Edité par California Museum of Photography, Riverside, CA, 2011
ISBN 10 : 0982304633 ISBN 13 : 9780982304631
Langue: anglais
Vendeur : Jeff Hirsch Books, ABAA, Wadsworth, IL, Etats-Unis
Edition originale
EUR 35,33
Autre deviseQuantité disponible : 1 disponible(s)
Ajouter au panierFirst edition. Softcover. 96 pages. Essays by Colin Westerbeck, Susan Laxton, and Jason Weems. Features an interview of Joe Deal by Westerbeck and an interview of Lewis Baltz by Jason Weems. Incudes 51 black and white and 7 color images from a wide range of images of California. A fine copy in wrappers. As new and still in the publisher's shrinkwrap.
Edité par University of California, Riverside, Riverside, CA, 2011
ISBN 10 : 0982304633 ISBN 13 : 9780982304631
Langue: anglais
Vendeur : Argyl Houser, Bookseller, Altadena, CA, Etats-Unis
Edition originale
EUR 43,28
Autre deviseQuantité disponible : 1 disponible(s)
Ajouter au panierSoft cover. Etat : Near Fine. 1st Edition. Spotless inside and out. Two corner tips bent about 1/8" from the tip. Will be bubble-wrapped and carefully packed in a sturdy box to ensure safe transit."In the 1970s and early 1980s, photographers Joe Deal and Lewis Baltz crossed paths at the University of California, Riverside (UCR) and the UCR/California Museum of Photography. During this period an exhibition organized back East with the title New Topographics: Photographs of a Man-Altered Landscape, which included both photographers, announced the arrival of a raqdical new aesthetic in landscape. One consequence was a shift in the epicenter of landscape photography in the West from Northern California to the SoCal area. Seismic Shift traces the regional develoipment of this revolution. Beginning with Ansel Adams and Edward Weston--and with the 1946 arrival in San Francisco of Minor White, who would extend the Weston-Adams tradition by transforming it--Seismic Shift follows the history of landscape photography in the 1950s and 1960s through the careers of Wynn Bullock, Weston's son Brett and others. It then explores how the 1970s work of Baltz, Deal and Robert Adams created a shock of recognition among Western photographers of a younger generation, a realization that they shared a vision very different from that of their predecessors." -- the publishers.