Ware owen (149 résultats)

hardcover. Etat : Very Good. Etat de la jaquette : Includes dust jacket.

Etat : As New. Unread book in perfect condition.

Etat : New.

Etat : New.

Etat : New. In English.

Etat : New.

Etat : As New. Unread book in perfect condition.

hardcover. Etat : New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Hardcover. Etat : new. Hardcover. Why was mythology of vital importance for the romantics? What role did mythology play in their philosophical and literary work? And what common sources of influence inspired these writers across Britain and Germany at the turn of the nineteenth century?In this wide-ranging study, Owen Ware argues that the romantics turned to mythology for its potential to transform how we see ourselves, others, and the world. Engaging with authors such asWilliam Blake, Friedrich Schlegel, Samuel Taylor Coleridge, Friedrich von Hardenberg (Novalis), and Percy Bysshe Shelley, Ware shows why they believed that neither perception nor reason alone can sustain avision of the unity of all things. A new mode of cognition is necessary, they claimed, one that revives the poetic origin of mythology and reveals our own mythmaking powers. Return of the Gods investigates the rise of mythology in the British and German traditions and the romantics' practices of reinterpreting old myths and inventing new ones. Their shared aim was nothing less than to elevate the human imagination to higher stages of self-development in which philosophy and poetry, aswell as intellect and imagination, form an integrated whole. Far from calling us to return to the past, the romantics' work on mythology points us to a future where we can live in harmony with the personal,social, and natural worlds we inhabit.Owen Ware combines intellectual history with philosophical analysis and literary criticism to offer a bold reflection on why mythology mattered for the romantics--and why it still matters today. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Etat : New.

Soft cover. Etat : Very Good. No Jacket. 1st Edition. Very good condition. This is a trade size softcover book. Inscribed by the author on title page. Bottom corner of front cover is lightly bumped. A little finger soiling on cover fore edges. 126 pages with illustrations. Inscribed by Author(s).

Etat : New.

Hardback. Etat : New. Why was mythology of vital importance for the romantics? What role did mythology play in their philosophical and literary work? And what common sources of influence inspired these writers across Britain and Germany at the turn of the nineteenth century?In this wide-ranging study, Owen Ware argues that the romantics turned to mythology for its potential to transform how we see ourselves, others, and the world. Engaging with authors such as William Blake, Friedrich Schlegel, Samuel Taylor Coleridge, Friedrich von Hardenberg (Novalis), and Percy Bysshe Shelley, Ware shows why they believed that neither perception nor reason alone can sustain a vision of the unity of all things. A new mode of cognition is necessary, they claimed, one that revives the poetic origin of mythology and reveals our own mythmaking powers. Return of the Gods investigates the rise of mythology in the British and German traditions and the romantics' practices of reinterpreting old myths and inventing new ones. Their shared aim was nothing less than to elevate the human imagination to higher stages of self-development in which philosophy and poetry, as well as intellect and imagination, form an integrated whole. Far from calling us to return to the past, the romantics' work on mythology points us to a future where we can live in harmony with the personal, social, and natural worlds we inhabit.Owen Ware combines intellectual history with philosophical analysis and literary criticism to offer a bold reflection on why mythology mattered for the romantics--and why it still matters today.…

Etat : As New. Unread book in perfect condition.

Etat : New. 2025. hardcover. . . . . .

Etat : As New. Unread book in perfect condition.

Etat : New.

Etat : New. In English.

Etat : As New. Unread book in perfect condition.

Etat : New. 2025. hardcover. . . . . . Books ship from the US and Ireland.

Etat : As New. Unread book in perfect condition.

Etat : New.

Hardback. Etat : New. New copy - Usually dispatched within 4 working days.

Etat : New.

Etat : New.

Etat : New.

Etat : New.

Etat : Very Good. Hardcover. No notes or highlights. Very light shelf-wear. Used - Very Good.

Etat : New. 1st edition NO-PA16APR2015-KAP.

Taschenbuch. Etat : Neu. Neuware - Kant's early critics maintained that his theory of freedom faces a dilemma: either it reduces the will's activity to strict necessity by making it subject to the causality of the moral law, or it reduces the will's activity to blind chance by liberating it from rules of any kind. This Element offers a new interpretation of Kant's theory against the backdrop of this controversy. It argues that Kant was a consistent proponent of the claim that the moral law is the causal law of a free will, and that the supposed ability of free will to choose indifferently between options is an empty concept. Freedom, for Kant, is a power to initiate action from oneself, and the only way to exercise this power is through the law of one's own will, the moral law. Immoral action is not thereby rendered impossible, but it also does not express a genuine ability.…