weinmann johann wilhelm (284 résultats)

Etat : New. SUPER FAST SHIPPING.

Etat : New. SUPER FAST SHIPPING.

Hardcover. Etat : Very Good. No Jacket. 1st Edition. Please email for Photographs or further information. Very Good - Full calf rebacked with gilt tooled compartmentalized spine, ex libris label to pastedown, blue ink engraved frontis, double title page in Latin and German, red and black ink, pagination complete pp.448, no plates Please see photos as part of condition report 1742 1st Edition , PHYTANTHOZA ICONOGRAPHIA, SIVE CONSPECTUS VOL III By Johann Wilhelm Weinmann Johann Wilhelm Weinmann (1683 - 1741) was born in Gardelegen, Germany on March 13, 1683. He settled in Regensburg in 1710 as a pharmacist's assistant and in 1712 was able to purchase his own apothecary shop. He flourished in his business affairs and this success allowed him to indulge in his great love for botany. He established a botanical garden in Regensburg published a Catalogus Alphabetico ordine exhibens Pharmaca in 1723. In 1737-1745 Weinmann published Phytanthoza iconographia. His great work comprised eight folios with 1025 hand-colored engravings of several thousand plants. Among the artists employed to work on Phytanthoza was Georg Dionysius Ehret (1708-1770). Illustrated By: Format: Hardcover, Language: Latin/German Dust Jacket: No Jacket, Dust Jacket Condition: No Jacket Published By: Ratisbonae per Hieronymum Lenzium, Switzerland folio (fo 12 × 19 305 × 483),Pages 448 ISBN: The most influential botanical record of its time, an extremely valuable record of the plant kingdom as it was understood in the mid-eighteenth century. The plants are ordered alphabetically, as was done just preceding the introduction of Linnaeus' revolutionary system of classification. SKU: BTETM0002366 Approximate Package Dimensions H: 20, L: 60, W: 30 (Units: cm), W: 4Kg.

Hardcover. 1735-1745. Ränder minimal gebräunt, die Innenseite mit kleinem Ausriß im weißen Rand, unterhalb des Plattenrandes kleine Überklebung (Basters Kers. B.), Plattenrand unten in der Mitte ca. 5 cm eingerissen.

Prächtiger großformatiger, handkolorierter Kupferstich aus Weinmann's "Phytanthoza iconographia", einem der schönsten Blumen- und Pflanzenbücher des 18. Jahrhunderts. Die Kupferplatten wurden u.a. von Bartholomaeus Seuter, J. J. Haid, Johann Elias Ridinger nach Georg Dionysus Ehret, N. Asamin gestochen. -- Blatt-Maße: ca. 40 x 24,5 cm. -- gut erhalten. -- "The work may be called the first successful botanical book using color printed mezzotint" (Hunt 2, 494). || || This is an original old colored engraving from Weinmann's "Phytanthoza Iconographia", one of the most beautiful and important Baroque botanical books. It was also the first published work to include engravings by the greatest botanical artist of the eighteenth century - Georg Dionysus Ehret. Weinmann was an apothecary from Regensburg and his collection of plants was the basis of this comprehensive iconography of the flowers, fruit and vegetables in cultivation in early-18th century Europe. Georg Dionysius Ehret's pivotal contribution to the work is nowhere acknowledged as the artist parted with Weinmann after producing 500 designs. The work was financed by Bartholomaeus Seuter, one of the engravers. The plates became an important source for copyists, appearing, for instance, in a number of Meissen designs. -- in good condition. || Dies ist ein Original! - Kein Nachdruck! - Keine Kopie! -- This is an original! No copy! - No reprint! -- Lit.: Nissen, BBI 2126. Wir kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Deutsch Gewicht in Gramm: 1550.

Prächtiger großformatiger, handkolorierter Kupferstich aus Weinmann's "Phytanthoza iconographia", einem der schönsten Blumen- und Pflanzenbücher des 18. Jahrhunderts. Die Kupferplatten wurden u.a. von Bartholomaeus Seuter, J. J. Haid, Johann Elias Ridinger nach Georg Dionysus Ehret, N. Asamin gestochen. -- Blatt-Maße: ca. 38 x 23,5 cm. -- teils leicht fleckig, sonst gut erhalten. -- "The work may be called the first successful botanical book using color printed mezzotint" (Hunt 2, 494). || || This is an original old colored engraving from Weinmann's "Phytanthoza Iconographia", one of the most beautiful and important Baroque botanical books. It was also the first published work to include engravings by the greatest botanical artist of the eighteenth century - Georg Dionysus Ehret. Weinmann was an apothecary from Regensburg and his collection of plants was the basis of this comprehensive iconography of the flowers, fruit and vegetables in cultivation in early-18th century Europe. Georg Dionysius Ehret's pivotal contribution to the work is nowhere acknowledged as the artist parted with Weinmann after producing 500 designs. The work was financed by Bartholomaeus Seuter, one of the engravers. The plates became an important source for copyists, appearing, for instance, in a number of Meissen designs. -- partly slighlty stained, otherwise in good condition. || Dies ist ein Original! - Kein Nachdruck! - Keine Kopie! -- This is an original! No copy! - No reprint! -- Lit.: Nissen, BBI 2126. Wir kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Deutsch Gewicht in Gramm: 1550.

