wall romana christophe (34 résultats)

Etat : New.

Etat : As New. Unread book in perfect condition.

Paperback. Etat : Brand New. 248 pages. 8.50x5.50x1.00 inches. In Stock.

Paperback. Etat : New. If cinema can be approached as poetry and philosophy, it is because of Jean Epstein. Cocteau, Buñuel (who was his assistant), Hitchcock, Pasolini and Godard, and theoreticians Kracauer, Deleuze and Rancière are directly influenced by Epstein's pioneering film work, writings, and concepts. This book is the first in English to examine his oeuvre comprehensively.An avant-garde artist and an anti-elitist intellectual, Epstein wanted to craft moments of pure transformative cinema. Using familiar genres - melodramas and documentaries - he hoped to heal viewers of all classes and hasten social utopia. A lover of cinema as cognitive and sensorial technology, and a poet of the screen, he pushed cinematography - as photogénie - towards the experimental sublime, through daring close-ups, rhythmic montage, slow motion, even reverse motion. Polish-born, half-Jewish, and the author of a treatise on homosexuality, Epstein has been unfairly relegated to the shadows of film history. This book restores him to the limelight of interwar world cinema, on a par with Renoir, Lang, Capra and Eisenstein.

Paperback. Etat : new. Paperback. If cinema can be approached as poetry and philosophy, it is because of Jean Epstein. Cocteau, Bunuel (who was his assistant), Hitchcock, Pasolini and Godard, and theoreticians Kracauer, Deleuze and Ranciere are directly influenced by Epstein's pioneering film work, writings, and concepts. This book is the first in English to examine his oeuvre comprehensively.An avant-garde artist and an anti-elitist intellectual, Epstein wanted to craft moments of pure transformative cinema. Using familiar genres - melodramas and documentaries - he hoped to heal viewers of all classes and hasten social utopia. A lover of cinema as cognitive and sensorial technology, and a poet of the screen, he pushed cinematography - as photogenie - towards the experimental sublime, through daring close-ups, rhythmic montage, slow motion, even reverse motion. Polish-born, half-Jewish, and the author of a treatise on homosexuality, Epstein has been unfairly relegated to the shadows of film history. This book restores him to the limelight of interwar world cinema, on a par with Renoir, Lang, Capra and Eisenstein. -- . This is the first comprehensive study of Jean Epstein's fiction and documentary films, film theory, and writings on poetry and homosexuality.The book unfolds the intellectual trajectory of Epstein and restores him to the limelight of interwar world cinema, on a par with Renoir, Lang, Capra and Eisenstein. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Etat : New.

Paperback. Etat : New.

Paperback. Etat : new. Paperback. Cinepoetry analyzes how French poets have remapped poetry through the lens of cinema for more than a century. In showing how poets have drawn on mass culture, technology, and material images to incorporate the idea, technique, and experience of cinema into writing, Wall-Romana documents the long history of cross-media concepts and practices often thought to emerge with the digital.In showing the cinematic consciousness of Mallarme and Breton and calling for a reappraisal of the influential poetry theory of the early filmmaker Jean Epstein, Cinepoetry reevaluates the bases of literary modernism. The book also explores the crucial link between trauma and trans-medium experiments in the wake of two world wars and highlights the marginal identity of cinepoets who were often Jewish, gay, foreign-born, or on the margins.What results is a broad rethinking of the relationship between film and literature. The episteme of cinema, the book demonstates, reached the very core of its supposedly highbrow rival, while at the same time modern poetry cultivated the technocultural savvy that is found today in slams, e-poetry, and poetic-digital hybrids. The book examines how 19th- and 20th-century French-speaking poets have used cinema for cross-medium writing experiments, especially in the aftermath of the two world wars, thereby altering modernist literary imagination. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Etat : New. Cinepoetry analyzes how French poets have remapped poetry through the lens of cinema for more than a century. In showing how poets have drawn on mass culture, technology, and material images to incorporate the idea, technique, and experience of cinema into writing, Wall-Romana documents the long history of cross-media concepts and practices often thought to emerge with the digital. In showing the cinematic consciousness of Mallarmé and Breton and calling for a reappraisal of the influential poetry theory of the early filmmaker Jean Epstein, Cinepoetry reevaluates the bases of literary modernism. The book also explores the crucial link between trauma and trans-medium experiments in the wake of two world wars and highlights the marginal identity of cinepoets who were often Jewish, gay, foreign-born, or on the margins. What results is a broad rethinking of the relationship between film and literature. The episteme of cinema, the book demonstates, reached the very core of its supposedly highbrow rival, while at the same time modern poetry cultivated the technocultural savvy that is found today in slams, e-poetry, and poetic-digital hybrids.

