wallis brian _hans haacke (12 résultats)

Softcover, 304 pages, as new condition, clean and crisp, no internal marks. Foreign shipping may be extra.

paperback. Etat : near fine. Haacke, Hans (illustrateur). First. Illustrated throughout in b/w. 304 pages. Square 8vo, pictorial wrappers. New York: New Museum of Contemporary Art, (1986). A near fine copy. Exhibition catalogue.

Paperback. Etat : Near fine in wraps. First Edition. 21 x 23cm 304pp near fine paperback featuring a series of essays by Hans Haacke, Rosalyn Deutsche, Fredric Jameson, Leo Steinberg. Includes numerous black and white illustrations. Has a neat name inscription at top of front free end paper.

303 S. Kartoniert. Gr. 8°. Sauberes Exemplar ohne Anstreichungen. Zahlreiche Abbildungen und Tafeln. Buchrücken minimal ausgeblichen. Vorderer Buchdeckel miit Knickspur. Sonst gut erhalten. Mit handschriftlicher Widmung von Hans Haacke auf Vorsatz. Sprache: eng.

First edition. Softcover. 301 pages. Exhibition catalog for a show that ran December 12, 1986 through February 15, 1987. Edited by Brian Wallis who contributes an essay along ones by Rosalyn Deutsche, Fredric Jameson, Leo Steinberg and Haacke. Includes numerous black and white illustrations. An about very good copy in wrappers with a crease to the top rear corner and some foxing to the top edge of the pages. Internally a clean copy.

Trade Paperback. Etat : Used - Good. Discusses the work of Haache, which examines the relationship between busines and art, and examines the ethical standards of large corporations. This book is based on a major retrospective exhibition of Haacke's work, the first in an American museum. Slight scratching/scuffing on dust jacket. Book has minor shelf wear.

Trade Paperback. Etat : Used - Very Good. Discusses the work of Haache, which examines the relationship between busines and art, and examines the ethical standards of large corporations. This book is based on a major retrospective exhibition of Haacke's work, the first in an American museum.

303 pages, illustrated. A clean fine paperback exhibition catalog in decorative wrappers (soft cover book).

296 pp.; 28 x 23.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held March 14-June 1, 1999. Exhibition curated by, edited by, and with an essay by Kynaston McShine. Texts by artists and Lilian Tone, Birgit Pelzer, Brian Wallis, Susan Stewart, Magdalena Dabrowski, Ecke Bonk, Jodi Hauptman, Kristen Erickson, Coosje van Bruggen, James Trainor, Thomas McEvilley, Sally Yard, Thomas Kellein, James Roberts, Kitty Scott, Kate Linker, Dave Hickey. Extensive illustrations, artist's biographies, bibliography. Artists within exhibition: Vito Acconci, Eve Arnold, Art & Language, Michael Asher, Lothar Baumgarten, Barbara Bloom, Christian Boltanski, Marcel Broodthaers, Daniel Buren, Sophie Calle, Janet Cardiff, Henri Cartier-Bresson, Christo, Joseph Cornell, Jan Dibbets, Lutz Dille, Mark Dion, Herbert Distel, Marcel Duchamp, Kate Ericson and Mel Ziegler, Elliot Erwitt, Roger Fenton, Robert Filliou, Larry Fink, Fluxus, Gunther Forg, Andrea Fraser, General Idea, Hans Haacke, Richard Hamilton, Susan Hiller, Candida Höfer, Komar and Melamid, Louise Lawler, J.B. Gustave Le Gray, Jac Leirner, Zoe Leonard, Sherrie Levine, El Lissitzky, Allan McCollum, Christian Milovanoff, Vik Muniz, Claes Oldenburg, Dennis Oppenheim, Charles Wilson Peale, Hubert Robert, Edward Ruscha, David Seymour, Robert Smithson, Thomas Struth, Hiroshi Sugimoto, Charles Thurston, Thompson, Jeff Wall, Christopher Williams, Fred Wilson, Garry Winogrand. Endpapers of book by Daniel Buren. "Since public museums came into being in the late 18th century, artists have looked upon them with a mixture of reverence, complicity, suspicion, and disdain. In The Museum as Muse, artists of many persuasions speak their minds about museums, their functions and spaces, their practices and politics, and their relationship to the art they contain. More than 60 artists are represented by a wide range of works: photographs of museum patrons by Henri Cartier-Bresson and Elliot Erwitt; 'personal museums' and 'cabinets of curiosities' by Charles Wilson Peale, Marcel Duchamp, and Claes Oldenburg; fantasies of the destruction or transformation of museums by Hubert Robert, Ed Ruscha, and Christo and more, including works created especially for this project by contemporary artists, and an anthology of statements and writings by artists about museums. This volume was published to accompany an exhibition at The Museum of Modern Art, New York." -- publisher's statement. Very Good. Light wear to dust-jacket including a 6 mm. tear to spine edge and bumping of upper edge of recto. Light yellowing of page edges. Contents otherwise clean and unmarked.

Etat : Good. 8vo. 304 pp. Soft cover. Good. Illustrated paper wraps. Some shelf wear. Light yellow underlining on some lines on a few pages. B&W plates throughout. News clippings of exhibition dated 1978 laid in.

Hardcover with dustjacket, 304 pages, very good condition, clean and crisp, no internal marks. Foreign shipping may be extra.

Hardcover. Etat : Fine. Etat de la jaquette : Fine. Hans Haacke (illustrateur). 1st Edition. First edition / First printing. Gray cloth. 304 pages. Fine in a fine dust jacket. Rare in hardcover.