watten barrett silliman ron armantrout (11 résultats)

Etat : Good. Used book that is in clean, average condition without any missing pages.

Etat : Good. Good condition. Good dust cover. Volume 6. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Etat : Very Good. Very Good condition. Like New dust cover. Volume 9. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Etat : New.

Etat : Very Good. Very Good condition. Very Good dust cover. Volume 2. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Etat : Very Good. Very Good condition. Very Good dust cover. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Soft cover. Etat : Very Good. 1st edition. VG+. 8vo, 88pp, printed wrappers. Unmarked copy (from the collection of Philip Lamantia) of the second issue of this essential journal edited by Barrett Watten and Lyn Hejinian. No markings, light wear and sunning. Not Signed.

Soft cover. Etat : Very Good. 1st edition. VG+. 8vo, 96pp, printed wrappers. Unmarked copy of the third issue of this essential journal edited by Barrett Watten and Lyn Hejinian. No markings, light toning and minor wear. Not Signed.

Soft cover. Etat : Very Good. 1st edition. VG+. 8vo, 144pp, printed wrappers. This issue is divided between an anthology devoted to Language Poetry, edited by Ron Silliman, and work by and tributes to Hilda Morley. Unmarked copy, light cover scuffing (clean overall). Not Signed.

Soft cover. Etat : Very Good. 1st edition. VG. 8vo, 100pp, stapled wrappers. Second issue of this importantissimo seventies language-movement literary outlet. Unmarked copy, faint dampstain to wrappers at spine (not musty or wavy). Not Signed.

Card Covers. Etat : Fine. First Edition. First Edition of this experiment in collective autobiography, complete in ten volumes. Crown 8vo (173 x 104mm): 79,[1]; 90,[6]; 127,[1]; 159,[1]; 143,[1]; 159,[1]; 207,[1]; 207,[1]; 223,[1]; 271,[1]pp. Publisher's white stiff card covers, original wrappers with French flaps, printed in various colors and priced $12.95. Part 1 signed to half-title page by Ron Silliman, one of ten poets who collaborated on the project: "For Richard / Back in the / Day," with printout of e-mail correspondence between Silliman and the recipient, California poet Richard Krech, and Bagazine postcard addressed to Krech in Albany, California. Part 2 signed to Krech by Lyn Hejinian on title page. Very Fine (pristine and unread), in custom cloth-covered slip case by Fitterer. The Grand Piano (the title derives from a legendary San Francisco coffeehouse where the project's authors programmed, coordinated, and participated in a reading and performance series from 1976 to 1979) was written over a decade of close collaboration among ten poets from what became known as the Language School. Each volume features essays by all ten writers, often responding to prompts and problems arising from one another's essays in the series. "Centered on the rise of Language poetry in San Francisco in the second half of the 1970s, the project explores a wide range of issues in poetics and the lives of poets then and now. . . . The Grand Piano's authors worked together via a listserv whose archive contains tens of thousands of e-mails that document the depth and intensity of collective effort this project entailed." (thegrandpiano online) Silliman's poetry newsletter, Tottel's (197081), contributed to the development of ideas in language poetry. According to Wikipedia: "Gertrude Stein, particularly in her writing after Tender Buttons, and Louis Zukofsky, in his book-length poem A, are the modernist poets who most influenced the Language school. In the postwar period, John Cage, Jackson Mac Low, and poets of the New York School (John Ashbery, Frank O'Hara, Ted Berrigan) and Black Mountain School (Robert Creeley, Charles Olson, and Robert Duncan) are most recognizable as precursors to the Language poets. . . . The language poets also drew on the philosophical works of Ludwig Wittgenstein, especially the concepts of language-games, meaning as use, and family resemblance among different uses, as the solution to the Problem of universals. N. B. With few exceptions (always identified), we only stock books in exceptional condition." N. B. With few exceptions (always identified), we only stock books in exceptional condition. All orders are packaged with care and posted promptly. Satisfaction guaranteed. (Fine Editions Ltd is a member of the Independent Online Booksellers Association, and we subscribe to its codes of ethics.).