Etat : Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:9780719086236.

Etat : Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:9780719086236.

Etat : As New. Unread book in perfect condition.

Paperback. Etat : Brand New. reprint edition. 224 pages. 7.75x5.00x0.50 inches. In Stock.

paperback. Etat : New. Special order direct from the distributor.

paperback. Etat : New. Reprint. Special order direct from the distributor.

Paperback. Etat : Brand New. 328 pages. 9.01x6.01x9.00 inches. In Stock.

Paperback. Etat : Brand New. reprint edition. 480 pages. 8.75x5.75x1.50 inches. In Stock.

Hardcover. Etat : new. New Copy. Customer Service Guaranteed.

Etat : New. 2026. paperback. . . . . . Books ship from the US and Ireland.

Paperback. Etat : New. If cinema can be approached as poetry and philosophy, it is because of Jean Epstein. Cocteau, Buñuel (who was his assistant), Hitchcock, Pasolini and Godard, and theoreticians Kracauer, Deleuze and Rancière are directly influenced by Epstein's pioneering film work, writings, and concepts. This book is the first in English to examine his oeuvre comprehensively.An avant-garde artist and an anti-elitist intellectual, Epstein wanted to craft moments of pure transformative cinema. Using familiar genres - melodramas and documentaries - he hoped to heal viewers of all classes and hasten social utopia. A lover of cinema as cognitive and sensorial technology, and a poet of the screen, he pushed cinematography - as photogénie - towards the experimental sublime, through daring close-ups, rhythmic montage, slow motion, even reverse motion. Polish-born, half-Jewish, and the author of a treatise on homosexuality, Epstein has been unfairly relegated to the shadows of film history. This book restores him to the limelight of interwar world cinema, on a par with Renoir, Lang, Capra and Eisenstein.

Encuadernación de tapa dura. Etat : Nuevo. Idioma español. Ejemplar nuevo. New. Tapa dura, con sobrecubierta. Dimensiones: 21x14 - 341 pp.

Etat : New. This is the first comprehensive study of Jean Epstein s fiction and documentary films, film theory, and writings on poetry and homosexuality. The book unfolds the intellectual trajectory of Epstein and restores him to the limelight of interwar world cinem.

Paperback. Etat : new. Paperback. If cinema can be approached as poetry and philosophy, it is because of Jean Epstein. Cocteau, Bunuel (who was his assistant), Hitchcock, Pasolini and Godard, and theoreticians Kracauer, Deleuze and Ranciere are directly influenced by Epstein's pioneering film work, writings, and concepts. This book is the first in English to examine his oeuvre comprehensively.An avant-garde artist and an anti-elitist intellectual, Epstein wanted to craft moments of pure transformative cinema. Using familiar genres - melodramas and documentaries - he hoped to heal viewers of all classes and hasten social utopia. A lover of cinema as cognitive and sensorial technology, and a poet of the screen, he pushed cinematography - as photogenie - towards the experimental sublime, through daring close-ups, rhythmic montage, slow motion, even reverse motion. Polish-born, half-Jewish, and the author of a treatise on homosexuality, Epstein has been unfairly relegated to the shadows of film history. This book restores him to the limelight of interwar world cinema, on a par with Renoir, Lang, Capra and Eisenstein. -- . This is the first comprehensive study of Jean Epstein's fiction and documentary films, film theory, and writings on poetry and homosexuality.The book unfolds the intellectual trajectory of Epstein and restores him to the limelight of interwar world cinema, on a par with Renoir, Lang, Capra and Eisenstein. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Etat : New. 2026. paperback. . . . . .

