Wagoner michael (48 résultats)

Single Issue Magazine. Etat : Good. B00J3UMC36 Unmarked text. Great reading copy.

Paperback. Etat : Fine. First Edition. Chicago: The Poetry Foundation. Fine. 2005. Softcover. First edition. Magazine. Pictorial wrappers [about 5.5" x 9"], last numbered page is 380 [first numbered page is 287] [plus ads at the rear]. Fine copy. clphE, whb10.

Hardcover. Etat : New. 1st Edition. US SELLER SHIPS FAST FROM USA.

Paperback. Etat : Very Good. First Edition. Chicago: The Modern Poetry Association. Very Good. 2003. First Edition. Softcover. First edition. Magazine. Pictorial wrappers [about 5.5" x 9"], last numbered page is 181 [first numbered page is 126] [plus ads at the rear]. Mailing label [with name/address blacked-out] and bumping/creasing to the upper spine portion of the issue else would be a Near Fine copy. clphE.…

Trade Paperback. Etat : Good - Cash. General reader wear to the corners, edges, and cover. The covers/corners have some creasing. The pages show some general reader wear as well. The book is in good condition with some normal reader wear. The text has underlining and/or notations. Previous owner's name(s) inside. Stock photos may not look exactly like the book.…

Softcover. Etat : Near Fine. First Edition. Single issue. Contains pages 311-361pp., [11pp.] Pictorial wrappers. Spine lightly sunned, near fine. Contributions by James Applewhite, Brewster Ghiselin, Michael Niflis, John Cotto, Daniel Hoffman, Shirley Kaufman, Mark Jarman, Suzanne Noguere, Barbara Feyerabend, Carol Mc Cormmach, Judith Moffett, Ben Howard, Stephen Dobyns, David Wagoner, Robert B. Shaw, Jonathan Galassi, and F.D. Reeve.…

Stapled wraps. Etat : Very Good. University of Washington, stapled wraps, Very Good + (some cover rubbing), 48 pages, a few contributors: Harold Pinter, Robert Hershon, Jon Anderson, Lewis Turco, J. Michael Yates, Robin Morgan, Larry Rubin, James Welch, Adrien Stoutenburg, William Stafford, et al, POETRY; H0257 W Poe; 48 pages. …

Etat : New.

Paperback. Etat : New. To interrupt, both on stage and off, is to wrest power. From the Ghost's appearance in Hamlet to Celia's frightful speech in Volpone, interruptions are an overlooked linguistic and dramatic form that delineates the balance of power within a scene. This book analyses interruptions as a specific form in dramatic literature, arguing that these everyday occurrences, when transformed into aesthetic phenomena, reveal illuminating connections: between characters, between actor and audience, and between text and reader.Focusing on the works of William Shakespeare, Ben Jonson and John Fletcher, Michael M. Wagoner examines interruptions that occur through the use of punctuation and stage directions, as well as through larger forms, such as conventions and dramaturgy. He demonstrates how studying interruptions may indicate aspects of authorial style - emphasizing a playwright's use and control of a text - and how exploring relative power dynamics pushes readers and audiences to reconsider key plays and characters, providing new considerations of the relationships between Othello and Iago, or Macbeth and the Ghost of Banquo.…

Etat : As New. Unread book in perfect condition.

Paperback or Softback. Etat : New. Interruptions in Early Modern English Drama. Book.

Hardcover. Etat : New.

Etat : New.

Etat : New.

Etat : As New. Unread book in perfect condition.

Etat : New.

Etat : New.

Softcover. Etat : Fine. First Edition. First edition. 152pp. Pictorial white wrappers. Illustrated by Lincoln Perry, Keith Hood. Fine. Includes poems and stories such as *Owl* by Elizabeth Spencer, "Death in Venice" by John Updike, and more.

Paperback. Etat : Brand New. 296 pages. 8.50x5.43x1.00 inches. In Stock.

Softcover. Etat : Near Fine. Volume 126, Number 3. Octavo. P.125-186. Printed green wrappers. A bit of wear along the spine, bumping and a small split at the base, else about near fine. Signed by Alfred Corn above his poem "Parable at a Roman Fountain." Contributions by Alfred Corn, Judith, Moffett, Vern Rutsala, Michael Burkard, Deborah Trustman, David Wagoner, Michael Mott. …

Etat : good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Etat : New. Print on Demand.

Taschenbuch. Etat : Neu. Neuware - To interrupt, both on stage and off, is to wrest power. From the Ghost's appearance in Hamlet to Celia's frightful speech in Volpone, interruptions are an overlooked linguistic and dramatic form that delineates the balance of power within a scene. This book analyses interruptions as a specific form in dramatic literature, arguing that these everyday occurrences, when transformed into aesthetic phenomena, reveal illuminating connections: between characters, between actor and audience, and between text and reader.Focusing on the works of William Shakespeare, Ben Jonson and John Fletcher, Michael M. Wagoner examines interruptions that occur through the use of punctuation and stage directions, as well as through larger forms, such as conventions and dramaturgy. He demonstrates how studying interruptions may indicate aspects of authorial style - emphasizing a playwright's use and control of a text - and how exploring relative power dynamics pushes readers and audiences to reconsider key plays and characters, providing new considerations of the relationships between Othello and Iago, or Macbeth and the Ghost of Banquo.…

Etat : New.

Etat : New.

Paperback. Etat : New. To interrupt, both on stage and off, is to wrest power. From the Ghost's appearance in Hamlet to Celia's frightful speech in Volpone, interruptions are an overlooked linguistic and dramatic form that delineates the balance of power within a scene. This book analyses interruptions as a specific form in dramatic literature, arguing that these everyday occurrences, when transformed into aesthetic phenomena, reveal illuminating connections: between characters, between actor and audience, and between text and reader.Focusing on the works of William Shakespeare, Ben Jonson and John Fletcher, Michael M. Wagoner examines interruptions that occur through the use of punctuation and stage directions, as well as through larger forms, such as conventions and dramaturgy. He demonstrates how studying interruptions may indicate aspects of authorial style - emphasizing a playwright's use and control of a text - and how exploring relative power dynamics pushes readers and audiences to reconsider key plays and characters, providing new considerations of the relationships between Othello and Iago, or Macbeth and the Ghost of Banquo.…

Etat : New.

Etat : New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Etat : New.

Etat : New. Brand New Original US Edition. Customer service! Satisfaction Guaranteed.