)

Exhibition catalogue. First edition 1977. 165 pages. Illustrated in black and white and colour. Paperback. Very good. We are specialists in Catalogues: Exhibitions, Auctions, Collections, etc. All items are as described and dispatched within 24 hours in a secure package. We are professional booksellers with over 37 years experience, you may order with confidence.

Softcover, 166 pages, very good condition; light fading to spine; no internal marks. Foreign shipping may be extra for this item.

Softcover. Etat : Very Good+. Soft cover is heavy, paper cover. Grey spine with red and black lettering. Pages are clean and tight; appears as if unused. Lavishly illustrated with 23 color and 100+ b/w photographs. Catalogue information by E. Yu. Korotkevich and E. A. Uspenskaiai; translation, foreword, and bibliography by John E. Bowlt. Sections are: Russian and Soviet Painting; The Paintings; addendum; chronology; biographies of the artists; selective bibliography. Oversized, 4#. ; Exhibition Catalogue Series; Photographs; 0.4 x 10.3 x 8.5 Inches; 165 pages; Cover has very slight rubbing/scuffing, shelfwear; owner's name stamped inside front cover.

Soft cover. Etat : Very Good. 1st Edition. Clean, unmarked. BP/Russian art.

Softcover. Etat : Very Good. Pages & plates unmarked; & firmly perfectbound in bent wraps. Monographs; Folio - over 12" - 15" tall.

Softcover. Etat : Good condition. 165 pp. Softcover. LCC: 773010.

Soft cover. Etat : Very Good. 1st Edition. Metropolitan Museum of Art, New York, 1977. First trade edition soft cover book in Very Good condition; light shelf wear to the head and heel of the spine, and around the cover edges; spine is square and tight; pages are crisp, clean, and unmarked; original price tag attached to the upper left corner of the front inside cover. No dust jacket, as issued. 21010064, 1 lb 5 oz, AM-1.

Paperback. Etat : Very Good. Illustrated covers rubbed; spine worn & warped, but firm--unaffecting text. Text all in Russian; includes 50+ pages on color plates. All plates clean. Monographs & Retrospectives; 4to - over 9¾" - 12" tall.

Soft cover. Etat : Very Good. 1st Edition.

Paperback. Etat : Near Fine. 165 pages, illustrations (some colour); 27 cm. An exhibition from the museums of the USSR presented at the Metropolitan Museum of Art, New York, and the Fine Arts Museums of San Francisco. Near fine. Firm binding, clean inside copy. Age toning. *** Not surprisingly, this leans heavily to Realism & Social Realism. Size: 4to. Collectible.

1st edition, circa 1955. Fine cloth copy in a good if slightly edge-nicked and dust-dulled dw, now mylar-sleeved. Remains particularly and surprisingly well-preserved; tight, bright, clean and strong. Uncommon in the dw; 55 pages; Very impressively illustrated with a series of 40 monochrome plates reproducing a broad spectrum of the artist's work. Description: 55 p. , 40 p. of ill., : ports. ; 23 cm. Subjects: Repin, Ilia Efimovich (1844-1930) --Exhibitions 1 Kg.

Hardcover. Etat : Good. Etat de la jaquette : Good. Later printing. Minor shelf wear to binding. Light wear and soiling to edges of text block. Previous owners name stamped on top edge & page 15. His bookplate on front pastedown & gift inscription on rear pastedown. Small discoloration on ffep. Text and images unmarked. Price clipped dj shelf worn & toned with scuffs, creases, chipping & small tears in a mylar cover.

Hardcover. Etat : Near Fine. Etat de la jaquette : Very Good. Color and black and white illustrations throughout. First trade edition. Near fine in a very good (fading along the spine, rubbing on rear panel) dust jacket.

hardcover. Etat : Good. Torn/worn dj. Good hardcover with some shelfwear; may have previous owner's name inside. Oversized.

Wrappers. Etat : Fine Condition. 165 pp., many illus. both B&W and color. An exhibition from the Museums of the USSR Presented at The Metropolitan Museum of Art, New York NY and The Fine Arts Museums of San Francisco CA.