Prächtiger großformatiger, handkolorierter Kupferstich aus Weinmann's "Phytanthoza iconographia", einem der schönsten Blumen- und Pflanzenbücher des 18. Jahrhunderts. Die Kupferplatten wurden u.a. von Bartholomaeus Seuter, J. J. Haid, Johann Elias Ridinger nach Georg Dionysus Ehret, N. Asamin gestochen. -- Blatt-Maße: ca. 38 x 23,5 cm. -- gut erhalten. -- "The work may be called the first successful botanical book using color printed mezzotint" (Hunt 2, 494). || || This is an original old colored engraving from Weinmann's "Phytanthoza Iconographia", one of the most beautiful and important Baroque botanical books. It was also the first published work to include engravings by the greatest botanical artist of the eighteenth century - Georg Dionysus Ehret. Weinmann was an apothecary from Regensburg and his collection of plants was the basis of this comprehensive iconography of the flowers, fruit and vegetables in cultivation in early-18th century Europe. Georg Dionysius Ehret's pivotal contribution to the work is nowhere acknowledged as the artist parted with Weinmann after producing 500 designs. The work was financed by Bartholomaeus Seuter, one of the engravers. The plates became an important source for copyists, appearing, for instance, in a number of Meissen designs. -- in good condition. || Dies ist ein Original! - Kein Nachdruck! - Keine Kopie! -- This is an original! No copy! - No reprint! -- Lit.: Nissen, BBI 2126. Wir kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Deutsch Gewicht in Gramm: 1550.

Prächtiger großformatiger, handkolorierter Kupferstich aus Weinmann's "Phytanthoza iconographia", einem der schönsten Blumen- und Pflanzenbücher des 18. Jahrhunderts. Die Kupferplatten wurden u.a. von Bartholomaeus Seuter, J. J. Haid, Johann Elias Ridinger nach Georg Dionysus Ehret, N. Asamin gestochen. -- Blatt-Maße: ca. 38 x 23,5 cm. -- gut erhalten. -- "The work may be called the first successful botanical book using color printed mezzotint" (Hunt 2, 494). || || This is an original old colored engraving from Weinmann's "Phytanthoza Iconographia", one of the most beautiful and important Baroque botanical books. It was also the first published work to include engravings by the greatest botanical artist of the eighteenth century - Georg Dionysus Ehret. Weinmann was an apothecary from Regensburg and his collection of plants was the basis of this comprehensive iconography of the flowers, fruit and vegetables in cultivation in early-18th century Europe. Georg Dionysius Ehret's pivotal contribution to the work is nowhere acknowledged as the artist parted with Weinmann after producing 500 designs. The work was financed by Bartholomaeus Seuter, one of the engravers. The plates became an important source for copyists, appearing, for instance, in a number of Meissen designs. -- in good condition. || Dies ist ein Original! - Kein Nachdruck! - Keine Kopie! -- This is an original! No copy! - No reprint! -- Lit.: Nissen, BBI 2126. Wir kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Deutsch Gewicht in Gramm: 1550.

Prächtiger großformatiger, handkolorierter Kupferstich aus Weinmann's "Phytanthoza iconographia", einem der schönsten Blumen- und Pflanzenbücher des 18. Jahrhunderts. Die Kupferplatten wurden u.a. von Bartholomaeus Seuter, J. J. Haid, Johann Elias Ridinger nach Georg Dionysus Ehret, N. Asamin gestochen. -- Blatt-Maße: ca. 38 x 23,5 cm. -- "The work may be called the first successful botanical book using color printed mezzotint" (Hunt 2, 494). || || This is an original old colored engraving from Weinmann's "Phytanthoza Iconographia", one of the most beautiful and important Baroque botanical books. It was also the first published work to include engravings by the greatest botanical artist of the eighteenth century - Georg Dionysus Ehret. Weinmann was an apothecary from Regensburg and his collection of plants was the basis of this comprehensive iconography of the flowers, fruit and vegetables in cultivation in early-18th century Europe. Georg Dionysius Ehret's pivotal contribution to the work is nowhere acknowledged as the artist parted with Weinmann after producing 500 designs. The work was financed by Bartholomaeus Seuter, one of the engravers. The plates became an important source for copyists, appearing, for instance, in a number of Meissen designs. || Dies ist ein Original! - Kein Nachdruck! - Keine Kopie! -- This is an original! No copy! - No reprint! -- Lit.: Nissen, BBI 2126. Wir kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Deutsch Gewicht in Gramm: 1550.

