watten barrett perelman bob hejinian (13 résultats)

Softcover. Etat : Near Fine. Magazine. Octavo. Perfectbound. Modest rubbing, near fine. Contributors include Alan Bernheimer, Stephen Rodefer, Barrett Watten, Carla Harryman, Michael Palmer, Kathy Acker, Kit Robinson, and Lyn Hejinian.

Soft cover. Etat : Fine. 1st edition. Near Fine. 8vo, 80pp, printed wrappers. Clean copy of the inaugural issue of this essential journal of experimental poetics edited by Barrett Watten and Lyn Hejinian. No markings and minimal wear. Not Signed.

Soft cover. Etat : Fine. 1st edition. Near Fine. 8vo, 120pp, printed wrappers. Nice copy of the fifth issue of this language poetry magazine edited by Bob Perelman; Clay and Phillips call Hills "the sweetest of all language-centered journals." Unmarked copy, minor signs of age. Not Signed.

Soft cover. Etat : Fine. 1st edition. Near Fine. 8vo, 160pp, printed wrappers. Thick issue of this essential journal edited by Barrett Watten and Lyn Hejinian. Kathy Acker contributes an excerpt from a work in progress and participates in a symoposium on postmodernity. Unmarked copy from the collection of contributor Leslie Scalapino, light edge wear and minor sunning to spine. Not Signed.

Soft cover. Etat : Very good. No jacket. Cover is lightly worn and slightly yellowed along edges. Inside pages are clean and unmarked.

Single_Issue_Magazine. Etat : Very Good. Very Good with moderate wear to covers and no marks to text. Small grease stain on contents page. Lit Mags; 8vo 8" - 9" tall; 108 pages.

Soft cover. Etat : Very Good. 1st edition. VG. 8vo, 144pp, printed wrappers. Middle issue of this great book-format review edited by Barrett Watten and Lyn Hejinian. Unmarked copy, creasing to back cover and a few adjacent leaves, light wear otherwise. Not Signed.

78 pp.; 27.5 x 21 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Inaugural issue of Boxcar: A Magazine of the Arts, edited by Paul Vangelisti. Contributors include : Gretchen Lanes, Keisho Okayama, Roger Herman, Charles Garabedian, Llyn Foulkes, Richard Diebenkorn, Peter Liashkov, Tony Berlant, John Lees, Robert Kelly, John Thomas, Michael Palmer, Lyn Hejinian, Paul Vangelisti, Ron Silliman, Holly Prado, Bruce Fier, Paul Forte, Robert Crosson, Charles Bernstein, Clark Coolidge, John Yau, Jed Rasula, Dennis Phillips, Marina La Palma, Barbara Einzig, Martha Lifson, Peter Levitt, Robert Trammell, David Searcy, George Herms, Jeffrey Vallance, Michael C. McMillen, John Giorno, Jim Roche, Bruce Andrews, David Bromige, Gerald Burns, Carla Harryman, Bob Perelman, Barrett Watten, Leland Hickman, Channa Horwitz, Sonya Rapoport, Jim Van Geem, Julie Brown, Robert Peters, and Kenneth Rexroth. Cover design by Bruce Edelstein. Good. Yellow soiling and discoloration of covers with light sunning and rubbing. Light edgewear. Bumping of of top right corner of publication with a 3.5 cm. crease to verso. Contents clean and unmarked.

Soft cover. Etat : Fine. 1st edition. Near Fine. 8vo, 96pp, printed wrappers. Eighth issue of this important seventies language-movement literary magazine, includes work by Bernadette Mayer, Clark Coolidge, Bill Berkson, Bob Perelman, Robert Grenier, Lyn Hejinian, et al. Nice unmarked copy, minor wear. Not Signed.

Softcover. Etat : Good+. Etat de la jaquette : Good. First Edition. First printing, four volume set of small trade paperbacks in jackets, each was limited to 1000 copies, and the books all have a mild lean to their binding, as well as a touch of shelf wear to their spine ends, edges and corners. Additionally, Parts 2-4 have some light soiling to their exterior, with a few instances of staining to their pages, and overall, this is a solid, tight, Good+ set in Good dust jackets, which have sunning to their spine, a bit of uneven toning/offsetting to their covers, wear with some creasing to their spine ends, edges and corners, and rubbing with smudging and areas of soiling to their covers. There is also a short tear to the tail of the rear hinge of the jacket for Part 4. Additional images available by request. ISBNs - 9780979019807 (Pt. 1, 2006, 80 pp.); 9780979019814 (Pt. 2, 2007, 96 pp.); 9780979019821 (Pt. 3, 2007, 128 pp.); 9780979019838 (Pt. 4, 2007, 160 pp.).

Soft cover. Etat : Fine. 1st edition. Near Fine. 8vo, 96pp, printed wrappers. The scarce tenth issue of this important seventies language-movement literary magazine, includes work by Clark Coolidge, Ray diPalma, Bob Perelman, Lyn Hejinian, Charles Bernstein, et al. Attractive unmarked copy with very little wear. Not Signed.

Card Wrappers. Etat : Very Good. Watten Barrett (covers) (illustrateur). First Edition. Unpaginated. Covers lightly soiled. Book.

Card Covers. Etat : Fine. First Edition. First Edition of this experiment in collective autobiography, complete in ten volumes. Crown 8vo (173 x 104mm): 79,[1]; 90,[6]; 127,[1]; 159,[1]; 143,[1]; 159,[1]; 207,[1]; 207,[1]; 223,[1]; 271,[1]pp. Publisher's white stiff card covers, original wrappers with French flaps, printed in various colors and priced $12.95. Part 1 signed to half-title page by Ron Silliman, one of ten poets who collaborated on the project: "For Richard / Back in the / Day," with printout of e-mail correspondence between Silliman and the recipient, California poet Richard Krech, and Bagazine postcard addressed to Krech in Albany, California. Part 2 signed to Krech by Lyn Hejinian on title page. Very Fine (pristine and unread), in custom cloth-covered slip case by Fitterer. The Grand Piano (the title derives from a legendary San Francisco coffeehouse where the project's authors programmed, coordinated, and participated in a reading and performance series from 1976 to 1979) was written over a decade of close collaboration among ten poets from what became known as the Language School. Each volume features essays by all ten writers, often responding to prompts and problems arising from one another's essays in the series. "Centered on the rise of Language poetry in San Francisco in the second half of the 1970s, the project explores a wide range of issues in poetics and the lives of poets then and now. . . . The Grand Piano's authors worked together via a listserv whose archive contains tens of thousands of e-mails that document the depth and intensity of collective effort this project entailed." (thegrandpiano online) Silliman's poetry newsletter, Tottel's (197081), contributed to the development of ideas in language poetry. According to Wikipedia: "Gertrude Stein, particularly in her writing after Tender Buttons, and Louis Zukofsky, in his book-length poem A, are the modernist poets who most influenced the Language school. In the postwar period, John Cage, Jackson Mac Low, and poets of the New York School (John Ashbery, Frank O'Hara, Ted Berrigan) and Black Mountain School (Robert Creeley, Charles Olson, and Robert Duncan) are most recognizable as precursors to the Language poets. . . . The language poets also drew on the philosophical works of Ludwig Wittgenstein, especially the concepts of language-games, meaning as use, and family resemblance among different uses, as the solution to the Problem of universals. N. B. With few exceptions (always identified), we only stock books in exceptional condition." N. B. With few exceptions (always identified), we only stock books in exceptional condition. All orders are packaged with care and posted promptly. Satisfaction guaranteed. (Fine Editions Ltd is a member of the Independent Online Booksellers Association, and we subscribe to its codes of ethics.).