Hardcover. Etat : Near Fine. Etat de la jaquette : Fine. 1st. Cloth, 320 pages, illustrations (some colour); 31 cm. Near fine. Firm binding, clean inside copy. Age toning. Dust jacket protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Profusely illustrated. *** "As Dmitri Sarabianov tells us in this lively book, Russia first turned its face to Europe at the beginning of the eighteenth century. By the start of the nineteenth century, European ideas had been assimilated into the rich substratum of Russian culture and a unique amalgam began to emerge. Indigenous subjects became the focus of Russian art. In 1870, the Society for Traveling Art Exhibitions, whose members were known as the Wanderers, was founded. Its dual purpose was to educate the people through traveling exhibitions and to work for social reform. At the turn of the century, the dominant mode was Symbolism. But Modernist tendencies and other currents were gaining strength. These diverse aesthetics had to be rethought in 1917, when the Revolution brought the Bolsheviks to power. Functional, applied design came to the forefront. It is here, with the close of the most brilliant and innovative period in Russia's artistic life so far, that Professor Sarabianov ends his account of the pivotal years that led to the dazzling abstract, geometrical breakthroughs of Russian art." - Publisher. *** CONTENTS: 1800-1860. The end of Russian classicism; Early romanticism; Early realism; The fate of romantic academic art; Alexander Ivanov; The beginnings of critical realism; Sculpture and architecture; 1860-1895. The realists of the 1860s; The Society for Traveling Art Exhibitions ('The Wanderers'); Genre painting and Ilya Repin; History painting; Landscape painting; Sculpture and architecture; 1895-1917. The beginnings of symbolism and Russian art nouveau; From impressionism to Russian art nouveau; The Moscow painters; The "World of Art' group; The 'Blue Rose' group; The 'Knave of Diamonds, ' the 'Donkey's Tail, ' and neoprimitivism; The avantgarde; Sculpture and architecture. Size: 4to. Collectible.

Brossura. Etat : Molto buono (Very Good). An exhibituion from the Museum of the URSS presented at the Metropolitan Museums of Art, New York, and The Fine Arts Museums of San Francisco. Catalogue information by E.Yu. Korotkevich and E.A. Uspenskaia. Foreword and bibliography by John E. Bowlt. Profusely illustrated in colour and black and white (works by V.A. Tropinin, I.E. Repin, K.S. Malevich, N.S. Goncharova, I.I. Brodsky, and others). Chronology, biographies of the artists . 8vo. pp. 166. . Molto buono (Very Good). . . . Book.

Etat : Good. 4to. 165 pp. Very Good+. Soft Cover. Illustrated paper wraps. Color and B&W plates throughout. Includes addendum, chronology, biographies of the artists, selective bibliography. Trade Edition distributed by Rizzoli International Publications.From the Collection of the Art Historian Peter Selz. ISBN: 0870991620 9780870991622.

Profusely Illustrated (illustrateur). First Edition. An exceptional copy; fine in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new and and still in the publisher's protective shrink-wrap. ; 396 pages; Description: 396 p. : ill. (some col. ) ; 31 cm. Subjects: Popova, Liubov Sergeevna, 1889-1924. Artists --Russia (Federation) --Biography. Constructivism (Art) --Russia (Federation). 1 Kg.

Hardcover. Etat : VG+ / VG+. Brown cloth boards with gilt lettering on front and spine, dark blue dust jacket with color illustration and white spine lettering, cardboard slipcase. 379 pp., 426 illustrations including 133 color plates. White silk ribbon page marker included. From the DJ: Valentin Serov (1865-1911) was an artistic pacesetter, and his creative principles became the cornerstone of much that is best in Russian twentieth-century art. A teacher at the Moscow School of Painting, Sculpture, and Architecture, he directed his prodigious activities to graphics, book illustrations, landscape and historical paintings, and stage designs-including important works for Diaghilev's Ballets Russes. Serov was above all a remarkable portrait painter, capturing the emotions and likenesses of his sitters, who included members of the nobility, artists, composers, singers, actors and actresses, and society belles; his portraits of children are especially charming. For the first time in this book we have a complete catalogue, lavishly illustrated, of the work of this famous painter, whose art was an organic blend of tradition and innovation. Includes bibliographical references (pages 372-375) and index.

Hard Cover. Etat : Very Good. Etat de la jaquette : Very Good. This is a very good hardcover copy in a very good dust jacket with just light wear. Completely clean inside and out. Text mainly in Russian with 5 page English summary and captions to plates. Pavel Fedotov (1815- 1852) was a Russian painter credited with starting the movement in 19th century Russian painting called 'Critical Realism'. He was also a master of social satire and did many watercolors and drawings which have been compared to Hogarth. Bibliography. List of plates. Text is illustrated in color and monochrome, and is followed by 67 superb full-page color plates. 12" high X 9" wide, 175 pages.

Etat : Like New. Softcover Metropolitan Museum of Art 1977 exhibition catalog; 165 pages, profusely illustrated. Text is in English. No marks or writing to book. No sign of handling or wear. A treasury of Russian art by major masters and relative unknowns re-discovered.