Prächtiger großformatiger, handkolorierter Kupferstich aus Weinmann's "Phytanthoza iconographia", einem der schönsten Blumen- und Pflanzenbücher des 18. Jahrhunderts. Die Kupferplatten wurden u.a. von Bartholomaeus Seuter, J. J. Haid, Johann Elias Ridinger nach Georg Dionysus Ehret, N. Asamin gestochen. -- Blatt-Maße: ca. 38 x 23,5 cm. -- im Außenrand teils etwas fleckig, sonst gut erhalten. -- "The work may be called the first successful botanical book using color printed mezzotint" (Hunt 2, 494). || || This is an original old colored engraving from Weinmann's "Phytanthoza Iconographia", one of the most beautiful and important Baroque botanical books. It was also the first published work to include engravings by the greatest botanical artist of the eighteenth century - Georg Dionysus Ehret. Weinmann was an apothecary from Regensburg and his collection of plants was the basis of this comprehensive iconography of the flowers, fruit and vegetables in cultivation in early-18th century Europe. Georg Dionysius Ehret's pivotal contribution to the work is nowhere acknowledged as the artist parted with Weinmann after producing 500 designs. The work was financed by Bartholomaeus Seuter, one of the engravers. The plates became an important source for copyists, appearing, for instance, in a number of Meissen designs. -- somewhat stained on the outer margin, otherwise in good condition. || Dies ist ein Original! - Kein Nachdruck! - Keine Kopie! -- This is an original! No copy! - No reprint! -- Lit.: Nissen, BBI 2126. Wir kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Deutsch Gewicht in Gramm: 1550.

Blattformat ca. 38,4 x 24,4 cm. - In der Platte rechts unten Signatur S. Im Oberrand mit grööseren Feuchtigkeitsfleck. Außenrand etwas gebräut. Unter Passepartout montiert. Sprache: Deutsch Gewicht in Gramm: 2000.

Blattformat ca. 38,4 x 24,4 cm. - In der Platte rechts unten Signatur H. Außenrand etwas gebräut. Unter Passepartout montiert. Sprache: Deutsch Gewicht in Gramm: 2000.

Hardcover. 1735-1745. minimal stockfleckig, oben mit Spuren einer alten Montierung.

Hardcover. 1735-1745. Ränder minimal gebräunt, die Innenseite gerändert.

No binding. Original copper engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work "Phytanthoza Iconographia". This was for the first time, that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner. In excellent condition. 320 by 210mm (12½ by 8¼ inches).

No binding. Original copper engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work "Phytanthoza Iconographia". This was for the first time, that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner. In very good to excellent condition. 320 by 210mm (12½ by 8¼ inches).

No binding. Original copper engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work "Phytanthoza Iconographia". This was for the first time, that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner. In very good to excellent condition. 320 by 210mm (12½ by 8¼ inches). 320 by 210mm (12½ by 8¼ inches).

No binding. Original copper engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work "Phytanthoza Iconographia". This was for the first time, that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner. In very good to excellent condition. 320 by 210mm (12½ by 8¼ inches). 320 by 210mm (12½ by 8¼ inches).

No binding. Original copper engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work "Phytanthoza Iconographia". This was for the first time, that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner. In very good to excellent condition. 320 by 210mm (12½ by 8¼ inches). 320 by 210mm (12½ by 8¼ inches).

No binding. Original copper engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work "Phytanthoza Iconographia". This was for the first time, that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner. In excellent condition. 320 by 210mm (12½ by 8¼ inches). 320 by 210mm (12½ by 8¼ inches).

No binding. Original copper engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work "Phytanthoza Iconographia". This was for the first time, that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner. In excellent condition. 320 by 210mm (12½ by 8¼ inches).

No binding. Original copper engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work "Phytanthoza Iconographia". This was for the first time, that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner. In very good to excellent condition. 320 by 210mm (12½ by 8¼ inches). 320 by 210mm (12½ by 8¼ inches).