Hardcover. Etat : Brand New. 1st edition. 504 pages. 9.50x6.50x1.25 inches. In Stock.

Paperback. Etat : New. Cinepoetry analyzes how French poets have remapped poetry through the lens of cinema for more than a century. In showing how poets have drawn on mass culture, technology, and material images to incorporate the idea, technique, and experience of cinema into writing, Wall-Romana documents the long history of cross-media concepts and practices often thought to emerge with the digital. In showing the cinematic consciousness of Mallarmé and Breton and calling for a reappraisal of the influential poetry theory of the early filmmaker Jean Epstein, Cinepoetry reevaluates the bases of literary modernism. The book also explores the crucial link between trauma and trans-medium experiments in the wake of two world wars and highlights the marginal identity of cinepoets who were often Jewish, gay, foreign-born, or on the margins. What results is a broad rethinking of the relationship between film and literature. The episteme of cinema, the book demonstates, reached the very core of its supposedly highbrow rival, while at the same time modern poetry cultivated the technocultural savvy that is found today in slams, e-poetry, and poetic-digital hybrids.

Buch. Etat : Neu. Neuware - Cinepoetry analyzes how French poets have remapped poetry through the lens of cinema for more than a century. In showing how poets have drawn on mass culture, technology, and material images to incorporate the idea, technique, and experience of cinema into writing, Wall-Romana documents the long history of cross-media concepts and practices often thought to emerge with the digital. In showing the cinematic consciousness of Mallarmé and Breton and calling for a reappraisal of the influential poetry theory of the early filmmaker Jean Epstein, Cinepoetry reevaluates the bases of literary modernism. The book also explores the crucial link between trauma and trans-medium experiments in the wake of two world wars and highlights the marginal identity of cinepoets who were often Jewish, gay, foreign-born, or on the margins. What results is a broad rethinking of the relationship between film and literature. The episteme of cinema, the book demonstates, reached the very core of its supposedly highbrow rival, while at the same time modern poetry cultivated the technocultural savvy that is found today in slams, e-poetry, and poetic-digital hybrids.

Etat : New. 2026. hardcover. . . . . . Books ship from the US and Ireland.

Etat : New. 2026. hardcover. . . . . .

Couverture souple. Etat : Très bon. Edition originale. Paris 2009. 1 Volume/1. -- Broché collé . Format 23,5 x 15,6 cm ( 494 gr ). ------- . 336 pages. ********************* 4ème de Couverture : "" « Le surréalisme sans la peinture » : ainsi s'intitulait, en 1973, une exposition de Marcel Mariën. Et c'est dans un esprit similaire qu on lira le titre du présent recueil. Car d'architecture surréaliste, il n'en est pas, ou si peu que le sujet serait vite clos. Paradoxalement, c'est peut-être pourtant par cette absence même que le surréalisme trouve sa place en architecture. Fervents promoteurs de l'imagination contre le réel, de la révolte contre l'édification, les surréalistes n'en auront pas moins, par leurs élaborations imaginaires, posé un horizon qui, a posteriori, apparaît comme le négatif parfait du modernisme architectural. Ils auront encore, par leur regard électif, établi une sorte de contre-tradition architecturale, mais remonte aussi bien plus loin dans le passé. Le poids de cette tradition, l'élan vers cette utopie auront ainsi fondé une véritable exigence architecturale, qui devait, accompagner la progressive sortie de l'architecture des canons modernistes. Accueillant architectes, littéraires comme historiens de l art, ce volume aborde aussi bien l approche surréaliste de l architecture proprement dite (par Breton, Tzara, Bataille) que la présence de l architecture dans la littérature ou la peinture (De Chirico, Gracq, Magritte, Malkine, Mandiargues), voire au cinéma, sans oublier les projets architecturaux en tant que tels (Matta, Kiesler, Marcel Jean, Doumayrou). Attentif à l architecture vue par les surréalistes, il s arrête enfin sur l héritage du mouvement au c ur de l architecture, jusqu aux perspectives les plus contemporaines (Internationale Situationniste, Tschumi, Spuybroek). "" *********************** ref 605.