Weiting (146 résultats)

Etat : New. Zhang, Wendy (Weiting) (illustrateur).

Etat : New.

Etat : New.

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Paperback or Softback. Etat : New. H�kelei und Hexenkessel: Ein Paranormaler H�kelkrimi. Book.

Paperback or Softback. Etat : New. Dolch und Diamanten: Ein Paranormaler Cosy-Krimi. Book.

Paperback or Softback. Etat : New. Weissagung und Wollpullover: Ein Paranormaler Cosy-Krimi. Book.

Etat : New.

Paperback or Softback. Etat : New. Der Strickclub der Vampire: Cornwall: Ein Paranormaler Cosy-Krimi. Book.

Etat : New.

Paperback or Softback. Etat : New. Ein tr�gerisches Bildnis: Ein Paranormaler Cosy-Krimi. Book.

Etat : As New. Unread book in perfect condition.

Etat : As New. Unread book in perfect condition.

Etat : As New. Unread book in perfect condition.

Etat : As New. Unread book in perfect condition.

Etat : New.

Etat : Neu. Auflage: 1. 140 Seiten Neu,original eingeschweißt. Sprache: Englisch Gewicht in Gramm: 176 14,8 x 0,8 x 21,0 cm, Taschenbuch.

Etat : As New. Unread book in perfect condition.

Etat : New.

Etat : As New. Unread book in perfect condition.

hardcover. Etat : Nearly fine copy. 1st. 8vo, 631 pp. Well-illustrated (illustrateur).

Etat : As New. Unread book in perfect condition.

Etat : New.

Etat : new.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Etat : New. A central figure in Hong Kong cinema since her debut with The Secret (1979), Ann Hui was awarded the Golden Lion for Lifetime Achievement at the 77th Venice International Film Festival in 2020. This book explores her distinctive narrative strategies and visual style, with particular attention to gender representation and the depiction of displacement within diasporic communities. Bringing together essays by an international group of contributors, the volume offers a comprehensive analysis of Hui's filmmaking, from early televisual works such as The Boy from Vietnam (1978), to her recent documentary Elegies (2023). The chapters situate her formal and aesthetic choices within the specific historical and cultural conditions of Hong Kong and its film industry, demonstrating how her cinema is shaped by, and responds to, these contexts. The book also explores Hui's sustained engagement with gender and sexuality in films including Summer Snow (1995), All About Love (2010) and Our Time Will Come (2017), underscoring her creative agency as a female auteur. By reworking Chinese aesthetic traditions to reimagine femininity and female subjectivity, Hui's films are positioned here as open-ended and multifaceted. In doing so, the volume deepens our understanding of Hong Kong and Chinese-language cinema, the representation of women on screen, and the ongoing reconfiguration of Hong Kong's cultural identity through the work of a globally recognised filmmaker.…

Paperback. Etat : New. A central figure in Hong Kong cinema since her debut with The Secret (1979), Ann Hui was awarded the Golden Lion for Lifetime Achievement at the 77th Venice International Film Festival in 2020. This book explores her distinctive narrative strategies and visual style, with particular attention to gender representation and the depiction of displacement within diasporic communities. Bringing together essays by an international group of contributors, the volume offers a comprehensive analysis of Hui's filmmaking, from early televisual works such as The Boy from Vietnam (1978), to her recent documentary Elegies (2023). The chapters situate her formal and aesthetic choices within the specific historical and cultural conditions of Hong Kong and its film industry, demonstrating how her cinema is shaped by, and responds to, these contexts. The book also explores Hui's sustained engagement with gender and sexuality in films including Summer Snow (1995), All About Love (2010) and Our Time Will Come (2017), underscoring her creative agency as a female auteur. By reworking Chinese aesthetic traditions to reimagine femininity and female subjectivity, Hui's films are positioned here as open-ended and multifaceted. In doing so, the volume deepens our understanding of Hong Kong and Chinese-language cinema, the representation of women on screen, and the ongoing reconfiguration of Hong Kong's cultural identity through the work of a globally recognised filmmaker.…

Etat : New.

Paperback. Etat : new. Paperback. A central figure in Hong Kong cinema since her debut with The Secret (1979), Ann Hui was awarded the Golden Lion for Lifetime Achievement at the 77th Venice International Film Festival in 2020. This book explores her distinctive narrative strategies and visual style, with particular attention to gender representation and the depiction of displacement within diasporic communities. Bringing together essays by an international group of contributors, the volume offers a comprehensive analysis of Hui's filmmaking, from early televisual works such as The Boy from Vietnam (1978), to her recent documentary Elegies (2023). The chapters situate her formal and aesthetic choices within the specific historical and cultural conditions of Hong Kong and its film industry, demonstrating how her cinema is shaped by, and responds to, these contexts. The book also explores Hui's sustained engagement with gender and sexuality in films including Summer Snow (1995), All About Love (2010) and Our Time Will Come (2017), underscoring her creative agency as a female auteur. By reworking Chinese aesthetic traditions to reimagine femininity and female subjectivity, Huis films are positioned here as open-ended and multifaceted. In doing so, the volume deepens our understanding of Hong Kong and Chinese-language cinema, the representation of women on screen, and the ongoing reconfiguration of Hong Kongs cultural identity through the work of a globally recognised filmmaker. An in-depth study of Ann Hui's cinema, focusing on film aesthetics and genre, the construction of femininity, and the rendition of displacement and diaspora. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Etat : New. In English.