Wallace curt (8 résultats)

Hard Cover. Etat : Near Fine. Etat de la jaquette : Very Good+. Very clean and sound.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000. Delongo, Sasha (illustrateur).

Taschenbuch. Etat : Neu. Neuware - Augsburg, 1982. Fourteen-year-old Alex and his best friend Heinz have an old Soviet Lomo Super 8 camera, a few rolls of Kodachrome, and a plan: they are going to make a movie. Not a school project. Not a home movie. A real film. Their hero is Werner Lutz, an Augsburg secret agent. There will be villains, bicycle chases, mysterious strangers, explosions, disguises, and a final showdown. The boys write scenes, invent characters, find locations, recruit friends, build props, and learn filmmaking by simply doing it. Money is a problem, of course. Film stock costs money. So they collect coins, make deals, accept help from unexpected people - and eventually discover that filmmaking can test the boundaries between imagination and reality.Their movie becomes a portrait of the world they inhabit: early-1980s Augsburg, with its swimming pools, dance schools, American soldiers, German-American festivals, cinemas, apartment blocks, schoolyards, bicycles and quiet streets. It is a world on the edge between childhood and adulthood, captured frame by frame through a Soviet camera that has already travelled a remarkable distance.Because the Lomo has its own story. Alex received it from his father in Riga in 1977, shortly before his family left the Soviet Union. For years it lay unused, wrapped in an old shirt in an Augsburg attic. Now, in the summer of 1982, it begins to record Alex's new life in Germany. The film they make, Werner Lutz, is imperfect, improvised and wonderfully ambitious. It is screened, remembered, discussed - and never completely finished.Forty-four years later, Alex and Heinz are still friends. They meet regularly on a bench beside the Lech, near the railway bridge. They are both fifty-eight now. The Augsburg of their youth has changed. People they knew are gone. Buildings have disappeared or become ruins. The boys themselves have grown old.But the Lomo is still there. So are the film rolls. So are Heinz's handwritten index cards. And somewhere inside those fragments is the summer of 1982 - preserved not as a perfect memory, but as a collection of images, sounds, mistakes, jokes, friendships, disappointments, and moments that neither of them knew would become important.SUPER 8 SUMMER is a personal and bittersweet novel about friendship, filmmaking, migration, family, growing up and the stubborn persistence of memory. It is about two boys who decide to make a movie and discover, almost without noticing, that they are also documenting their own lives. And it is about what happens to a story when the people who created it grow older.Some films are never finished. Some friendships are. And some stories remain alive precisely because nobody ever managed to put an end to them. Delongo, Sasha (illustrateur).…

Etat : New. Print on Demand. Delongo, Sasha (illustrateur).

Script Format, reprint. Etat : As New. MISSING 44, 55-56, 60-64, 70 AND 76 /1942 FINAL DRAFT / I HAVE MORE TITLES, LET ME KNOW IF YOU ARE LOOKING FOR OTHER TITLES /THE SCRIPT IS PRINTED ON THREE-HOLE PUNCHED PAPER AND BOUND WITH 2 BRASS BRADS.

Revised Draft script for the 1991 film. Copy belonging to actor Joseph Bologna, with his manuscript pencil and ink annotations throughout, and various production materials, including cast and crew contact sheets, bound in before the script. A huge alligator begins to prey on the inhabitants of a small town with a vast, labyrinthine sewer and drainage system. Sequel to the 1980 film "Alligator," directed by Lewis Teague. Shot on location in Echo Park and Los Angeles. Green titled wrappers. Title page present, dated March 18, 1990, with credits for screenwriter Curt Allen and story credits to Brandon Chase. 123 leaves, with last page of text numbered 107. Xerographic duplication, rectos only, with rainbow revision pages throughout, dated variously between 3/18/90 and 4/23/90. Pages Near Fine, wrapper Near Fine, bound with two gold brads.…

paperback. Offered is a rare opportunity to acquire the entire run of infamous PB series from Greenleaf Classics. Running from 1975 - 1986, this adult vintage paperback line was one of campiest and most outrageous ever produced. All 290 titles are here. Admittedly boundary-pushing and lacking in good taste, the books explored the fantasy world of pet ownership and rural farm lifestyles while doing so with some of the happiest and goofiest cover artwork, mostly by one yet unnamed artist. Wacky titles also reflect the publisher's sense of humor. This series has long been popular with fans of the heyday of adult paperback publishing of the 1970s and 1980s. Individual titles are hard to find, and large groups even harder. See the photos for which titles are included. See our other listings for individual high grade copies. This lot was put together by a long-time collector who found the best copies he could and upgraded them over time. They range from vg to fine, with most vg+ or better and a number appearing unread.…

Paperback. Etat : new. Paperback. Augsburg, 1982. Fourteen-year-old Alex and his best friend Heinz have an old Soviet Lomo Super 8 camera, a few rolls of Kodachrome, and a plan: they are going to make a movie. Not a school project. Not a home movie. A real film. Their hero is Werner Lutz, an Augsburg secret agent. There will be villains, bicycle chases, mysterious strangers, explosions, disguises, and a final showdown. The boys write scenes, invent characters, find locations, recruit friends, build props, and learn filmmaking by simply doing it. Money is a problem, of course. Film stock costs money. So they collect coins, make deals, accept help from unexpected people - and eventually discover that filmmaking can test the boundaries between imagination and reality.Their movie becomes a portrait of the world they inhabit: early-1980s Augsburg, with its swimming pools, dance schools, American soldiers, German-American festivals, cinemas, apartment blocks, schoolyards, bicycles and quiet streets. It is a world on the edge between childhood and adulthood, captured frame by frame through a Soviet camera that has already travelled a remarkable distance.Because the Lomo has its own story. Alex received it from his father in Riga in 1977, shortly before his family left the Soviet Union. For years it lay unused, wrapped in an old shirt in an Augsburg attic. Now, in the summer of 1982, it begins to record Alex's new life in Germany. The film they make, Werner Lutz, is imperfect, improvised and wonderfully ambitious. It is screened, remembered, discussed - and never completely finished.Forty-four years later, Alex and Heinz are still friends. They meet regularly on a bench beside the Lech, near the railway bridge. They are both fifty-eight now. The Augsburg of their youth has changed. People they knew are gone. Buildings have disappeared or become ruins. The boys themselves have grown old.But the Lomo is still there. So are the film rolls. So are Heinz's handwritten index cards. And somewhere inside those fragments is the summer of 1982 - preserved not as a perfect memory, but as a collection of images, sounds, mistakes, jokes, friendships, disappointments, and moments that neither of them knew would become important.SUPER 8 SUMMER is a personal and bittersweet novel about friendship, filmmaking, migration, family, growing up and the stubborn persistence of memory. It is about two boys who decide to make a movie and discover, almost without noticing, that they are also documenting their own lives. And it is about what happens to a story when the people who created it grow older.Some films are never finished. Some friendships are. And some stories remain alive precisely because nobody ever managed to put an end to them. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Delongo, Sasha (illustrateur).…